Years later, a woman narrates her personal story of the Japanese takeover of Hong Kong in 1941. She's Nam, young, attractive, daughter of a wealthy rice merchant, and prey to painful, ... See full summary »
The Republiic of China was still young, Shihai and the warlords were against Dr. Sun Yat-Sen. Long and his gang roamed the northern mountain areas. They are known as "The Pigtails" for the ... See full summary »
Li Man-Ho comes to Hong Kong after his father's death following a double crossed peace meeting at the hands of a rival gang. The family's business begins to crumble as rival organizations ... See full summary »
Fat Cat, a intellectually disabled man who endures the mistreatment of the local villagers. Koko, the idealistic social worker who tries to give Fat Cat a better life. Her battle against apathy on his behalf takes its toll on them both.
Wu Viet is a Vietnamese refugee who wants to leave his country behind and start over in the United States. First, he must make his way to Hong Kong, but as he passes through Thailand, he ... See full summary »
Deceitfully advertised as a sequel to the 1989 KILLER featuring the two leads of that film, Chow Yun-Fat and Danny Lee, this work was actually produced eight years earlier, with no relation to the John Woo directed piece, the deception not ending there as stills reproduced front and rear upon the video box are from other movies starring the two actors. The setting is British governed Hong Kong with the customary conflict in place between the forces of good (police) and evil (organized crime),occurring with much celerity and scant effort to show character development, marked by editing that propels the action at the expense of continuity. Such emphasis upon quick pacing might hide some flaws if they were few, but such is not the case here, and the English subtitles provide little assistance, being generally white on white while appearing fleetingly at that, at the same time grotesquely inaccurate; as example: several instances when police personnel are chasing suspects, calling for them to stop, the titles spell out a plaintive "Don't go, don't go". Unsubtle acting, preposterous dialogue, and embarrassingly inferior production values are present throughout although a decent performance is turned in by always dependable Kwan Hui-San as a police superintendent who wishes to continue an illicit relationship with a Triad while yet performing effective detective work, but scarce else is here to remember, even for fans of the popular Chow Yun-Fat.
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