The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. Written by
In the kitchen, after Eddie says that he missed the meeting with Levine because he had to take his wife to the clinic, Jack opens a cabinet door to get a pill bottle. Louise hands him the pill bottle. Jack turns to face her and takes a step away from the cabinets. From Louise's POV, we see Jack with the cabinet door wide open behind him. The shot shifts to Jack's POV of Louise, then back to her POV of Jack. The cabinet door is now closed. See more »
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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As the credits roll, additional interviews with the 'witnesses' play. See more »
A great companion piece to 1965's 'Doctor Zhivago'.
Warren Beatty's 'Reds' is a terrific film that is not only great story telling in the conventional Hollywood way but also has an original style of narration told in many ways from the point of view of witnesses to the real story who lived during the days the film is centred around.
The film is especially significant to view since the iron curtain in Russia has come down and 'Reds' is a movie that never looks dated and stresses the fact that morals at the early part of the 20th century were about the same as they are now. It's just that no one discussed it back then and it emphasizes that times change but people don't.
With top notch performances from the entire cast, it is one of the few films to be nominated for an Oscar in all four acting categories and was victorious in the Best Supporting Actress category for Maureen Stapleton although the film's best performance comes from Diane Keaton who should have won her second Oscar.
To date, Beatty is the only film maker to be Oscar nominated for Best Director, Actor, Screenwriter and Producer twice for the same film. The other time was for 1978's 'Heaven Can Wait'.
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