While trying to get his father out of a financial jam, a man comes up with an idea that turns into an unexpected overnight financial fashion success - the bottomless pants.

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Cast

Cast overview, first billed only:
...
Bobby Fine
...
Jack
...
Lira
...
Eddie
...
Chairman Lincoln
...
Sam Schlotzman
David Rounds ...
Professor McCarthy
Joel Stedman ...
Professor Yarnell
...
Sylvia
Michael Lombard ...
Jay Augustine
Jessica James ...
Vicki
Charles Bruce Millholland ...
Sir Alec (as Bruce Millholland)
Merwin Goldsmith ...
Dave
Irving Metzman ...
Accountant
Lois De Banzie ...
Waitress in House of Pancakes
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Storyline

While trying to get his father out of a financial jam, a man comes up with an idea that turns into an unexpected overnight financial fashion success - the bottomless pants.

Plot Summary | Add Synopsis

Taglines:

A revealing comedy.

Genres:

Comedy

Certificate:

R | See all certifications »
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Details

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Release Date:

25 September 1981 (USA)  »

Also Known As:

Amor na Medida Certa  »

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Might be considered a loose remake of "The Garment Jungle" (1957) starring Lee J. Cobb. See more »

Quotes

Lira: [Lira and Eddie are singing in a performance of 'Otello'] You have a limp noodle!
Eddie: It was a war wound!
See more »

Connections

Referenced in The New York Ripper (1982) See more »

Soundtracks

Now Is the Month of May
(uncredited)
Traditional
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User Reviews

 
Transparent
10 November 2015 | by (las vegas, nv) – See all my reviews

Broadly-written and directed comedy about a professor of American literature who is forced into joining his manufacturer-father's dress business in New York City after his dad falls into debt with loan sharks. As an early-1970s Hollywood Lothario who first gained recognition on TV's "Peyton Place" as the resident heartthrob, and later parlayed that same appeal in the hit romantic-tragedy "Love Story", it is amazing that actor Ryan O'Neal was then typecast as a befuddled square who is nervous and unsure around women (this following his success in 1972's "What's Up, Doc?"). O'Neal doesn't really fit the role; his clumsiness isn't forced, yet the star doesn't have the innate grace for physical comedy (he's too self-conscious and heavy-spirited, and mock-innocent). The film has one great gag (split jeans), and a funny follow-up (a TV commercial promoting the jeans with see-through plastic on the rear), but none of the screwball hijinks in the boudoir raises a laugh. *1/2 from ****


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