A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
American journalist John Reed journeys to Russia to document the Bolshevik Revolution and returns a revolutionary. His fervor for left-wing politics leads him to Louise Bryant, then married, who will become a feminist icon and activist. Politics at home become more complicated as the rift grows between reality and Reed's ideals. Bryant takes up with a cynical playwright, and Reed returns to Russia, where his health declines. Written by
Over one hundred and thirty hours of footage were shot, about forty times more than the final cut of the film. It takes two days for everyday shooting dailies (shot in Europe except for London scenes) to reach editors Dede Allen and Craig McKay. This was accomplished by having a courier on standby round the clock. The courier would take the dailies to the Technicolor Lab in Rome for the special processing and would reach Los Angeles (where post-production is done) at the end of next day. See more »
In the kitchen, after Eddie says that he missed the meeting with Levine because he had to take his wife to the clinic, Jack opens a cabinet door to get a pill bottle. Louise hands him the pill bottle. Jack turns to face her and takes a step away from the cabinets. From Louise's POV, we see Jack with the cabinet door wide open behind him. The shot shifts to Jack's POV of Louise, then back to her POV of Jack. The cabinet door is now closed. See more »
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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As the credits roll, additional interviews with the 'witnesses' play. See more »
Reds, a succinct, controversial title totally typical of a major directorial outing by Warren Beatty. We always knew that Beatty was on the left, but a film glamourising a known Communist who defected to the USSR and is buried within the Kremlin. How the studios let him make it is a mystery to me, but I suppose that the name Warren Beatty was enough.
The film is long, and not for the light-hearted. It covers the broad canvas of early 20th Century American socialism. Concentrating first on Reeds efforts to form an American Socialist party, before moving to Russia; Beatty plays Jack Reed, the playboy writer, journalist and socialist. He opposes the war after initially supporting Wilson at the Democratic convention. After the Russian Revolution he becomes enamoured with the newly founded Soviet Union, as does his wife and sparring partner Louise Bryant, marvellously played by Diane Keaton who is excellent as the proto-feminist Bryant. Self-assured and very sexy, and her tragic love triangle between her, Reed and Jack Nicholson's character is brilliant. A number of other actors also crop up, including Paul Sorvino and M. Emmet Walsh.
One of the most important films of its generation, and every movie fan should make this compulsory viewing. Any aspiring left-wing intellectual should also make this compulsory viewing - there were Communists and Socialists in America, and one of them is even buried in the Kremlin. The USSR may be reviled these days, but you cannot deny the hope and utopianism that swept the world in those first few years after the 1917 Revolution. Beatty brings all this marvellously to the screen in Reds.
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