A rather loose adaptation of the P. D. James novel. Cordelia Gray, the survivor of a partnership in a detective agency, is asked by the assistant of James Calendar to investigate the ...
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Cordelia Gray is the reluctant owner of a ramshackle investigation agency following the suicide of her boss. Watching over her as she hunts down clues in the murky and sinister world of ... See full summary »
When Dr. Edwin Lorrimer, a forensic scientist working at a private laboratory is found killed, Detective Superintendent Adam Dalgliesh is sent to investigate. Dalgliesh had been in the area... See full summary »
Commander Dalgleish of Scotland Yard investigates the apparent murder of a well-known author who is found floating in a dinghy with his hands chopped off. The man, Maurice Seton, had ... See full summary »
Two girls escape from an open borstal for two very different reasons; Annetta to attempt to visit her baby daughter, who is being raised in a convent; and Carol, who hopes to be recaptured ... See full summary »
A rather loose adaptation of the P. D. James novel. Cordelia Gray, the survivor of a partnership in a detective agency, is asked by the assistant of James Calendar to investigate the suicide of his son, Mark. About the same age as Mark, Cordelia is resourceful in her investigation, but smitten with the dead son and becomes obsessed with his memory and his increasingly suspicious death. She interviews his friend, Andrew, and his girlfriend, Isobel. She is also interested in James Calendar's assistant, Elizabeth Leaming, who seems to have a more than natural interest in Mark. She is thrown down an abandoned well and later chases her assailant, Andrew... Written by
Brian Wallen <email@example.com>
One of the films of the year in the Virgin Film Yearbook
Saw it when it came out and no sign of it since. With the release of Radio On by the BFI I hoped it would find its way (look at some of the crap that gets put out) to the shelves. Network, BFI, Optimum, Eureka. Anybody - as long as it's a good transfer.
The TV version with Helen Baxendale was enjoyable but I recall that this film was a more downbeat with a very British film feel, like The long Good Friday.
I don't understand why some films disappear without trace whilst others are shown over and over (Film 4, I'm looking at you)without regard for quality.
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