American journalist John Reed journeys to Russia to document the Bolshevik Revolution and returns a revolutionary. His fervor for left-wing politics leads him to Louise Bryant, then married, who will become a feminist icon and activist. Politics at home become more complicated as the rift grows between reality and Reed's ideals. Bryant takes up with a cynical playwright, and Reed returns to Russia, where his health declines. Written by
When editing and post-production was completed in December 1981, it was two years since production had begun, and three years since pre-production had commenced. See more »
The dog is put outside shortly before Reed and Bryant go upstairs. Pooch is not let back in. A moment later, when the two characters are upstairs, the dog is waiting at their bedroom window. See more »
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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As the credits roll, additional interviews with the 'witnesses' play. See more »
Warren Beatty makes himself the only director to get Oscar nominations in Best Producer (picture), director, actor and writer twice (Heaven Can Wait is the other one), and he won his only Oscar (besides his honorary Thalberg award in 2000) for direction here. And it is well deserved. Mainly because this is the best film about communism and other political issues ever made.
Here, Beatty portrays journalist and idealist John Reed to maximum potential. He also comes of great with Diane Keaton as his love. Long, yet immensly entertaining and interesting, which was one of the few political films (besides maybe South Park) that got me thinking about communism. By the way, this film also won best conematography (Vittoro Storatto) and Best Supporting Actress (Maureen Stapleton as Emma Goldman), though I think it should've also won Oscars for Nicholson and Beatty. One of the better films (top 20) of the decade. A+
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