Untouchable shoemender Dukhi comes to the Brahmin's and asks him to arrange his daughter's engagement. The Brahmin belongs to a higher caste. He wants Dukhi to work for him (and for free) ... See full summary »
Huzur Biswamghar Roy is a rich landowner who lives in a palace with his wife and son and his many servants. His passion - his wife would call it his addiction - is music and he spends a ... See full summary »
The story of a young boy, Apu, and life in his small Indian village. His parents are quite poor - his father Harihar, a writer and poet, gave away the family's fruit orchard to settle his ... See full summary »
Wazed Ali Shah is the ruler of one of the last independent kingdoms of India. The British, intent on controlling this rich country, have sent general Outram on a secret mission to clear the... See full summary »
Shyamalendu (Barun Chanda) is a successful executive at a fan company where he is expecting a promotion shortly. His life revolves around his work and socialising with colleagues along with... See full summary »
Sen Gupta, a doctor who only treats upper-class patients, is forced to confront his own moral and medical beliefs as he discovers rural India during an unexpected stop at a village. He ... See full summary »
Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (... See full summary »
Untouchable shoemender Dukhi comes to the Brahmin's and asks him to arrange his daughter's engagement. The Brahmin belongs to a higher caste. He wants Dukhi to work for him (and for free) before agreeing... A plea against the indian system of castes. Written by
Satyajit RAy's SADGATI (DELIVERANCE, 1981), based on the Premchand story, does contain one of Smita Patil's best performances, as well as equally fine ones by Om Puri and Mohan Agashe. Om, a poor serf, must chop a log in two for Brahmin landlord Mohan, while the illiterate Smita must strive to remember her grocery list in her head. Starved, Om dies, and Mohan must dispose of his body without touching it. Ray adds so many details (a many- headed idol in the Brahmin's courtyard, the grocery list) that Mohan's dilemma finally takes up very little screen time. Made for TV, this 45- minute film also is now faded in the National Film Archives' copy, and has no subtitles.
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