Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then ... See full summary »
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Nyree Dawn Porter
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
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The series follows the lives of both the family and the servants in the London townhouse at 165 Eaton Place. Richard Bellamy, the head of the household, is a member of Parliament, and his ... See full summary »
Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then invites Charles to dinner after his teddy bear Aloysius 'refuses to talk to him' unless he is forgiven. Charles becomes involved with Sebastian's family, Catholic peers of the realm in Protestant England. The story is told in flashback as Charles, now an officer in the British Army, is moved with his company to an English country house that he discovers to be Brideshead, Sebastian's family home where Charles has a series of memories of his youth and young manhood, his loves, life, and a journey of faith and anguish. Written by
John Vogel <firstname.lastname@example.org>
During the enforced break in filming caused by the ITV technicians' strike in 1979, it was noticed by the cast and producer that an important scene (Julia in tears while sitting by the fountain at night) had not been included in the script. They decided that it should be put in. In fact, during filming, the cast and crew had only a vague idea how many episodes would result. The final script was apparently NOT written by 'John Mortimer'. Producer Derek Granger simply selected scenes and lines from the pages of the novel, though Mortimer still had to be credited for contractual reasons. See more »
Brilliantly adapted by John Mortimer from Evelyn Waugh's celebrated novel of England between the first and second World Wars, BRIDESHEAD REVISITED may be the best miniseries ever made. Smoothly and subtly directed by Charles Sturridge and Michael Lindsay-Hogg, the twelve hour program is beautiful to look at, the cast is remarkable, and the story has amazing impact.
The miniseries follows the novel closely, beginning near the end of World War II as Charles Ryder (Jeremy Irons) grows disdainful of military life, which he finds a study in futility--and then flashes back twenty years as Ryder recalls his relationship with the aristocratic Marchmain family, a relationship that begins when he becomes friendly with Marchmain son Sebastian Flyte (Anthony Andrews) while the two are students at Oxford.
The miniseries captures perfectly a golden moment of youth--and then the gradual disillusionment brought by the passage of time. Like all great works, BRIDESHEAD REVISITED--both book and film--touches on a great many themes, most specifically an innocent type of homoeroticism, loss of innocence, alcoholism, adultery, and changing society; ultimately, however, the story is about spiritual values and how they survive in even the most unlikely of circumstances--and how God works through individuals in the most unexpected ways.
The performances here are truly fine beyond description. Jeremy Irons has seldom surpassed his work here, and neither Anthony Andrews nor Dianna Quick (as Julia, Sebastian's sister) have ever bested their performances in this film. In addition to the three leads, the miniseries offers an incredible array of superior performances by John Gielgud, Claire Bloom, and Laurence Olivier; the cinematography and art design is flawless; and the score by Geoffrey Burgon is exquisite. Mortimer's script is remarkable in that it not only manages to recreate the novel, it also manages to capture the intangible, spiritual elements upon which the book plays but seldom directly references. A must-own work for any one who appreciates the best of the best; strongly, strongly recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
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