A radical American journalist becomes involved with the Communist revolution in Russia and hopes to bring its spirit and idealism to the United States.
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Geoffrey Palmer
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Director:
Michael Hoffman
Stars:
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This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. Written by
Reid Gagle
The sculpture at the beginning of the art gallery scene is Auguste Rodin's "Cathedral", which depicts two right hands intertwined in a prayer-like gesture reminiscent of a medieval cathedral. See more »
Goofs
In the scene where Gene and Louise talk in Gene's apartment, the position of Gene's cigarette pack changes radically from shot to shot. See more »
Quotes
[first lines]
Witness 1:
[voiceover]
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Witness 2:
[voiceover]
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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Crazy Credits
As the credits roll, additional interviews with the 'witnesses' play. See more »
An engrossing film about John Reed's love affair with Louise Bryant and his struggles in the midst of the Russian Revolution. There are great performances from Beatty, Keaton, Nicholson (excellent as Eugene O'Neill) and Stapelton in her Oscar winning performance as Emma Goldman. Beatty's precision and timing in the use of his camera in this picture is a superb achievement. There is a touch of David Lean in director Beatty in this film. The color, the editing, the sound. All of those important filmic elements are at play here in great form. Beatty won the Best Director Oscar, but lost the Best Picture award to Chariots of Fire.
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An engrossing film about John Reed's love affair with Louise Bryant and his struggles in the midst of the Russian Revolution. There are great performances from Beatty, Keaton, Nicholson (excellent as Eugene O'Neill) and Stapelton in her Oscar winning performance as Emma Goldman. Beatty's precision and timing in the use of his camera in this picture is a superb achievement. There is a touch of David Lean in director Beatty in this film. The color, the editing, the sound. All of those important filmic elements are at play here in great form. Beatty won the Best Director Oscar, but lost the Best Picture award to Chariots of Fire.