Mamma Roma is a middle-aged whore of Roma. Now she can quit her job to become a fruit seller. And she can take back her 16-year-old son, Ettore. For him, she dreams of a good position. But ... See full summary »
Pier Paolo Pasolini
We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary ... See full summary »
Pier Paolo Pasolini,
Salò Cast & Crew
An adaptation of nine stories from Bocaccio's "Decameron": A young man from Perugia is swindled twice in Naples, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a... See full summary »
Pier Paolo Pasolini
A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched. Written by
Intriguing profile of Italy's finest post-war poet
Pier Paolo Pasolini was perhaps the most controversial filmmaker in Italy's history. Like Hearst did with the printed word, Pasolini took the art film to the slums - the average working class. Aside from famously adapting great classical works (CHAUCER, BOCCACCIO, SADE, etc.) he also penned scripts for his peers Bernardo Bertolucci and Federico Fellini. The documentary does a fine job addressing Pasolini's literary prowess, simply reading excerpts from his brilliant poetry (stark and reflective, perfect companion to his cinematic works). A fine profile on this genius. Nice touch is that it is partially in English, rather than being completely subtitled like any other movie about Pasolini.
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