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Sharky's Machine (1981)

 -  Action | Crime | Drama  -  18 December 1981 (USA)
6.3
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Ratings: 6.3/10 from 3,245 users  
Reviews: 57 user | 18 critic

Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky ... See full summary »

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Title: Sharky's Machine (1981)

Sharky's Machine (1981) on IMDb 6.3/10

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Nominated for 1 Golden Globe. See more awards »

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Cast

Cast overview, first billed only:
...
...
Victor Scorelli
...
Papa
...
Lt. Friscoe
...
Donald Hotchkins
...
Arch
...
Billy Score
...
Nosh
...
Smiley
...
...
Joe Tipps
...
Mabel
Hari Rhodes ...
Highball Mary
...
Barrett
James O'Connell ...
Twigs
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Storyline

Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky stumbles across a mob murder with government ties, and responds by assembling his downtrodden fellow investigators (Sharky's "machine") to find the leaders and bring them to justice before they kill off all his partners and witnesses, including Sharky himself. Written by Unknown

Plot Summary | Plot Synopsis

Taglines:

Nobody leans on Sharky's Machine. [Theatrical] See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

18 December 1981 (USA)  »

Also Known As:

Brigada Anti-Crime  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Dar Robinson doubled for Henry Silva in the dramatic conclusion to this movie where Silva's hit-man character is blasted by cop Sharky (Burt Reynolds) through a plate glass window and falls to his death from an Atlanta, Georgia skyscraper. In reality, Robinson took the dive out the window and landed an on an airbag many floors below to break his fall. See more »

Goofs

They define "dilawdid" as "Synthetic Heroin" whereas "Dilaudid" is Synthetic Morphine. See more »

Quotes

Sharky: You know Frisco, when we used to flush the toilet upstairs, we always wondered where it came to...
See more »

Connections

Remade as Sharky's Machine See more »

Soundtracks

Sharky's Theme
(Instrumental)
Performed by Eddie Harris
By Cliff Crofford (as C. Crofford), John Durrill (as J. Durrill), Bobby Troup (as B. Troup) & Snuff Garrett
See more »

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User Reviews

A pretty well-oiled machine.
29 December 2002 | by (Cincinnati, OH) – See all my reviews

In a departure from his customary late '70's/early '80's fare (and sporting a new, close-cropped toupee), Reynolds directed and starred in this tough, lurid crime drama. He plays a narcotics cop who, after slightly botching a drug bust, is demoted to the vice squad. Here, he becomes involved in the surveillance of a high-priced call girl (Ward) who is linked to a gubernatorial candidate (Holliman.) This leads to all sorts of violence and intrigue as it is discovered that the call girl is but one piece in a puzzle of corruption and criminal behavior. Reynolds does a decent job, both in the director's chair and in front of the camera. He wisely surrounds himself with an array of strong character actors and gives each of them the opportunity to register with the audience. His familiar brands of charm & sarcasm are present, but in a much more toned down way. Casey gets one of his most significant big screen roles, Keith has a few amusing moments and Durning bellows and mouths off in his enjoyable, expected way. Gassman is an appropriately sleazy crime lord and Silva is a chilling (if sometimes unintentionally funny) assassin. Ward's performance is a matter of taste. Many viewers are swept away by her looks and find her acting strong. Others see her as pretty, but unspectacular as an actress. In either case, this was a major showcase for her which did not translate to a major big screen career. Drawbacks of the film include a muddled storyline in which the bad guys' motivations aren't made particularly clear. Also, the sound effects and the blaring song score are cranked up much higher than the dialogue which makes for an uncomfortable audio situation. There is some nice aerial photography, notably containing shots of Atlanta's Peach Tree Tower. The music varies from classic tunes by top talent to loud, horrific and agonizing "music" by inferior singers whose voices are almost as bad as Reynold's torture on the boat. Though the film is engrossing and stylish, just a nip and tuck along the way would have made it even better.


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