"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
Frank is an expert professional safecracker, specializing in high-profile diamond jobs. After having spent many years in prison, he has a very concrete picture of what he wants out of life--including a nice home, a wife, and kids. As soon as he is able to assemble the pieces of this collage, by means of his chosen profession, he intends to retire and become a model citizen. In an effort to accelerate this process, he signs on to take down a huge score for a big-time gangster. Unfortunately, Frank's obsession for his version of the American Dream allows him to overlook his natural wariness and mistrust, when making the deal for his final job. He is thus ensnared and robbed of his freedom, his independence, and, ultimately, his dream. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In the scene in Leo's house, James Caan improvised mispronouncing "elected" as "elected-ed" to show that Frank was an uneducated man who tried project an air of sophistication. See more »
After Frank puts the transponder on the bus bound for Des Moines, the scene reveals the police car holding back traffic for the shot behind. See more »
I come here to discuss a piece of business with you, and whadda you gonna do? You gonna tell me fairy tales?
Hey, who da fuck are you slick? Somebody knows you? Whadda you, crazy or what?
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One of My All Time Faves - But the original is gone I suspect
Saw this in the theater at it's release. Went back the next weekend and scenes were cut. They remain cut in every version I've seen since. Frank snaps chalk lines off traces of blueprints onto the safe face in the opening heist. Guess the crime commission didn't dig that, 'cause that 5 seconds is history in every cut I've seen since. How do the boys and their gear get up on the roof of the bank building? Rocket assisted grappling hook mortars firing mountain lines and Jumar ascenders from the parking lot. You won't see that scene anymore, either. Man, I miss the Corned Beefs at the Belden Deli on Clark where Frank hands the stones to Gags. Long gone. But if you are in Chicago, stop in early at the Green Mill and you might be able to have a drink in that big, round wood booth - still there. Great gun & car flick. Frank's .45 looks like a Bomar Svenson custom combat, tremendous. Watch for the High Standard 12 guage stakeout special at the end - very rare. Take a drive up north on Western Avenue to check out all the used car lots - still there. Great locations. Yup, the creme was ALWAYS cottage cheese at the old Oasis restuarants. Yuch! You know - Tuesday Weld actually even ACTS a little in this movie, amazing. Man that was a gorgeous house in my old neighborhood and yes they blew it up. Notice when they are snuggling on the outdoor patio - it had a two-sided fireplace - indoor and outdoor. Probably the best Chicago movie ever. The phone book and trash can - time honored tools of the early 80's. When I saw it opening night the theater was filled with every crook and detective on the north side with their wives. And everybody just nodded to each other on the way out. Those days are gone but not forgotten. Great, great flick. Cool TD soundtrack album, too. Also probably the best metallurgical movie ever. I want Frank's coat.
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