Sharky's Machine (1981)

R  |   |  Action, Crime, Drama  |  18 December 1981 (USA)
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Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky ... See full summary »



(novel), (screenplay)
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Cast overview, first billed only:
Victor Scorelli
Lt. Friscoe
Donald Hotchkins
Billy Score
Joe Tipps
Hari Rhodes ...
Highball Mary
James O'Connell ...


Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky stumbles across a mob murder with government ties, and responds by assembling his downtrodden fellow investigators (Sharky's "machine") to find the leaders and bring them to justice before they kill off all his partners and witnesses, including Sharky himself. Written by Unknown

Plot Summary | Plot Synopsis


Nobody leans on Sharky's Machine. [Theatrical] See more »


R | See all certifications »

Parents Guide:





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Release Date:

18 December 1981 (USA)  »

Also Known As:

Brigada Anti-Crime  »

Filming Locations:


Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

1.33 : 1
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Did You Know?


This movie was made and released about three years after William Diehl's novel "Sharky's Machine" was first published in 1978. See more »


On the boat, Smiley tells Sharky, "When you went to see the man, you really pissed him off... you should have just turned[Dominoe] in. She'd be dead, but Nosh, Jo Jo and all your friends would be alive." But the way the movie is edited, Nosh and Jo Jo were killed before Sharkey went to see Victor to tell him Dominoe is still alive. See more »


Smiley: Paco?
[Asian thug shows off some butterfly knife flipping in front of Sharky]
Sharky: What is he auditioning for a job at Benihana's?
See more »


Referenced in Everybody Hates Chris: Everybody Hates Malvo (2006) See more »


My Funny Valentine
Performed by Julie London
Written by Richard Rodgers & Lorenz Hart
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User Reviews

Sharky: First Name, Sergeant.
2 March 2012 | by (United Kingdom) – See all my reviews

Sharky's Machine is directed by Burt Reynolds and written by William Diehl and Gerald Di Pego. It stars Reynolds, Vittorio Gassman, Rachel Ward, Henry Silva, Carol Locatell, Brian Keith, Bernie Casey, Earl Holliman and Charles Durning. Music is by Snuff Garrett and cinematography by William A. Fraker. Plot finds Reynolds as Atlanta narcotics cop Tom Sharky, who finds himself busted down to vice squad after a drug bust goes badly wrong. If he thought it was going to be dull and routine he is very much mistaken, for soon enough Sharky finds himself in deep with a high class prostitution ring, political corruption and cold blooded murder.

The Sharky's Machine of the title is the group of cops that Tom Sharky gathers for the case he is working on. What starts out as standard surveillance at the home of beautiful hooker Domino (Ward), turns into a bloody trip into the workings of the seedy kingpins pulling the strings. But the kicker here is that as Sharky becomes an unwilling voyeur to Dominoe's life, he finds himself falling for her. He's fascinated by her, he feels from a distance her sadness of a life that she knows no better of. Tom Sharky is a tough dude, a manly man, a perfect role for Reynolds in fact, but he also needs to be loved, he likes roses and wood carving, he looks back to a childhood lost, it's this compelling characterisation that lifts Sharky's Machine above many other cop thrillers in a similar vein.

The film is, however, still violent and unflinching in its observations of this seedy part of Atlanta. Scum, violence and abuse is never far away, and Reynolds the director shows a deft hand at balancing the rough with the smooth motions of the narrative. He also shows admirable restraint for sex scenes, choosing mostly to suggest rather than titillate, while his acting performance is top notch as he neatly layers the strands of Sharky's emotional psyche. Around Reynolds is an array of engaging professional performances, notably Casey, Keith, a wonderfully maniacal Silva and Ward, the latter of which blends smouldering sexuality with an innocence that tugs the old heart strings.

Some of the outcome is telegraphed early, and the ending, having been a frantic and bloody last quarter, is crowned too abruptly (a shame since it contains an awesome stunt), but much like Reynolds' 1975 film Hustle, this too is badly undervalued in the neo-noir universe. 8/10

4 of 5 people found this review helpful.  Was this review helpful to you?

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