A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. Written by
Whilst filming a crowd scene in Spain, Warren Beatty explained to the Spanish extras John Reed's philosophy of the rights of workers to assist them with their character motivations. Ironically, then during the lunch break, having educated them, a spokesperson representing the background artists, protested to Beatty saying that they felt they were being exploited! Re-negotiations had to be conducted for the rest of the lunch hour in order for filming to be able to re-commence with the worker extras achieving a $20 per day pay settlement. See more »
The pet dog is a Golden Retriever but the first Golden (Champion Speedwell Pluto) wasn't imported into the US from England until 1930 See more »
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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As the credits roll, additional interviews with the 'witnesses' play. See more »
Reds, a succinct, controversial title totally typical of a major directorial outing by Warren Beatty. We always knew that Beatty was on the left, but a film glamourising a known Communist who defected to the USSR and is buried within the Kremlin. How the studios let him make it is a mystery to me, but I suppose that the name Warren Beatty was enough.
The film is long, and not for the light-hearted. It covers the broad canvas of early 20th Century American socialism. Concentrating first on Reeds efforts to form an American Socialist party, before moving to Russia; Beatty plays Jack Reed, the playboy writer, journalist and socialist. He opposes the war after initially supporting Wilson at the Democratic convention. After the Russian Revolution he becomes enamoured with the newly founded Soviet Union, as does his wife and sparring partner Louise Bryant, marvellously played by Diane Keaton who is excellent as the proto-feminist Bryant. Self-assured and very sexy, and her tragic love triangle between her, Reed and Jack Nicholson's character is brilliant. A number of other actors also crop up, including Paul Sorvino and M. Emmet Walsh.
One of the most important films of its generation, and every movie fan should make this compulsory viewing. Any aspiring left-wing intellectual should also make this compulsory viewing - there were Communists and Socialists in America, and one of them is even buried in the Kremlin. The USSR may be reviled these days, but you cannot deny the hope and utopianism that swept the world in those first few years after the 1917 Revolution. Beatty brings all this marvellously to the screen in Reds.
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