| Walter Davy | ... | Paul Schremser (19 episodes, 1976-1983) | |
| Curt A. Tichy | ... | Alfred Schrammel (19 episodes, 1976-1983) | |
| Bibiane Zeller | ... | Ilse Kottan (18 episodes, 1977-1983) | |
| Carlo Böhm | ... | Erwin Drballa (15 episodes, 1978-1983) | |
| Chris Lohner | ... | TV-Ansagerin (15 episodes, 1976-1983) | |
| Lukas Resetarits | ... | Major Adolf Kottan (14 episodes, 1980-1983) | |
| Franz Suhrada | ... | Fritz Schreyvogel / ... (14 episodes, 1978-1983) | |
| Peter Patzak | ... | Polizist / ... (14 episodes, 1976-1983) | |
| Kurt Weinzierl | ... | Oberst Heribert Pilch (13 episodes, 1981-1983) | |
| Gusti Wolf | ... | Mutter Kottan (12 episodes, 1982-1983) | |
| Ernst Konarek | ... | Rudolf Horrak / ... (12 episodes, 1979-1983) | |
| Michaela Mock | ... | Polizeiärztin (10 episodes, 1981-1983) |
Series Directed by | |||
| Peter Patzak | (19 episodes, 1976-1983) | ||
Series Writing credits | ||
| Helmut Zenker | (19 episodes, 1976-1983) | |
Series Produced by | |||
| Wolfgang Ainberger | .... | executive producer / producer (19 episodes, 1976-1983) | |
| Otto H. Schneider | .... | co-executive producer (12 episodes, 1982-1983) | |
Series Cinematography by | |||
| Dietrich Lohmann | (14 episodes, 1978-1983) | ||
| Heinz Hölscher | (2 episodes, 1976-1981) | ||
| Jirí Stibr | (2 episodes, 1978-1980) | ||
Series Film Editing by | |||
| Traudl Gruber | (13 episodes, 1978-1983) | ||
| Ingrid Koller | (3 episodes, 1978-1981) | ||
Series Production Design by | |||
| Peter Manhardt | (15 episodes, 1976-1983) | ||
| Elisabeth Klobassa | (2 episodes, 1978-1979) | ||
Series Set Decoration by | |||
| Susanne Quendler-Kopf | (1 episode, 1977) | ||
| Fritz Hollergschwandtner | (1 episode, 1978) | ||
| Margit Manhardt | (1 episode, 1978) | ||
| Günther Gutermann | (1 episode, 1979) | ||
Series Costume Design by | |||
| Heidi Melinc | (14 episodes, 1979-1983) | ||
Series Makeup Department | |||
| Ilse Weisz-Stainer | .... | makeup artist (14 episodes, 1980-1983) | |
| Edda Hackenberg | .... | makeup artist (2 episodes, 1976-1978) | |
| Adolf Uhrmacher | .... | makeup artist (2 episodes, 1977-1978) | |
Series Production Management | |||
| Anton Dworak | .... | unit manager (18 episodes, 1976-1983) | |
| Herbert Reutterer | .... | production leader / production manager (18 episodes, 1977-1983) | |
| Eduard Meisel | .... | assistant unit manager (16 episodes, 1978-1983) | |
Series Second Unit Director or Assistant Director | |||
| Sissi Boehler | .... | assistant director (19 episodes, 1976-1983) | |
Series Art Department | |||
| Johannes Slapa | .... | property master / property master: outside (13 episodes, 1981-1983) | |
| Angelika Korbuly | .... | property master: inside (12 episodes, 1982-1983) | |
| Rudolf Hummel | .... | property master: inside (3 episodes, 1983) | |
Series Sound Department | |||
| Rolf Schmidt-Gentner | .... | sound (16 episodes, 1977-1983) | |
| Herbert Giesser | .... | sound mixer (16 episodes, 1978-1983) | |
| Peter Hofmann | .... | assistant sound (15 episodes, 1977-1983) | |
| Peter Schwaba | .... | sound mixer (3 episodes, 1976-1978) | |
| Herbert Koller | .... | sound (2 episodes, 1976-1978) | |
Series Special Effects by | |||
| Willi Neuner | .... | special effects (6 episodes, 1983) | |
Series Visual Effects by | |||
| Rudolf Linshalm | .... | trick photography (1 episode, 1980) | |
Series Camera and Electrical Department | |||
| Gerhard Ehringer | .... | gaffer (16 episodes, 1976-1983) | |
| Martin Hack | .... | lighting technician (8 episodes, 1976-1983) | |
| Franz Ban | .... | grip (7 episodes, 1976-1983) | |
| Bernd Neubauer | .... | assistant camera (6 episodes, 1982-1983) | |
| Andreas Kopf | .... | assistant camera (6 episodes, 1983) | |
| Reinhold Zaunrith | .... | lighting technician (6 episodes, 1983) | |
| Martin Zimmermann | .... | lighting technician (6 episodes, 1983) | |
| Franz Endlicher | .... | grip / lighting technician (2 episodes, 1977-1978) | |
| Werner Höller | .... | lighting technician (2 episodes, 1977-1978) | |
| Fritz Ölberg | .... | assistant camera (2 episodes, 1978-1981) | |
| Gernot Klotz | .... | grip (2 episodes, 1978-1979) | |
| Attila Szabó | .... | assistant camera (2 episodes, 1978-1979) | |
Series Costume and Wardrobe Department | |||
| Ilse Buchelt | .... | wardrobe (3 episodes, 1983) | |
| Erika Navas | .... | wardrobe (3 episodes, 1983) | |
Series Editorial Department | |||
| Brigitte Frischler | .... | assistant editor (6 episodes, 1983) | |
| Zuzana Brejcha | .... | assistant editor (3 episodes, 1978-1981) | |
Series Music Department | |||
| Georg Danzer | .... | composer: theme music (2 episodes, 1976-1977) | |
Series Other crew | |||
| Tamara Euler | .... | script (3 episodes, 1983) | |
| Uwe Flemming | .... | trainee (3 episodes, 1983) | |
| Nicole Schmied | .... | script (3 episodes, 1983) | |
| Martin Walch | .... | trainee (3 episodes, 1983) | |
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This is one of the rare examples of an Austrian TV series with a definite cult status. People strongly disagree about which of the three Kottan incarnations was the best, typically either favouring the subtle Peter Vogel or the wacky Lukas Resitaris. I always favoured Resitaris' interpretation, i.e. when the series went completely over the top.
The real star though was not the title hero, but one of his main adversaries: Polizeipräsident (police commissioner) Pilch, a man possessing the combined egos of Margaret Thatcher and John Shaft. In particular, I was always looking forward to his news conferences, held in that special room in which the ceiling lights created the impression of a halo.