| Keith Carradine | ... | Spencer | |
| Powers Boothe | ... | Hardin | |
| Fred Ward | ... | Reece | |
| Franklyn Seales | ... | Simms | |
| T.K. Carter | ... | Cribbs | |
| Lewis Smith | ... | Stuckey | |
| Les Lannom | ... | Casper | |
| Peter Coyote | ... | Poole | |
| Alan Autry | ... | Bowden (as Carlos Brown) | |
| Brion James | ... | Trapper | |
| Sonny Landham | ... | Hunter | |
| Allan Graf | ... | Hunter | |
| Ned Dowd | ... | Hunter | |
| Rob Ryder | ... | Hunter | |
| Greg Guirard | ... | Cajun Couple | |
| June Borel | ... | Cajun Couple | |
| Jeanne-Louise Bulliard | ... | Cajun Dancer (as Jeanne Louise Bulliard) | |
| Orel Borel | ... | Cajun Dancer | |
| Jeannie Spector | ... | Cajun Dancer | |
| Marc Savoy | ... | Cajun Musician | |
| Frank Savoy | ... | Cajun Musician | |
| Dewey Balfa | ... | Cajun Musician | |
| John Stelly | ... | Cajun Musician |
Directed by | |||
| Walter Hill | |||
Writing credits | ||
| Michael Kane | (written by) and | |
| Walter Hill | (written by) & | |
| David Giler | (written by) | |
Produced by | |||
| David Giler | .... | producer | |
| William J. Immerman | .... | executive producer | |
Original Music by | |||
| Ry Cooder | |||
Cinematography by | |||
| Andrew Laszlo | (director of photography) | ||
Film Editing by | |||
| Freeman A. Davies | (as Freeman Davies) | ||
Casting by | |||
| Judith Holstra | |||
Production Design by | |||
| John Vallone | |||
Set Decoration by | |||
| Robert Gould | |||
Makeup Department | |||
| Michael Germain | .... | makeup artist | |
| Dagmar Loesch | .... | hair stylist | |
Production Management | |||
| Gene Levy | .... | unit production manager | |
| Venetia Stevenson | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Pat Kehoe | .... | first assistant director | |
| Bob Roe | .... | second assistant director (as Robert Roe) | |
Art Department | |||
| Gus Basso | .... | greensman | |
| Francis N. 'Lucky' Costello | .... | painter (as Frank Costello) | |
| Bruce E. Kasson | .... | property department (as Bruce Kasson) | |
| Johnny Lattanzio | .... | paint foreman (as John Lattanzio) | |
| Steve Lombardi | .... | propmaker | |
| Craig Raiche | .... | property department | |
Sound Department | |||
| Glenn E. Anderson | .... | production sound (as Glenn Anderson) | |
| Gordon Ecker | .... | supervising sound editor (as Gordon Ecker Jr. {wallaWorks}) | |
| Walter A. Gest | .... | re-recordist (as Walter Gest) | |
| Stan Gilbert | .... | dialogue editor | |
| Randy Kelley | .... | sound editor | |
| Rick Kline | .... | re-recording mixer | |
| Donald O. Mitchell | .... | re-recording mixer | |
| Bob Newlan | .... | assistant sound editor (as Robert Newlan) | |
| Bill Nicholson | .... | re-recording mixer | |
| Tony Romero | .... | production sound | |
| Wylie Stateman | .... | sound editor | |
| James Utterback | .... | production sound | |
| John Duffy | .... | sound editor (uncredited) | |
| Cameron Frankley | .... | sound editor (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Lawrence J. Cavanaugh | .... | special effects (as Larry Cavanaugh) | |
Stunts | |||
| Gregg Brazzel | .... | stuntman | |
| Bennie E. Dobbins | .... | stunt coordinator (as Bennie Dobbins) | |
| Melvin Jones | .... | stuntman | |
| Max Kleven | .... | stuntman | |
| Conrad E. Palmisano | .... | stuntman (as Conrad Palmisano) | |
| Rock A. Walker | .... | stuntman (as Rock Walker) | |
Camera and Electrical Department | |||
| Jay Davis | .... | grip | |
| James Etheridge | .... | camera operator | |
| Lynn Lockwood | .... | camera assistant | |
| John London | .... | grip | |
| Ross A. Maehl | .... | gaffer (as Ross Maehl) | |
| Tom May | .... | grip (as Tommy May) | |
| Richard Craig Meinardus | .... | camera assistant (as Richard Meinardus) | |
| Richard Montagne | .... | camera assistant | |
| Neil Roach | .... | camera operator | |
| James Zenk | .... | still photographer | |
| Kyle T. MacDowell | .... | electrician (uncredited) | |
Casting Department | |||
| Bea Lindzon | .... | extra casting | |
Costume and Wardrobe Department | |||
| Tom Bronson | .... | costume supervisor | |
| Dan Moore | .... | costumer | |
Editorial Department | |||
| Lisa Zeno Churgin | .... | assistant film editor (as Lisa Churgin) | |
| Carmel Davies | .... | assistant film editor | |
| Teri E. Dorman | .... | assistant film editor | |
| Jack Hooper | .... | negative cutter | |
| Jim Schurmann | .... | timer | |
| David Orr | .... | color timer (uncredited) | |
Music Department | |||
| Ry Cooder | .... | music arranger | |
| Ry Cooder | .... | musician: guitar | |
| Jim Dickinson | .... | musician: keyboards | |
| Jim Henrikson | .... | music editor | |
| Milt Holland | .... | musician: percussion | |
| Kazu Matsui | .... | musical consultant | |
| Marc Savoy | .... | musical consultant | |
| Allen Sides | .... | music recorded & mixed by | |
| Mark Ettel | .... | score engineer (uncredited) | |
Transportation Department | |||
| Ronnie Baker | .... | transportation coordinator | |
Other crew | |||
| Judy Bernardoni | .... | production accountant (as Judith Bernardoni) | |
| Jerry Chinn | .... | craft service | |
| Rob Corn | .... | production assistant | |
| Lori Covel | .... | assistant: Mr. Giler | |
| Lyla Foggia | .... | unit publicist | |
| Mary F. Galloway | .... | location manager (as Mary Galloway) | |
| Greg Guirard | .... | technical advisor | |
| John Markanton | .... | technical advisor (as John Markanton Lt. Col. {Ret.}) | |
| Mary Meacham | .... | titles (as Mary Meacham-MGM Title) | |
| Harriet Monroe | .... | location secretary | |
| Mary Ann Newfield | .... | script supervisor | |
| Florian Schereck | .... | accounting assistant | |
| Leigh Webb | .... | first aid | |
| Mae Woods | .... | assistant: Mr. Hill | |
| Lisbeth Wynn-Owen | .... | production coordinator | |
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| Alatriste | The Treasure of the Sierra Madre | First Blood | SLC Punk! | The Prowler |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Thank the heavens for John Boorman! If it hadn't been for his classic "Deliverance", we never would have had the stream of gritty and relentless "Backwoods" action & horror movies. Most of them are just a cheap excuse to make fun of stereotypical rednecks and depict gratuitous violence, but some are truly great films that come damn near to the quality level of "Deliverance" itself, like Walter Hill's "Southern Comfort". This exhilarating backwoods survival chiller uses some of the best exterior filming locations ever, the suspense and atmosphere of madness gradually builds itself up, the (almost) all-star cast is terrific and the violence is extremely rough at times. A nine-headed squadron of the Louisiana National Guard enrolls into a training practice in the Cajun Swamps and soon get lost. They borrow three canoes of the local population without asking and when one of the soldiers playfully (but stupidly) fires off blanks in their direction, the unseen Cajuns hillbilly-poachers respond with real bullets. This inflicts a disturbing cat and mouse game between the soldiers (with minimal ammunition and no knowledge of the area) and the seemingly invisible Cajuns (with their primitive hunting instincts and inventive booby traps). Usually in this type of flicks, it's obvious to choose which side you're on, but in "Southern Comfort" you have to think at least twice. The soldiers aren't exactly warm and friendly men, neither, and you're more than often tempted to think they're somewhat responsible for the mess they're in. After all, they did steal the canoes, they did set fire to one of the Cajun's homes and they did yell obscure things at them! The finale, set in an actual Cajun community, is truly nail-biting, absorbing and strangely educational, what with all the portrayal of typical rituals like dance parties and barbecuing! Another masterful period accomplishment from Walter Hill, who also made the brilliant cult classic "The Warriors" and the family-western "The Long Riders".