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Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Lawrence Kasdan | (screenplay) | |
| George Lucas | (story) and | |
| Philip Kaufman | (story) | |
Produced by | |||
| Howard G. Kazanjian | .... | executive producer (as Howard Kazanjian) | |
| George Lucas | .... | executive producer | |
| Frank Marshall | .... | producer | |
| Robert Watts | .... | associate producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
| George Lucas | (uncredited) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Mary Selway | |||
Production Design by | |||
| Norman Reynolds | |||
Art Direction by | |||
| Leslie Dilley | |||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| Deborah Nadoolman | |||
Makeup Department | |||
| Mike Lockey | .... | hairdresser | |
| Patricia McDermott | .... | chief hairdresser | |
| Richard Mills | .... | makeup artist (as Dickie Mills) | |
| Tom Smith | .... | key makeup artist | |
| Chris Walas | .... | special makeup effects: ILM (as Christopher Walas) | |
| Jim Gillespie | .... | key makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Roy Button | .... | second assistant director | |
| Patrick Cadell | .... | second assistant director | |
| Louis G. Friedman | .... | second assistant director: Peru/Hawaii | |
| Carlos Gil | .... | first assistant director: second unit (as Carlos Gill) | |
| Michael Hook | .... | second assistant director: second unit | |
| Vincent Joliet | .... | first assistant director: France | |
| Naceur Ktari | .... | first assistant director: Tunisia | |
| Michael D. Moore | .... | second unit director (as Michael Moore) | |
| David Tomblin | .... | first assistant director | |
| Frank Marshall | .... | second unit director (uncredited) | |
| Julian Wall | .... | second second assistant director (uncredited) | |
Sound Department | |||
| Richard L. Anderson | .... | supervising sound effects editor | |
| Ben Burtt | .... | sound designer | |
| Roy Charman | .... | production sound | |
| John Dunn | .... | foley editor | |
| Stephen Hunter Flick | .... | sound effects editor (as Steve H. Flick) | |
| Peter Grives | .... | apprentice sound editor | |
| Howie Hammerman | .... | sound recording technician | |
| Gregg Landaker | .... | sound re-recordist | |
| Mark A. Mangini | .... | sound effects editor (as Mark Mangini) | |
| Steve Maslow | .... | sound re-recordist | |
| Kevin O'Connell | .... | sound dubbing technician | |
| Andrew Patterson | .... | dialogue editor (as Andy Patterson) | |
| George Rice | .... | production sound maintenance | |
| John Salter | .... | sound boom operator | |
| Curt Schulkey | .... | supervising dialogue editor | |
| Gary Summers | .... | sound effects recordist | |
| Bill Varney | .... | sound re-recordist | |
| Eric Whitfield | .... | assistant dialogue editor | |
| Alan Howarth | .... | special sound effects (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Chris Condon | .... | special effects electrician | |
| Roy Coombes | .... | special effects carpenter | |
| Peter Dawson | .... | senior effects technician | |
| Yves De Bono | .... | special effects welder | |
| Rodney Fuller | .... | effects technician | |
| Ken Gittens | .... | effects assistant | |
| Terry Glass | .... | effects engineering | |
| Ray Hanson | .... | effects assistant | |
| Trevor Neighbour | .... | effects technician | |
| Terry Schubert | .... | effects technician | |
| Bill Warrington | .... | special effects equipment supervisor | |
| Kit West | .... | mechanical effects supervisor | |
| Michael Dawson | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Peter Amundson | .... | assistant effects editor: ILM | |
| Charles Bailey | .... | model maker: ILM (as Charlie Bailey) | |
| Craig Barron | .... | matte photography assistant: ILM | |
| William Beck | .... | stage technician: ILM | |
| David Berry | .... | optical printer operator: ILM | |
| Patricia Blau | .... | production coordinator: ILM | |
| Mike Bolles | .... | design engineer: ILM | |
| Marty Brenneis | .... | electronics engineer: ILM | |
| Kris Brown | .... | computer engineering: ILM | |
| Conrad Buff IV | .... | visual effects editorial supervisor: ILM (as Conrad Buff) | |
| Laura Buff | .... | production accountant: ILM (as Laura Kaysen) | |
| Scott Caple | .... | animator: ILM | |
| Melissa Cargill | .... | electronics technician: ILM | |
| Wade Childress | .... | special projects: ILM | |
| Terry Chostner | .... | still photographer: ILM | |
| Joe Class | .... | assistant visual effects editor: ILM | |
| Sam Comstock | .... | animation supervisor: ILM (as Samuel Comstock) | |
| Dick Dova | .... | stage technician: ILM | |
| Don Dow | .... | camera operator: ILM | |
| Loring Doyle | .... | animator: ILM | |
| Richard Edlund | .... | visual effects supervisor | |
| Judy Elkins | .... | animator: ILM | |
| John Ellis | .... | optical printer operator: ILM | |
| Chrissie England | .... | administration assistant: ILM | |
| Bob Finley III | .... | stage technician: ILM (as Bobby Finley III) | |
| Pat Fitzsimmons | .... | stage technician: ILM (as Patrick Fitzsimmons) | |
| Warren Franklin | .... | optical line-up: ILM | |
| Dietrich Friesen | .... | animation supervisor: ILM (as Deitrich Friesen) | |
| Michael Fulmer | .... | model maker: ILM (as Mike Fulmer) | |
| Steve Gawley | .... | model maker: ILM | |
| Tim Geideman | .... | laboratory technician: ILM | |
| Miki Herman | .... | production associate: ILM | |
| Edward Hirsh | .... | stage technician: ILM | |
| Paul Huston | .... | model maker: ILM | |
| Jerry Jeffress | .... | electronic systems designer: ILM | |
| Joe Johnston | .... | art director: visual effects, ILM | |
| Ed Jones | .... | laboratory technician: ILM | |
| David Kakita | .... | production accountant: ILM | |
| Sylvia Keulen | .... | animator: ILM | |
| Kim Knowlton | .... | animator: ILM | |
| Neil Krepela | .... | matte photography: ILM | |
| Shirley Lee | .... | production accountant: ILM | |
| Gary Leo | .... | electronics engineer: ILM | |
| Mike MacKenzie | .... | electronics engineer: ILM | |
| Alan Maley | .... | matte painting supervisor: ILM | |
| Scott Marshall | .... | animator: ILM | |
| Cristi McCarthy | .... | electronics technician: ILM | |
| Roberto McGrath | .... | still lab technician: ILM | |
| John McLeod | .... | stage technician: ILM (as John McCleod) | |
| Ted Moehnke | .... | supervising stage technician: ILM (as T.E. Moehnke) | |
| Thaine Morris | .... | pyrotechnics: ILM | |
| Duncan Myers | .... | laboratory technician: ILM | |
| Bill Neil | .... | camera operator: ILM | |
| Bruce Nicholson | .... | optical photography supervisor: ILM | |
| Kerry Nordquist | .... | still lab technician: ILM | |
| Ease Owyeung | .... | model maker: ILM | |
| Clint Palmer | .... | assistant cameraman: ILM | |
| Udo Pampel | .... | machinist: ILM | |
| Michael Pangrazio | .... | matte artist: ILM | |
| Lorne Peterson | .... | modelshop foreman: ILM | |
| Gary Platek | .... | cloud effects: ILM | |
| Jason Pomerantz | .... | production supervisor (IMAX Version 2012) | |
| Bruce Richardson | .... | model maker: ILM | |
| Nilo Rodis-Jamero | .... | assistant art director: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Wesley Seeds | .... | model maker: ILM | |
| Kenneth Smith | .... | optical printer operator: ILM | |
| Thomas G. Smith | .... | production supervisor: ILM (as Thomas Smith) | |
| Howard Stein | .... | assistant effects editor: ILM | |
| Peter Stolz | .... | stage technician: ILM | |
| Marc Thorpe | .... | model maker: ILM | |
| John T. Van Vliet | .... | animator: ILM (as John Van Vliet) | |
| Mark Vargo | .... | optical line-up: ILM | |
| Jim Veilleux | .... | effects cameraman: ILM | |
| Laurie Vermont | .... | production coordinator: ILM | |
| Garry Waller | .... | animator: ILM | |
| Gene Whiteman | .... | equipment engineering supervisor: ILM | |
| Bess Wiley | .... | electronics technician: ILM (as Bessie Wiley) | |
| Samuel Zolltheis | .... | model maker: ILM (as Sam Zolltheis) | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
| Beth D'Amato | .... | digital paint and roto lead (restored version) (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | stunts | |
| Peter Brace | .... | stunts | |
| Gerry Crampton | .... | stunts | |
| Peter Diamond | .... | stunt arranger | |
| Romo Gorrara | .... | stunts (as Romo Garrara) | |
| Martin Grace | .... | stunts | |
| Reg Harding | .... | stunts | |
| Billy Horrigan | .... | stunts | |
| Wendy Leech | .... | stunts (as Wendy Leach) | |
| Terry Leonard | .... | stunts | |
| Sergio Mioni | .... | stunts (as Sergio Mione) | |
| Glenn Randall Jr. | .... | stunt coordinator (as Glenn Randall) | |
| Rocky Taylor | .... | stunts | |
| Chuck Waters | .... | stunts | |
| Bill Weston | .... | stunts | |
| Paul Weston | .... | stunts | |
| Vic Armstrong | .... | stunt double: Mr. Ford/Indiana Jones double #1 (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Martin Grace | .... | stunt double: Indiana Jones #3 (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Wendy Leech | .... | stunt double: Karen Allen (uncredited) | |
| Terry Leonard | .... | stunt double: Indiana Jones #2 (uncredited) | |
Camera and Electrical Department | |||
| Paul Beeson | .... | additional photography | |
| Alan Brady | .... | gaffer: Peru/Hawaii | |
| Wally Byatt | .... | operating cameraman: second unit | |
| Albert Clark | .... | still photographer | |
| Jerry Dunkley | .... | operating cameraman: second unit (as Gerry Dunkley) | |
| Martin Evans | .... | gaffer | |
| Jim Kane | .... | dolly grip: second unit | |
| Red Lawrence | .... | head rigger | |
| Colin Manning | .... | dolly grip | |
| Eamonn O'Keeffe | .... | second assistant cameraman: second unit | |
| Danny Shelmerdine | .... | second assistant cameraman | |
| Chris Tanner | .... | assistant cameraman: second unit | |
| Robin Vidgeon | .... | assistant cameraman | |
| Chic Waterson | .... | operating cameraman | |
| David Worley | .... | operating cameraman: second unit | |
| Wick Finch | .... | electrician (uncredited) | |
| Ron Herschman | .... | electrician (uncredited) | |
| Bruce Hill | .... | ultra high speed photography (uncredited) | |
| Paul Kenward | .... | clapper loader (uncredited) | |
| Ray Meehan | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Ian Hickinbotham | .... | wardrobe assistant | |
| Sue Wain | .... | wardrobe assistant | |
| Rita Wakely | .... | wardrobe supervisor | |
Editorial Department | |||
| Duwayne Dunham | .... | assistant film editor: ILM | |
| Bruce Green | .... | assistant film editor | |
| Bob McMillian | .... | color timer (as Robert McMillian) | |
| Brian Ralph | .... | negative cutter | |
| Phil Sanderson | .... | assistant film editor | |
| Colin Wilson | .... | assistant film editor | |
| Julie Kahn Zunder | .... | apprentice film editor | |
Music Department | |||
| London Symphony Orchestra | .... | music performed by (as The London Symphony Orchestra) | |
| Herbert W. Spencer | .... | orchestrator | |
| Eric Tomlinson | .... | music recordist | |
| Kenneth Wannberg | .... | supervising music editor | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Lionel Newman | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Harry Ueshiro | .... | transportation captain: Peru/Hawaii | |
| John Ott | .... | camera car driver (uncredited) | |
| Terry Pritchard | .... | driver: cast (uncredited) | |
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| Indiana Jones and the Temple of Doom | Indiana Jones and the Last Crusade | Indiana Jones and the Kingdom of the Crystal Skull | Captain America: The First Avenger | Federal Agents vs. Underworld, Inc. |
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| Full cast and crew | Company credits | External reviews |
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| IMDb USA section |
If you've seen this movie and heard the score, then my one line summary won't read like a mating call for sheep, but rather the absolutely exhilarating "Raider's March" which stirs my blood and makes me think of an unforgettable hero, Indiana Jones. If not, see it now.
I love going to movies. I always have. I remember when this film came out. My friends had seen it before I had. They boasted it was great, the best film ever. Some even said it was better than Star Wars (utter blasphemy to a devout 10 year old Jedi-wannabe). I thought no way is this film better than Star Wars, but I was still curious and began the begging of my father to take me.
When I was young, almost all of the films that I had seen, I saw with my Dad. He would take me and my mother would stay at home with my siblings. We saw a number of films that failed to generate a reaction with him as they did with me, but this one was different. This one, my Dad might've enjoyed just as much.
Who can forget the scene where Indy faces bandits in the marketplace, fighting swords with his wits and fists, only to be finally challenged by a dark robed adversary brandishing a heavy, dismembering type of sabre as he swings the impressive blade about his head menacingly?
Indiana looks his opponent up and down briefly and draws his pistol casually and shoots the villain dead as if his patience had been tested a moment longer than he could tolerate.
My father, and the entire audience for that matter, laughed and cheered at this incredible scene. And it was the first time I'd actually been aware of his enjoyment of the film. Usually I'm so transfixed that I wouldn't notice if my legs were on fire. He enjoyed it so much, that he still tends to bring up that scene, even today.
My father and I shared a great moment in movie history, and I will never forget it for as long as I live. I will always be grateful for the time we spent together and the films that I otherwise would have been unable to see without him taking me.
Just a side note about the scene I've described above. It wasn't meant to go that way at all. As Steven Spielberg explained in a television interview, the scene was meant to have an elaborate fight sequence, but Harrison Ford was suffering from diarrhea and couldn't go through with the elaborate set-up required. Someone said, "the only way we can finish this scene today is if he shoots him". Steven said, "Wait a minute, we might have something there."
As for where it ranks with Star Wars, it's hard for me to say, so I won't. Star Wars was the first film I ever saw, and there's a story in that as well. Thanks again, Dad.