After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Rick Hunter is a renegade cop who breaks the rules and takes justice into his own hands. Partnered with the equally stunning and rebellious Sgt. McCall, the tough-minded duo set out to crack down on L.A.'s slimiest criminals.
Slightly offbeat television police comedy/drama. Tony Scali is the police commissioner in a small town, where solutions to difficult situations often require considerable creativity. Tony's... See full summary »
Television police drama starring two female cops as partners. Their contrasting personalities (one is tough and the other sensitive) strengthen them as a team, allowing each a different perspective on both personal and professional situations. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Early in their careers, Miguel Ferrer and his brother Rafael Ferrer were cast in guest roles on this series. Their episodes were to be filmed close together, so they decided to take a vacation on location. They invited their father, José Ferrer, and their cousin, George Clooney. He had tried and failed to make it as a professional athlete, and was trying to figure out his next move. During this vacation, Miguel encouraged him to take up acting. See more »
We're gonna put the word out how you tried to set up the blacks, Eddie. You're gonna be a big hit in Attica. They're gonna be calling you the Queen of Soul!
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Actor Sidney Clute passed away during the run of the series. In every episode after his death, his name and picture still appeared in the opening credits. That was done by the producers as a tribute to him. See more »
Sharon Gless and Tyne Daly redefined female relationships. No, they were never lovers and the thought had never occurred back in the 1980s. They were partners, allies, friends, and comrades in a man's profession. They were unlikely heroines. Mary Beth was married to Harvey with two sons and a daughter. Christine was the troubled single woman. Partnered together, they formed a dynamic duo with the likes of Starsky and Hutch and Miami Vice but with estrogen and a women's touch. As Cagney and Lacey, the audience realized that women can be more serious and intelligent than the other female duo of Laverne and Shirley. No, this show was serious, thought-provoking, and entertaining. We loved Cagney and Lacey and it was a show that it's audience fought to bring back to the airwaves with passion. Unfortunately, shows like Cagney and Lacey probably wouldn't come back. The idea of having mature, plain women like Daly and Gless is gone. Although the show garnered plenty of honors including Emmys for both Daly and Gless, it is hard to imagine that nowadays a show like Cagney and Lacey wouldn't be more Police Woman and less serious. On screen, Daly and Gless proved to be a dynamic duo. You knew you had two strong actresses giving the performance of their lives as female cops. Gone was the glamor and present was the seriousness that women should be taken more seriously. Unfortunately, actresses like Daly and Gless who are terrific American actresses of the highest caliber who can turn any guest appearance into an Emmy nomination should not be forgotten and discarded like yesterday's garbage. Daly and Gless proved that audiences didn't always go for glamorous, attractive, but a realistic portrayal of women in a man's department. It's still a man's world but Cagney and Lacey proved that they had what it took to make it there after all.
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