| Stacy Keach | ... | Patrick 'Pat' Quid | |
| Jamie Lee Curtis | ... | Pamela 'Hitch' Rushworth | |
| Marion Edward | ... | Madeleine 'Frita' Day | |
| Grant Page | ... | Smith or Jones | |
| Thaddeus Smith | ... | Policeman 'Abbott' | |
| Steve Millichamp | ... | Policeman 'Costello' (as Stephen Millichamp) | |
| Alan Hopgood | ... | Lester | |
| John Murphy | ... | Benny Balls | |
| Bill Stacey | ... | Captain Careful | |
| Robert Thompson | ... | Sneezy Rider | |
| Ed Turley | ... | Roadhouse Proprietor | |
| Angelica La Bozzetta | ... | Young Hitchhiker (as Angie La Bozzetta) | |
| Colin Vancao | ... | Fred Frugal | |
| Paul Harris | ... | Frugal Son | |
| Rochelle Harris | ... | Frugal Daughter | |
| Tony Bishop | ... | Honeymoon Man | |
| Abbe Holmes | ... | Honeymoon Woman | |
| Carole-Ann Aylett | ... | Cleaning Lady (as Carol Ann Aylett) | |
| Killer | ... | Boswell |
Directed by | |||
| Richard Franklin | |||
Writing credits | ||
| Everett De Roche | (screenplay) | |
| Everett De Roche | (original story) and | |
| Richard Franklin | (original story) | |
Produced by | |||
| Richard Franklin | .... | producer | |
| Bernard Schwartz | .... | executive producer | |
| Barbi Taylor | .... | co-producer | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| Vincent Monton | (director of photography) | ||
Film Editing by | |||
| Edward McQueen-Mason | |||
Production Design by | |||
| Jon Dowding | |||
Art Direction by | |||
| Jon Dowding | |||
Set Decoration by | |||
| Jill Eden | |||
Costume Design by | |||
| Aphrodite Kondos | |||
Makeup Department | |||
| Lois Hohenfels | .... | makeup artist | |
Production Management | |||
| Barbara Gibbs | .... | production manager | |
| Greg Ricketson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Burstall | .... | assistant director | |
| Robert Kewley | .... | assistant director | |
| James Parker | .... | assistant director | |
Art Department | |||
| Ken Hazelwood | .... | constructor | |
| Nick Hepworth | .... | properties | |
| Geoff Richardson | .... | constructor | |
| Harry Zettel | .... | assistant art director | |
Sound Department | |||
| Lon Bender | .... | sound editor (as Lon E. Bender) | |
| Paul Clark | .... | sound | |
| Robert W. Glass Jr. | .... | sound re-recording mixer (as Robert W. Glass Jnr.) | |
| Louise Johnson | .... | sound editor | |
| Andrew London | .... | supervising sound editor: wallaWorks | |
| Ray Phillips | .... | sound (as Raymond Phillips) | |
| Robert Thirlwell | .... | sound re-recording mixer (as Robert M. Thirlwell) | |
| John Wilkinson | .... | sound re-recording mixer (as John Keene Wilkinson) | |
Visual Effects by | |||
| Jack Endacott | .... | process operator | |
| Bill Hansard | .... | process photography | |
| Richard Wilmot | .... | optical effects printer (uncredited) | |
Stunts | |||
| Grant Page | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Karel Akkerman | .... | grip (as Karel Ackerman) | |
| Daryl Binning | .... | electrician (as Darryl Binnings) | |
| David Brostoff | .... | camera assistant | |
| Phil Cross | .... | camera assistant (as Phillip Cross) | |
| Tony Holtham | .... | electrician | |
| Louis Irving | .... | camera operator | |
| Louis Irving | .... | photographer: second unit | |
| Eric Lomas | .... | photographer: second unit | |
| Graeme Mardell | .... | grip (as Graham Mardell) | |
| Jim Townley | .... | still photographer | |
| Greg Wallace | .... | grip | |
| Colin Williams | .... | electrician | |
| Suzy Wood | .... | still photographer | |
| Jamie Leckie | .... | grip assistant (uncredited) | |
Editorial Department | |||
| Peter McBain | .... | dailies projectionist | |
Music Department | |||
| Brian May | .... | conductor | |
| Ross Cockle | .... | music score engineer (uncredited) | |
Transportation Department | |||
| Tim McMahon | .... | transportation | |
| Rob Rigon | .... | transportation | |
| Steve Wells | .... | transportation | |
Other crew | |||
| Margaret Cardin | .... | laboratory staff: Colorfilm | |
| Bill Gooley | .... | laboratory staff: Colorfilm | |
| Heath Harris | .... | technical advisor | |
| Helen Liston | .... | location manager | |
| Anne McLeod | .... | script supervisor | |
| Warwick Ross | .... | production assistant | |
| Helen Watts | .... | production secretary | |
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| Breakdown | Freeway | My Own Private Idaho | The Invisible Monster | Joy Ride |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Australia section |
Roadgames is a pretty good thriller about truck driver Quid (Stacey Keach) follows what he suspects to be a serial killer along the Southern Australia interstates. Having only the circumstantial clues and never actually witnessing any of the murders, Quid isn't sure whether this guy really is the serial killer that police reports on the radio indicate, or whether it is Quid's psychological games about guessing what people on the road could be like when he passes a noisy family in a station wagon and guesses the occupation of the driver. Quid is pushed nearly to the brink of insanity as he tries to distinguish between fact and fiction as he and the green van play cat and mouse all over the outback.
It's a really good thriller and better than say, The Hitcher, another movie involving a serial killer along deserted highways that torments a driver. But the difference is that Quid has limited interaction with his suspect, because the whole time you're left guessing whether the guy in the green van is really a killer at all, or whether it was just another one of Quid's games meant to entertain himself, but gone totally out of control. The movie has very Hitchcock-esque traits such as building Quid up from a normal man to one that starts to develop something almost like a split personality as he drives himself crazy trying to figure out the deal his adversary. Or the way that everyone in town seems to turn against Quid even though he is supposed to be the innocent person here. It's also good with some of that good Stacey Keach sarcasm and delivery. I think he fit the part of Quid quite nicely. Despite the fact that the story starts to lose momentum towards the end (but not the conclusion), it is nonetheless, a pretty good thriller.