This is the tale of a sculptor named David who has a major womanizing problem. He goes to seek help from a psychiatrist, Marianna, to cure him of his obsession with women. His story of ... See full summary »
Harvey and Gillian Fairchild face a very difficult weekend. Harvey, celebrating his 60th birthday, is stressed and depressed. Gillian is awaiting the results of a throat biopsy. Their lives... See full summary »
A womanizing, drunken, allelic writer, whose life seems to be falling apart at the seams, repeatedly finds himself in trouble of one sort or another with the law, ex-girlfriends, and jealous boyfriends.
Two friends an actor and a chef discover a plot to fix a horse race and try to capitalize on it. But also have to deal with the two men who fixed it who are trying to silence them. And ... See full summary »
Sorrowful Jones is a cheap bookie in 1930's. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her arrival and his ... See full summary »
Ross Bodine and Frank Post are cowhands on Walt Buckman's R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he's too old to cowboy. Post is young and ... See full summary »
A film-within-a-film: a fading movie producer has a plan for a successful movie: get a actress famous for her wholesome image to appear in the nude on the screen.... much like this film itself. Written by
Murray Chapman <firstname.lastname@example.org>
When Felix Farmer re-encounters Harrigan, now working as a security guard at a film lab, he tells Harrigan he's "late for a very important date," to which Harrigan replies, "Oh, like 'Alice in Wonderland' ... the March Hare!" Actually, it was the White Rabbit (specifically, in Disney's movie version) that was "late for a very important date," not the March Hare. See more »
[after placing Felix's corpse in the back seat of a convertible]
Dr. Irving Finegarten:
He'd be less conspicuous if he had his eyes open.
He'd be less conspicuous if he was back in his box!
See more »
People may hate this movie for the exact reason it was made: it blew the facade off Hollywood, exposing it for the cutthroat atmosphere that it is. Both Julie Andrews & Blake Edwards had every reason to hate Hollywood for what they did to them (chastising Blake for his indulgence, boxing Julie into a corner with sticky-sweet roles), so this wicked satire was their way of firing back & people either got the joke & were offended or didn't get it & just hated the movie for what it was. No doubt the film industry had the former reaction, proved by the little publicity the film received. Moviegoers probably thought more the latter, causing it to flop at the box-office & not exactly giving Julie & Blake the better opportunities they were looking for (both have found it difficult to find films outside of the stereotypical ones they made their name with). Some thought the famous breast-baring shots of Julie were gratuitous & shameful, yet they were the point of the film: wanting to evolve in the name of art & being talked out of it in the name of commerce. A movie like S.O.B. might actually play better today because such diatribes against the movie industry by its employees can find an audience who are now much wiser to the evil workings of the business (notice how THE PLAYER & SUNSET BOULEVARD are classics today, recognized as such by the industry they set out to skewer).
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