A rather loose adaptation of the P. D. James novel. Cordelia Gray, the survivor of a partnership in a detective agency, is asked by the assistant of James Calendar to investigate the ... See full summary »
Peverell Press, respected London publishing house with two hundred years of tradition, is taken over by new management. Gerard Etienne, new yuppie CEO, wants to implement radical changes. ... See full summary »
The lease on the Dupayne Museum is almost up and under the terms of their father's will, all three of the Dupayne children must agree to continue or the museum is to close. Neville Dupayne ... See full summary »
Scotland Yard Commander Adam Dalgliesh has been on leave following the death on duty of a member of his team, DS Sarah Hillier. His superiors order him back to work to investigate the ... See full summary »
New Scotland Yard Commander Adam Dalgleish is asked to have a second look at the death of Ronald Treeves, a student at St. Anselm's seminary. He was killed when a sand dune collapsed and ... See full summary »
When Dr. Edwin Lorimer, a forensic scientist working at a private laboratory is found killed, Detective Superintendent Adam Dalgliesh is sent to investigate. Dalgliesh had been in the area ... See full summary »
A rather loose adaptation of the P. D. James novel. Cordelia Gray, the survivor of a partnership in a detective agency, is asked by the assistant of James Calendar to investigate the suicide of his son, Mark. About the same age as Mark, Cordelia is resourceful in her investigation, but smitten with the dead son and becomes obsessed with his memory and his increasingly suspicious death. She interviews his friend, Andrew, and his girlfriend, Isobel. She is also interested in James Calendar's assistant, Elizabeth Leaming, who seems to have a more than natural interest in Mark. She is thrown down an abandoned well and later chases her assailant, Andrew... Written by
Brian Wallen <firstname.lastname@example.org>
One of the films of the year in the Virgin Film Yearbook
Saw it when it came out and no sign of it since. With the release of Radio On by the BFI I hoped it would find its way (look at some of the crap that gets put out) to the shelves. Network, BFI, Optimum, Eureka. Anybody - as long as it's a good transfer.
The TV version with Helen Baxendale was enjoyable but I recall that this film was a more downbeat with a very British film feel, like The long Good Friday.
I don't understand why some films disappear without trace whilst others are shown over and over (Film 4, I'm looking at you)without regard for quality.
5 of 5 people found this review helpful.
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