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Reds (1981)

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A radical American journalist becomes involved with the Communist revolution in Russia and hopes to bring its spirit and idealism to the United States.

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Won 3 Oscars. Another 19 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Grigory Zinoviev
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Louis Fraina
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Paul Trullinger
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Speaker - Liberal Club
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Mr. Partlow
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Mrs. Partlow
MacIntyre Dixon ...
Carl Walters
Pat Starr ...
Helen Walters
Eleanor D. Wilson ...
Mrs. Reed
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Floyd Dell
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Storyline

American journalist John Reed journeys to Russia to document the Bolshevik Revolution and returns a revolutionary. His fervor for left-wing politics leads him to Louise Bryant, then married, who will become a feminist icon and activist. Politics at home become more complicated as the rift grows between reality and Reed's ideals. Bryant takes up with a cynical playwright, and Reed returns to Russia, where his health declines. Written by Jwelch5742

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Taglines:

Not since Gone With The Wind has there been a great romantic epic like it!


Certificate:

PG | See all certifications »

Parents Guide:

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Details

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Release Date:

25 December 1981 (USA)  »

Also Known As:

Comrades  »

Box Office

Budget:

$35,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Maureen Stapleton had a morbid fear of flying and frequently turned down roles that required her to fly. As no passenger ships sail to Britain in the winter, she had to take a freighter to get to London for the filming. See more »

Goofs

In the kitchen, after Eddie says that he missed the meeting with Levine because he had to take his wife to the clinic, Jack opens a cabinet door to get a pill bottle. Louise hands him the pill bottle. Jack turns to face her and takes a step away from the cabinets. From Louise's POV, we see Jack with the cabinet door wide open behind him. The shot shifts to Jack's POV of Louise, then back to her POV of Jack. The cabinet door is now closed. See more »

Quotes

[first lines]
Witness 1: [voiceover] Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Witness 2: [voiceover] Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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Crazy Credits

As the credits roll, additional interviews with the 'witnesses' play. See more »

Connections

Referenced in Two Idiots in Hollywood (1988) See more »

Soundtracks

The Crazy Otto Rag
Written by Edward R. White & Mack Wolfson (as Maxwell A. Wolfson) & Luigi Creatore & Hugo Peretti
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Frequently Asked Questions

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User Reviews

You Forget..
16 November 2008 | by (Virginia Beach) – See all my reviews

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I am old enough to have lived through (probably) three different Americas. These are radically different worlds. It isn't just the mood, styles or state of the economy; its the adoption of a whole cosmology. Religions change under our feet. Family, love, belonging. These things are malleable yet largely beyond our control and we forget what "things were like." Memory always is constructed in terms of the present world.

Always.

So projects like this are necessary. We cannot know who we are unless we remind ourselves who we were.

The ordinary fold here is a romance, folded into grand political actions. Here they are a bit more cerebral than usual, but never getting past the notion of simple justice.

The more unusual and complex fold is that we see a story based on real events and people. Interspersed with that story are interviews of people who were personally involved in the story. These are remarkable, the way they are captured and the way they are edited to overlap with and annotate the story. But much more engaging is that these are enticing people, many with minds and phases that invite us into their faces — made warmer and more open by Beatty's camera. I compare this to the "Up" serious and the contrast is astonishing. True, here we want to be informed about the lives of others, and the "Up" goals pretend that the people randomly selected decades ago are remotely worth knowing.

But these folks are. We want more, simply based on their implicit invitation, and we carry ourselves into the narrative more forcefully, sort of like the characters do. This is folding doing its job and doing it well. They remember. I remember, and therefore am.

Ted's Evaluation -- 3 of 3: Worth watching.


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