| Photos (see all 7 | slideshow) |
| Stacy Keach | ... | Patrick 'Pat' Quid | |
| Jamie Lee Curtis | ... | Pamela 'Hitch' Rushworth | |
| Marion Edward | ... | Madeleine 'Frita' Day | |
| Grant Page | ... | Smith or Jones | |
| Thaddeus Smith | ... | Policeman 'Abbott' | |
| Steve Millichamp | ... | Policeman 'Costello' (as Stephen Millichamp) | |
| Alan Hopgood | ... | Lester | |
| John Murphy | ... | Benny Balls | |
| Bill Stacey | ... | Captain Careful | |
| Robert Thompson | ... | Sneezy Rider | |
| Ed Turley | ... | Roadhouse Proprietor | |
| Angelica La Bozzetta | ... | Young Hitchhiker (as Angie La Bozzetta) | |
| Colin Vancao | ... | Fred Frugal | |
| Paul Harris | ... | Frugal Son | |
| Rochelle Harris | ... | Frugal Daughter | |
| Tony Bishop | ... | Honeymoon Man | |
| Abbe Holmes | ... | Honeymoon Woman (as Abby Holmes) | |
| Carole-Ann Aylett | ... | Cleaning Lady (as Carol Ann Aylett) | |
| Killer | ... | Boswell |
Directed by | |||
| Richard Franklin | |||
Writing credits(in alphabetical order) | ||
| Everett De Roche | screenplay | |
| Everett De Roche | story | |
| Richard Franklin | story | |
Produced by | |||
| Richard Franklin | .... | producer | |
| Bernard Schwartz | .... | executive producer | |
| Barbi Taylor | .... | co-producer | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| Vincent Monton | |||
Film Editing by | |||
| Edward McQueen-Mason | |||
Production Design by | |||
| Jon Dowding | |||
Costume Design by | |||
| Aphrodite Kondos | |||
Production Management | |||
| Barbara Gibbs | .... | production manager | |
| Greg Ricketson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Burstall | .... | first assistant director | |
Sound Department | |||
| Lon Bender | .... | sound editor | |
| Paul Clark | .... | production sound mixer | |
| Andrew London | .... | supervising sound editor | |
Visual Effects by | |||
| Richard Wilmot | .... | optical effects printer | |
Camera and Electrical Department | |||
| Karel Akkerman | .... | grip | |
| Louis Irving | .... | camera operator | |
| Jamie Leckie | .... | grip assistant | |
Music Department | |||
| Ross Cockle | .... | music score engineer | |
| Recent Posts (updated daily) | User |
|---|---|
| If you liked this..... | ty-57 |
| trivia | everettderoche |
|
|
|
|
|
| Federal Agents vs. Underworld, Inc. | King of the Rocket Men | Zombies of the Stratosphere | Breakdown | Butterfly Kiss |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Australia section |
| Add this title to MyMovies |
Road Games is an Ok suspense film by Hitchcock disciple Richard Franklin (see also Psycho II, Link, FX II:The Deadly Art of Illusion). It features a good performance by Stacy Keach as a lone truck driver transporting bacon across the Australian outback during a butcher's strike. Every now and then, Keach comes across other travellers on the road, one of whom is the driver of a mysterious green van. Keach, having heard about a serial killer on the loose on his radio, convinces himself that the driver of the green van is also the murderer the police are looking for. However, Keach takes such ludicrous and unorthodox actions to prove his theory that he ends up making himself look like the culprit.
The main theme here of an innocent man being mistaken for a murderer is as old as the hills. The freshness of this film is provided principally by the unconventional locale (Aussie outback) and the outlandish set of supporting characters introduced during the course of the film. The suspense is good during the main scenes, but in between the film loses momentum. Hardly surprising, since Keach spends much of the film alone, chatting away to himself and his pet dingo in the cab of his truck. Listening to a man talkking to himself is hardly the best way to build excitement. However, you can feel a prickle of terror in your heart during one particularly hair raising sequence in which Keach investigates a peculiar sound in the back of his lorry.
I like this film, but it's no classic. Just one of those quiet, forgotten gems that film buffs ought to seek out for a rainy day.