In Nazi-occupied Paris, a young accompanist named Sophie Vasseur gets a job with famed singer Irene Brice. As Irene's husband Charles, a businessman collaborating with the Nazis, wrestles ... See full summary »
Based on the real life of Dr. Marcel Petiot: During world war II Petiot, an MD living in occupied Paris, promised to help wealthy Jewish people among his patients to flee occupied France ... See full summary »
Christian de Chalonge
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
Based on Nikolai Gogol's story with the location changed from Russia to Italy and the time changed to the present (1952), the story is about a poor city-hall clerk (Renato Rascel) whose ... See full summary »
In a vacation camp somewhere in the French country, 1960. Marc et Philippe are two of the counsellors. Marc is very virile, while Philippe is more reserved. A night, Marc surprises Philippe... See full summary »
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free ... See full summary »
This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. Written by
In the mid-1980s, ABC wanted to telecast an edited version of the film. Star and producer Warren Beatty refused to allow an edited version to be shown, so that version was never aired. See more »
In the kitchen, after Eddie says that he missed the meeting with Levine because he had to take his wife to the clinic, Jack opens a cabinet door to get a pill bottle. Louise hands him the pill bottle. Jack turns to face her and takes a step away from the cabinets. From Louise's POV, we see Jack with the cabinet door wide open behind him. The shot shifts to Jack's POV of Louise, then back to her POV of Jack. The cabinet door is now closed. See more »
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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As the credits roll, additional interviews with the 'witnesses' play. See more »
Warren Beatty's Reds follows only Gone With The Wind in my list of favourite films. This movie is both a love story, and a documentary. It educates the viewer not just on John Reed and his comrades, but on WWI era society in general.
This brilliant script, (which, like the writings of Jack Reed expresses his political feelings with the same poetic eloquence as his love poems to his wife Louise), is interspersed with commentary from Jack's contemporaries, who tell the history from their own unique perspectives. As the truth of what was going on in that community is such an illusive thing, the only way to tell this story accurately was to show the often completely opposite view points of what was going on as told by the people for whom this history is a first hand memory.
The acting in Reds is breath taking. Every member of this, extremely large, cast committed fully to their characters. One feels a true connection to even those characters who lurked in the background with only occasional lines. The most notable performances were by Beatty himself, (who's embodiment of Jack Reed was incredible), Diane Keaton, (who portrayed all the facets of Louise's personality with stunning realism), Jack Nickelson, (who delivers O'Neil's quick witted dialogue with an almost frightening cynicism), and Maureen Stapelton, (who conveyed an amazing strength as Emma Goldman). While these actors were the most prominently featured, all the actors delivered noteworthy performances as far as I'm concerned.
The political history covered in this movie is nothing if not vast. This is proof of Beatty's most impressive knowledge of history. This is a film I would recommend be shown in schools, as one the most in depth study of American communism on screen to date.
Reds is truly an inspiration, and should be seen by every actor, director, writer, liberal, film maker, history buff & movie lover! You will not be disappointed!
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