A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. Written by
The first major preliminary draft of the script that was to become the film was completed in 1978. See more »
In the scene of the Booster's dinner in Portland is in 1915 and the announcer says that he's ready to make the world safe for democracy. In 1915 the United States was still neutral and the phrase "make the world safe for democracy," was actually part of Woodrow Wilson's war message to Congress which he gave on April 2, 1917, two years after the Portland event. See more »
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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As the credits roll, additional interviews with the 'witnesses' play. See more »
An engrossing film about John Reed's love affair with Louise Bryant and his struggles in the midst of the Russian Revolution. There are great performances from Beatty, Keaton, Nicholson (excellent as Eugene O'Neill) and Stapelton in her Oscar winning performance as Emma Goldman. Beatty's precision and timing in the use of his camera in this picture is a superb achievement. There is a touch of David Lean in director Beatty in this film. The color, the editing, the sound. All of those important filmic elements are at play here in great form. Beatty won the Best Director Oscar, but lost the Best Picture award to Chariots of Fire.
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