Shock Treatment (1981) 5.4
Janet and Brad become contestants on a game show... but wind up as captives instead. Director:Jim Sharman |
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Shock Treatment (1981) 5.4
Janet and Brad become contestants on a game show... but wind up as captives instead. Director:Jim Sharman |
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| Cast overview, first billed only: | |||
| Jessica Harper | ... | ||
| Cliff De Young | ... | ||
| Richard O'Brien | ... |
Dr. Cosmo McKinley
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| Patricia Quinn | ... |
Dr. Nation McKinley
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| Charles Gray | ... | ||
| Ruby Wax | ... | ||
| Nell Campbell | ... | ||
| Rik Mayall | ... | ||
| Barry Humphries | ... | ||
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Darlene Johnson | ... | |
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Manning Redwood | ... |
Harry Weiss
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Wendy Raebeck | ... |
Macy Struthers
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Jeremy Newson | ... | |
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Betsy Brantley | ... |
Neely Pritt
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Perry Bedden | ... |
Neely's Camera Crew
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Following on from "The Rocky Horror Picture Show", this musical is set several years later in Brad and Janet Majors' hometown - which has become a giant TV station; residents are either participants or viewers. They are married now, but their romance has fallen on the rocks. Ostensibly to fix their marriage, Brad is imprisoned on the program "Dentonvale" (the local mental hospital) while Janet is conscripted to become a new star. As Janet is entranced by the high life, she forgets Brad. Who is trying to woo her away? Written by Miss Rori Stevens
As people have said, this film got a horribly bad rap, and made very little money. The reason, as people have also said, is that it was expected to be in the same vein as RHPS, which it simply was not. Sure, it had Richard O'Brien's trademark musical style and whimsy, but it wasn't the campy kitsch people were expecting. It was, in fact, an intellectual movie with a serious message, a brilliant satire of life in the late 20th century. O'Brien takes jabs at the hallmarks of the decline of modern Western civilisation; conformity, machismo, brainwashing, and the absurdity of the "American Dream".
The plot can be a little hard to discern on the first viewing, but, as with many great intellectual films, more nuances of what O'Brien is trying to say are picked up with each subsequent viewing. The film is certainly surreal, to say the least; and I would suspect psychedelics were somehow involved in the writing of the script. Denton, the picaresque happy U.S. everytown, is actually just a television studio; and all the residents are characters on television shows or are in the audience. Enter Brad and Janet, who, after experiencing the "horrors" of RHPS, are having marital difficulties. This works perfectly into the plan of a mysterious fast food magnate, who intends to steal Janet away from her husband and use her to promote his business. He conspires to have Brad locked up in the local mental hospital/soap opera, while promoting Janet as a new bombshell sensation, and taking the whole town under his thumb.
In short, if you're looking for more of RHPS, you will be sorely disappointed. But if you want a thought-provoking yet whimsical, tongue-in-cheek attack on all that is mind-numbing and soul crushing in our modern world, definately check this film out. Jonathan Swift would be proud.