| Photos (see all 13 | slideshow) |
Directed by | |||
| Jerry London | |||
Writing credits | ||
| James Clavell | (novel) | |
| Eric Bercovici | (writer) | |
Produced by | |||
| Eric Bercovici | .... | producer | |
| Ben Chapman | .... | associate producer | |
| James Clavell | .... | executive producer | |
| Kerry Feltham | .... | associate producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Andrew Laszlo | |||
Film Editing by | |||
| James T. Heckert | |||
| Bill Luciano | |||
| Donald R. Rode | |||
| Jack Tucker | |||
| Benjamin A. Weissman | |||
| Jerry Young | |||
Casting by | |||
| Tatsuhiko Kuroiwa | |||
| Maude Spector | |||
Art Direction by | |||
| Joseph R. Jennings | |||
Set Decoration by | |||
| Tom Pedigo | |||
Costume Design by | |||
| Shin Nishida | |||
Makeup Department | |||
| Masato Abe | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Phil Cook | .... | first assistant director | |
| Masahiko Okumura | .... | assistant director: Japan | |
| Charles Ziarko | .... | first assistant director | |
Art Department | |||
| Ed Charnock | .... | painter | |
| Al DeGaetano | .... | construction coordinator | |
| Phill Norman | .... | graphic designer | |
| Marty Wunderlich | .... | property master | |
| Shoichi Yasuda | .... | set decorator: Japan | |
| Hideo Yoshioka | .... | construction coordinator: Japan | |
Sound Department | |||
| Howard Beals | .... | sound editor | |
| John Glascock | .... | sound mixer | |
Special Effects by | |||
| Bob Dawson | .... | special effects (as Robert Dawson) | |
Stunts | |||
| Shinpachi Miyama | .... | stunt coordinator: Japanese crew | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
Camera and Electrical Department | |||
| Chuy Elizondo | .... | camera operator | |
| Ken Johnson | .... | key grip | |
| Vern Matthews | .... | key grip | |
| Sal Orefice | .... | gaffer | |
Costume and Wardrobe Department | |||
| Toshiaki Manki | .... | wardrobe | |
Music Department | |||
| John La Salandra | .... | music editor | |
| Gary Ulmer | .... | music recordist | |
Other crew | |||
| Chiho Adachi | .... | consultant | |
| Chiho Adachi | .... | interpreter | |
| Chris Bartlett | .... | foreign production coordinator | |
| Luca Bercovici | .... | dialogue coach | |
| Frank Cardea | .... | production executive | |
| Rosa Gonzalez | .... | assistant production accountant | |
| Banjuro Hemura | .... | consultant | |
| Banjuro Hemura | .... | production services | |
| Don Henry | .... | production accountant | |
| J. Steven Hollander | .... | auditor | |
| Fred Ishimoto | .... | special consultant | |
| Larry K. Johnson | .... | script supervisor | |
| Anna Mills | .... | assistant: Eric Bercovici | |
| Umeo Minamino | .... | advisor: Jerry London | |
| Chiyo Miyakoshi | .... | script supervisor: Japan | |
| Valerie Nelson | .... | assistant: James Clavell | |
| Phill Norman | .... | title designer | |
| Alicia Rivera Frankl | .... | production accountant (as Alicia Alon) | |
| Recent Posts (updated daily) | User |
|---|---|
| DVD! | Phil_H |
| Sub-titles? | paladinMJ |
| miniseries length | seaotter12398 |
| when first showed | pedersen92591 |
| This is the 2 hour, not 9 hour version! | teegz |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Basically, trying to fit a Clavell epic into a 2-hour movie is like trying to fit the entire Sears catalog into a single 30-second ad. While the miniseries is a masterful adaptation, covering all of the essential plotlines and perhaps even adding to the understanding for Mariko's and Blackthorne's relationship, the 2-hour cut is piece-meal and poorly edited. in short, it doesn't make sense, and it doesn't do justice to Clavel's greatest epic.
It is also a great read, by the way.