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IMDb > The Salamander (1981)

The Salamander (1981) More at IMDbPro »


Overview

User Rating:
5.3/10   155 votes
MOVIEmeter: ?
Down 15% in popularity this week. See rank & trends on IMDbPro.
Director:
Peter Zinner
Writers:
Robert Katz (writer)
Rod Serling (adaptation)
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Contact:
View company contact information for The Salamander on IMDbPro.
Release Date:
23 May 1983 (USA) more
Genre:
Thriller more
Plot:
An Italian policeman investigates a series of murders involving people in prominent positions. Left... more | add synopsis
Awards:
2 wins more
User Comments:
A political thriller without the thrills more

Cast

  (Cast overview, first billed only)
Franco Nero ... Carabinieri Colonel Dante Matucci

Anthony Quinn ... Bruno Manzini
Martin Balsam ... Captain Steffanelli

Sybil Danning ... Lili Anders

Christopher Lee ... Prince Baldasar, the Director of Counterintelligence
Cleavon Little ... Major Carl Malinowski, USMC
Paul L. Smith ... The Surgeon (as Paul Smith)
John Steiner ... Captain Roditi

Claudia Cardinale ... Elena Leporello

Eli Wallach ... General Leporello
Renzo Palmer ... Carabinieri Major Giorgione
Anita Strindberg ... Princess Faubiani
Marino Masé ... Captain Rigoli
Jacques Herlin ... Woodpecker
Fortunato Arena ... General Pantaleone
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Additional Details

Also Known As:
La salamandra (Italy)
Morris West's The Salamander (UK) (complete title)
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Runtime:
103 min
Country:
USA | Italy | UK
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono

Fun Stuff

Movie Connections:
Referenced in O aftakias (1982) more

FAQ

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6 out of 10 people found the following comment useful:-
A political thriller without the thrills, 3 June 2001
3/10
Author: dinky-4 from Minneapolis

The ingredients are here for a passable political-thriller but the approach used to tell the story is numbingly routine. Investigator Franco Nero pursues his case simply through a series of interviews, thus allowing the movie to present its roster of marquee-names -- Christopher Lee, Eli Wallach, Claudia Cardinale, etc. -- in a succession of talky, static scenes that lack interest and vitality. (Though these interviews provide an opportunity to show off a series of impressively furnished and decorated rooms.) And then, when it comes time for Nero to present his solution to the case, he does so by showing to a group of people a movie which simply re-caps information gleaned from his interviews!

Attempts to liven up the proceedings with spurts of action merely serve to emphasize the overall dullness of the movie. For example, when Nero falls into the clutches of a villain known as "the Surgeon" who is determined to torture information from him, we only see Nero -- stripped to a jockstrap and strapped to a chair -- being given an injection with a hypodermic needle. Surely this is one of the most boring forms of torture ever shown on the screen.

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