A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. Written by
The sculpture at the beginning of the art gallery scene is Auguste Rodin's "Cathedral", which depicts two right hands intertwined in a prayer-like gesture reminiscent of a medieval cathedral. See more »
In the scene of the Booster's dinner in Portland is in 1915 and the announcer says that he's ready to make the world safe for democracy. In 1915 the United States was still neutral and the phrase "make the world safe for democracy," was actually part of Woodrow Wilson's war message to Congress which he gave on April 2, 1917, two years after the Portland event. See more »
Was that in 1913 or 17? I can't remember now. Uh, I'm, uh, beginning to forget all the people that I used to know, see?
Do I remember Louise Bryant? Why, of course, I couldn't forget her if I tried.
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As the credits roll, additional interviews with the 'witnesses' play. See more »
Warren Beatty makes himself the only director to get Oscar nominations in Best Producer (picture), director, actor and writer twice (Heaven Can Wait is the other one), and he won his only Oscar (besides his honorary Thalberg award in 2000) for direction here. And it is well deserved. Mainly because this is the best film about communism and other political issues ever made.
Here, Beatty portrays journalist and idealist John Reed to maximum potential. He also comes of great with Diane Keaton as his love. Long, yet immensly entertaining and interesting, which was one of the few political films (besides maybe South Park) that got me thinking about communism. By the way, this film also won best conematography (Vittoro Storatto) and Best Supporting Actress (Maureen Stapleton as Emma Goldman), though I think it should've also won Oscars for Nicholson and Beatty. One of the better films (top 20) of the decade. A+
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