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Wie de Waarheid Zegt Moet Dood (1981)

 -  Documentary | Biography
7.2
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Ratings: 7.2/10 from 129 users  
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Documentary on the life and death of Pier Paolo Pasolini.

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Title: Wie de Waarheid Zegt Moet Dood (1981)

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Cast

Cast overview:
...
Himself (archive footage)
Alberto Moravia ...
Himself, writer
Laura Betti ...
Herself
Maria Antonietta Macciocchi ...
Herself, writer
...
Himself
Nino Marazzita ...
Himself, Pier Paolo Pasolini family's lawyer
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Storyline

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched. Written by <jhailey@hotmail.com>

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Whoever Says the Truth Shall Die  »

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Whoever Says the Truth Shall Die
10 August 2008 | by (Louisville, KY) – See all my reviews

Whoever Says the Truth Shall Die (1981)

** 1/2 (out of 4)

Strange documentary from the Netherlands, which talks of the life, poetry and films of the controversial Pier Paolo Pasolini who was brutally murdered in 1975. The official cause of death is that the director took a 17-year-old boy for a walk, made sexual advances towards him and then the boy killed him. The conspiracy theory on display here is that the government and Christians had something to do with the murder due to the director's Salo and some poems he wrote towards the end of his life. For the most part this documentary is a complete bore that really doesn't come to life until the final ten minutes when the murder is looked at. The best piece of evidence given are the photos of Pasolini's body, which was beaten to a pulp and then driven over by a car. This is the evidence, which claims the boy didn't do the killings even though those being interviewed admit that Pasolini was the sexually aggressive type. The documentary never talks to anyone on the opposite side so we never really get any clear answers to what really happened. The stuff discussing his poems and films isn't very well done and doesn't really shine a light on anything because all the film really does is remind us that he was a homosexual every ten minutes.


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