Car Wash is about a close-knit group of employees who one day have all manner of strange visitors coming onto their forecourt, including Richard Pryor as a preaching 'wonder-man' who is ... See full summary »
Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Georg Stanford Brown
Steve Jackson and Wardell Franklin sneak out of their houses to visit Madame Zenobia's: a high-class but illegal nightclub. During their visit, however, the place is robbed and they are ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Tired of the slave-like treatment of his team's owner, charismatic star Negro League pitcher Bingo Long takes to the road with his band of barnstormers through the small towns of the Midwest in the 1930's.
Billy Dee Williams,
James Earl Jones,
Three workers, Zeke, Jerry and Smokey, are working at a car plant and drinking their beers together. One night when they steal away from their wives to have some fun they get the idea to ... See full summary »
A Vietnam vet returns home from a prisoner of war camp and is greeted as a hero, but is quickly forgotten and soon discovers how tough survival is in his own country. Written by
One of Pryor's more thoughtful performances...but a good central idea is diffused by too many targets
After five years as a Prisoner of War in Hanoi, Army Corporal Richard Pryor is rescued and returns to the States a hero (he makes the evening news after a journalist suggests he bend and kiss the ground). Still, heroes don't linger long in a busy world, and soon Pryor is fighting for his self-worth after the government turns their back on him and his wife admits she's moved on with her life. Serio-comic adaptation of James Kirkwood Jr.'s novel by Kirkwood and Robert Boris makes an uneasy vehicle for the star, who is encouraged to go deeper as an actor yet still retain his naughty persona and signature foul mouth. The character's imprisonment under the Vietcong takes up thirty minutes of screen-time (far too long), while the limply dramatic stuff with the unfaithful Mrs. chews up another ten. Pryor has some strong scenes here and there, but he's relying on externals to get him through. He allows himself to be vulnerable and loving, and this works up to a point, yet the feel-good ending is a cheat (larceny cures all!) and a romance with Beverly Hills hooker Margot Kidder (who appears to have no other clients) is rather unlikely. ** from ****
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