Woody embarks on his new life as City Councillor. Norm embarks on his new life as civil servant as Woody pulled some strings to get Norm an accounting job at City Hall. And Rebecca and Sam embark on ...
Sumner Sloan, Diane's ex-fiancé and old English professor, tells her that he submitted one of her old unfinished novels to an editor at a publishing house, the editor who sees promise in it and sees ...
Drew is an assistant director of personnel in a Cleveland department store and he has been stuck there for ten years. Other than fighting with co-worker Mimi, his hobbies include drinking ... See full summary »
The lives of the disparate group of employees and patrons at a Boston watering hole called Cheers over eleven years is presented. Over much of this period, Sam Malone, a womanizing ex-Boston Red Sox pitcher and an alcoholic, owns the bar, its purchase and this life which was his salvation from his alcoholism which was largely the cause of the end of his baseball career. He ends up having a love-hate relationship with intellectual Diane Chambers, who he hires as a waitress and whose cultured mentality is foreign to anyone else in the bar. He also has an evolving relationship with Rebecca Howe, who managed the bar for the Lily Corporation which bought it from Sam, but whose outward business savvy belied the fact that she was a mess of a woman who was struggling to find her place in life. The regular patrons are largely a bunch of self-identified losers, who bond because of their shared place in life, and because Cheers is their home away from home, and in many ways more a home than ... Written by
One special episode was filmed but never aired on TV called "Uncle Sam Malone", in which the gang tries to convince Diane that U.S. Savings Bonds are a good investment. This is a special episode produced for the U.S. Treasury to be used during savings bonds drives. It was written by Ralph Phillips and directed by James Burrows. See more »
In a episode #3.5 Diane states that people who where born late are usually smarter, then she admits that she was born late. Yet in an early season four episode, she states she was premature. See more »
[watches Diane leave for the last time]
Have a good life.
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The style of the opening credits never changed throughout the series' 11 year run, unless a new cast member was added. See more »
I adored "Cheers" on its original release in the early 80's and have lately been revisiting my adoration in catching re-runs right back to the first series. Like the best series, it makes you stay with it, through series after series, cast changes or not, like other American favourites of mine "The Mary Tyler-Moore Show", "Rhoda" "M.A.S.H." "Taxi" "Newhart" and more recently "Friends". Indeed it's easy to see "Cheers" influence on the latter, both fixing much of the action on a popular drinking hole. This was back in the days when writers wrote laugh-out-loud jokes and characters you could empathise with unlike today's post modern ironic shows where the odd line might make you smile at best. "Cheers" always kept you watching for the next line, which more often than not brought forth a laugh. Set-bound as it was, like, say, the bridge on the Starship Enterprise, familiarity bred content as you got to know the characters and their surroundings. The characters were great from the start, Sam "Mayday" Malone, pseudo-intellectual barmaid Diane, the feral barmaid Carla, permanent bar-stool residents Cliff and Norm and best of all the dotty bar manager Coach, with a heart of pure gold. Newer characters entered as the series progressed, especially oddballs Frazier and Lilith Crane, Carla's combative husband Nick and later, the dim young barman "Woody"(a great replacement for Coach) and Kirsty Alley (ditto for Diane). Great as the smart direction and comedic delivery were, it was all about the writing. Great writers like Heidi Perlman, the Charles brothers, David Lloyd and Earl Pomeranz kept the quality high, season after season as I'm sure my end-to-end re-viewing will testify. 7 down, 244 to go!
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