Al Shaw's life revolves around motor racing and his back country junkyard, the "Smash Palace". His French wife, Jacqui, doesn't appreciate the lack of attention due to Al's obsession with ... See full summary »
Local goon, Gerry, hires a yellow mini in Kaitaia using a stolen license. John's wife has just left him and moved to Invercargill. He is devastated and needs to talk to her. He has no ... See full summary »
Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
A vulcanologist arrives at a countryside named Dante's Peak after a long dormant volcano, which has recently been named the second most desirable place to live in America, and discovers that Dante's Peak, may wake up at any moment.
Jamie Renée Smith
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Al Shaw's life revolves around motor racing and his back country junkyard, the "Smash Palace". His French wife, Jacqui, doesn't appreciate the lack of attention due to Al's obsession with cars. When Al finds her in the arms of another man, he takes his daughter, Georgie and heads for the bush, desperately hoping to hold on to the only family he has left. Written by
Married couple in New Zealand with a young child separate, but he can't let go. Art-house stunner delivers some amazingly raw and complicated emotions in its early stages, but then gets confused and falls off. This isn't the fault of the actors however, particularly Bruno Lawrence in what should've been a star-making performance. Maybe it's the fact that his character is so morose and troubled (at one point, with the family piled in the car, he pauses on the railroad tracks) that Lawrence wasn't given much credit, and the film failed to find an audience here in the States. Some light relief from all the crazy behavior might've helped, yet the picture has a prickly, compelling edge, and that's surely something the audience can latch onto. Sadly, this melodramatic roller-coaster of emotions does peter out, though for the first hour it showcases a gripping study of human lives. **1/2 from ****
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