7.0/10
112
1 user 1 critic

Station (1981)

Eki (original title)
Constantly put to the test and faced with tragedy wherever he turns, can a man finally find solace and a modicum of love or rest with what is left of his hometown, his family, love or himself?

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Cast

Cast overview, first billed only:
...
Eiji Mikami
Chieko Baishô ...
Kiriko (1979) Michio
Ayumi Ishida ...
Naoko Mikami (1968)
Setsuko Karasuma ...
Suzuko Yoshimatsu (1976)
Yûko Kotegawa ...
Fuyuko Mikami
...
Sugawara
Ryûdô Uzaki ...
Yukio Kinoshita
Hideo Murota ...
Shigeru Morioka
Nenji Kobayashi
Raita Ryû
Hideji Ôtaki ...
Aiba
Tanie Kitabayashi ...
Masayo Mikami
Minori Terada ...
Chikaraishi
Akira Nagoya ...
Takada
Masao Komatsu
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Storyline

Constantly put to the test and faced with tragedy wherever he turns, can a man finally find solace and a modicum of love or rest with what is left of his hometown, his family, love or himself?

Plot Summary | Add Synopsis

Genres:

Drama

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23 April 1982 (USA)  »

Also Known As:

Station  »

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1.85 : 1
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Did You Know?

Connections

Features Ban jin ba liang (1976) See more »

Soundtracks

Funa uta
(uncredited)
Lyrics by Yû Aku
Music by Keisuke Hama
Performed by Aki Yashiro
See more »

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User Reviews

A very beautiful film.
26 November 2003 | by (San Diego, California) – See all my reviews

This is a Ken Takakura vehicle, and as such follows his formula. Takakura plays to type as the laconic brooder who suffers multiple tragedies with manly stoicism. While the variety of his film varied greatly, his films with director Yasuo Furuhata were always of the highest quality, and this is no exception. Takakura is a cop training to be a sharpshooter for the Olympic games, he divorces his wife and abandons his daughter when he discovers she's had an affair. Later his coach is gunned down by a fleeing criminal. Years later Takakura returns to his snowy hometown and starts an affair with a middle-aged bar owner. The story is a bit thick, with a number of subplots, yet it is extrordinarily melancholic, as Takakura seems to regret everything he's done in his life and is made over and over again to relive his mistakes. There is very little "action" as such, and no yakuzas of any kind; but beyond that this is one of the most lushly beautiful and emotional films you can see (if you can see it), with an excellent score by Ryudo Uzaki.


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