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Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Lawrence Kasdan | (screenplay) | |
| George Lucas | (story) and | |
| Philip Kaufman | (story) | |
Produced by | |||
| Howard G. Kazanjian | .... | executive producer (as Howard Kazanjian) | |
| George Lucas | .... | executive producer | |
| Frank Marshall | .... | producer | |
| Robert Watts | .... | associate producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
| George Lucas | (uncredited) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Mary Selway | |||
Production Design by | |||
| Norman Reynolds | |||
Art Direction by | |||
| Leslie Dilley | |||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| Deborah Nadoolman | |||
Makeup Department | |||
| Mike Lockey | .... | hairdresser | |
| Patricia McDermott | .... | chief hairdresser | |
| Richard Mills | .... | makeup artist (as Dickie Mills) | |
| Tom Smith | .... | key makeup artist | |
| Chris Walas | .... | special makeup effects: ILM (as Christopher Walas) | |
| Jim Gillespie | .... | key makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Roy Button | .... | second assistant director | |
| Patrick Cadell | .... | second assistant director | |
| Louis G. Friedman | .... | second assistant director: Peru/Hawaii | |
| Carlos Gil | .... | first assistant director: second unit (as Carlos Gill) | |
| Michael Hook | .... | second assistant director: second unit | |
| Vincent Joliet | .... | first assistant director: France | |
| Naceur Ktari | .... | first assistant director: Tunisia | |
| Michael D. Moore | .... | second unit director (as Michael Moore) | |
| David Tomblin | .... | first assistant director | |
| Frank Marshall | .... | second unit director (uncredited) | |
| Julian Wall | .... | second second assistant director (uncredited) | |
Sound Department | |||
| Richard L. Anderson | .... | supervising sound effects editor | |
| Ben Burtt | .... | sound designer | |
| Roy Charman | .... | production sound | |
| John Dunn | .... | foley editor | |
| Stephen Hunter Flick | .... | sound effects editor (as Steve H. Flick) | |
| Peter Grives | .... | apprentice sound editor | |
| Howie Hammerman | .... | sound recording technician | |
| Gregg Landaker | .... | sound re-recordist | |
| Mark A. Mangini | .... | sound effects editor (as Mark Mangini) | |
| Steve Maslow | .... | sound re-recordist | |
| Kevin O'Connell | .... | sound dubbing technician | |
| Andrew Patterson | .... | dialogue editor (as Andy Patterson) | |
| George Rice | .... | production sound maintenance | |
| John Salter | .... | sound boom operator | |
| Curt Schulkey | .... | supervising dialogue editor | |
| Gary Summers | .... | sound effects recordist | |
| Bill Varney | .... | sound re-recordist | |
| Eric Whitfield | .... | assistant dialogue editor | |
| Alan Howarth | .... | special sound effects (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Chris Condon | .... | special effects electrician | |
| Roy Coombes | .... | special effects carpenter | |
| Peter Dawson | .... | senior effects technician | |
| Yves De Bono | .... | special effects welder | |
| Rodney Fuller | .... | effects technician | |
| Ken Gittens | .... | effects assistant | |
| Terry Glass | .... | effects engineering | |
| Ray Hanson | .... | effects assistant | |
| Trevor Neighbour | .... | effects technician | |
| Terry Schubert | .... | effects technician | |
| Bill Warrington | .... | special effects equipment supervisor | |
| Kit West | .... | mechanical effects supervisor | |
| Michael Dawson | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Peter Amundson | .... | assistant effects editor: ILM | |
| Charles Bailey | .... | model maker: ILM (as Charlie Bailey) | |
| Craig Barron | .... | matte photography assistant: ILM | |
| William Beck | .... | stage technician: ILM | |
| David Berry | .... | optical printer operator: ILM | |
| Patricia Blau | .... | production coordinator: ILM | |
| Mike Bolles | .... | design engineer: ILM | |
| Marty Brenneis | .... | electronics engineer: ILM | |
| Kris Brown | .... | computer engineering: ILM | |
| Conrad Buff IV | .... | visual effects editorial supervisor: ILM (as Conrad Buff) | |
| Laura Buff | .... | production accountant: ILM (as Laura Kaysen) | |
| Scott Caple | .... | animator: ILM | |
| Melissa Cargill | .... | electronics technician: ILM | |
| Wade Childress | .... | special projects: ILM | |
| Terry Chostner | .... | still photographer: ILM | |
| Joe Class | .... | assistant visual effects editor: ILM | |
| Sam Comstock | .... | animation supervisor: ILM (as Samuel Comstock) | |
| Dick Dova | .... | stage technician: ILM | |
| Don Dow | .... | camera operator: ILM | |
| Loring Doyle | .... | animator: ILM | |
| Richard Edlund | .... | visual effects supervisor | |
| Judy Elkins | .... | animator: ILM | |
| John Ellis | .... | optical printer operator: ILM | |
| Chrissie England | .... | administration assistant: ILM | |
| Bob Finley III | .... | stage technician: ILM (as Bobby Finley III) | |
| Pat Fitzsimmons | .... | stage technician: ILM (as Patrick Fitzsimmons) | |
| Warren Franklin | .... | optical line-up: ILM | |
| Dietrich Friesen | .... | animation supervisor: ILM (as Deitrich Friesen) | |
| Michael Fulmer | .... | model maker: ILM (as Mike Fulmer) | |
| Steve Gawley | .... | model maker: ILM | |
| Tim Geideman | .... | laboratory technician: ILM | |
| Miki Herman | .... | production associate: ILM | |
| Edward Hirsh | .... | stage technician: ILM | |
| Paul Huston | .... | model maker: ILM | |
| Jerry Jeffress | .... | electronic systems designer: ILM | |
| Joe Johnston | .... | art director: visual effects, ILM | |
| Ed Jones | .... | laboratory technician: ILM | |
| David Kakita | .... | production accountant: ILM | |
| Sylvia Keulen | .... | animator: ILM | |
| Kim Knowlton | .... | animator: ILM | |
| Neil Krepela | .... | matte photography: ILM | |
| Shirley Lee | .... | production accountant: ILM | |
| Gary Leo | .... | electronics engineer: ILM | |
| Mike MacKenzie | .... | electronics engineer: ILM | |
| Alan Maley | .... | matte painting supervisor: ILM | |
| Scott Marshall | .... | animator: ILM | |
| Cristi McCarthy | .... | electronics technician: ILM | |
| Roberto McGrath | .... | still lab technician: ILM | |
| John McLeod | .... | stage technician: ILM (as John McCleod) | |
| Ted Moehnke | .... | supervising stage technician: ILM (as T.E. Moehnke) | |
| Thaine Morris | .... | pyrotechnics: ILM | |
| Duncan Myers | .... | laboratory technician: ILM | |
| Bill Neil | .... | camera operator: ILM | |
| Bruce Nicholson | .... | optical photography supervisor: ILM | |
| Kerry Nordquist | .... | still lab technician: ILM | |
| Ease Owyeung | .... | model maker: ILM | |
| Clint Palmer | .... | assistant cameraman: ILM | |
| Udo Pampel | .... | machinist: ILM | |
| Michael Pangrazio | .... | matte artist: ILM | |
| Lorne Peterson | .... | modelshop foreman: ILM | |
| Gary Platek | .... | cloud effects: ILM | |
| Jason Pomerantz | .... | production supervisor (IMAX Version 2012) | |
| Bruce Richardson | .... | model maker: ILM | |
| Nilo Rodis-Jamero | .... | assistant art director: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Wesley Seeds | .... | model maker: ILM | |
| Kenneth Smith | .... | optical printer operator: ILM | |
| Thomas G. Smith | .... | production supervisor: ILM (as Thomas Smith) | |
| Howard Stein | .... | assistant effects editor: ILM | |
| Peter Stolz | .... | stage technician: ILM | |
| Marc Thorpe | .... | model maker: ILM | |
| John T. Van Vliet | .... | animator: ILM (as John Van Vliet) | |
| Mark Vargo | .... | optical line-up: ILM | |
| Jim Veilleux | .... | effects cameraman: ILM | |
| Laurie Vermont | .... | production coordinator: ILM | |
| Garry Waller | .... | animator: ILM | |
| Gene Whiteman | .... | equipment engineering supervisor: ILM | |
| Bess Wiley | .... | electronics technician: ILM (as Bessie Wiley) | |
| Samuel Zolltheis | .... | model maker: ILM (as Sam Zolltheis) | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
| Beth D'Amato | .... | digital paint and roto lead (restored version) (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | stunts | |
| Peter Brace | .... | stunts | |
| Gerry Crampton | .... | stunts | |
| Peter Diamond | .... | stunt arranger | |
| Romo Gorrara | .... | stunts (as Romo Garrara) | |
| Martin Grace | .... | stunts | |
| Reg Harding | .... | stunts | |
| Billy Horrigan | .... | stunts | |
| Wendy Leech | .... | stunts (as Wendy Leach) | |
| Terry Leonard | .... | stunts | |
| Sergio Mioni | .... | stunts (as Sergio Mione) | |
| Glenn Randall Jr. | .... | stunt coordinator (as Glenn Randall) | |
| Rocky Taylor | .... | stunts | |
| Chuck Waters | .... | stunts | |
| Bill Weston | .... | stunts | |
| Paul Weston | .... | stunts | |
| Vic Armstrong | .... | stunt double: Mr. Ford/Indiana Jones double #1 (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Martin Grace | .... | stunt double: Indiana Jones #3 (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Wendy Leech | .... | stunt double: Karen Allen (uncredited) | |
| Terry Leonard | .... | stunt double: Indiana Jones #2 (uncredited) | |
Camera and Electrical Department | |||
| Paul Beeson | .... | additional photography | |
| Alan Brady | .... | gaffer: Peru/Hawaii | |
| Wally Byatt | .... | operating cameraman: second unit | |
| Albert Clark | .... | still photographer | |
| Jerry Dunkley | .... | operating cameraman: second unit (as Gerry Dunkley) | |
| Martin Evans | .... | gaffer | |
| Jim Kane | .... | dolly grip: second unit | |
| Red Lawrence | .... | head rigger | |
| Colin Manning | .... | dolly grip | |
| Eamonn O'Keeffe | .... | second assistant cameraman: second unit | |
| Danny Shelmerdine | .... | second assistant cameraman | |
| Chris Tanner | .... | assistant cameraman: second unit | |
| Robin Vidgeon | .... | assistant cameraman | |
| Chic Waterson | .... | operating cameraman | |
| David Worley | .... | operating cameraman: second unit | |
| Wick Finch | .... | electrician (uncredited) | |
| Ron Herschman | .... | electrician (uncredited) | |
| Bruce Hill | .... | ultra high speed photography (uncredited) | |
| Paul Kenward | .... | clapper loader (uncredited) | |
| Ray Meehan | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Ian Hickinbotham | .... | wardrobe assistant | |
| Sue Wain | .... | wardrobe assistant | |
| Rita Wakely | .... | wardrobe supervisor | |
Editorial Department | |||
| Duwayne Dunham | .... | assistant film editor: ILM | |
| Bruce Green | .... | assistant film editor | |
| Bob McMillian | .... | color timer (as Robert McMillian) | |
| Brian Ralph | .... | negative cutter | |
| Phil Sanderson | .... | assistant film editor | |
| Colin Wilson | .... | assistant film editor | |
| Julie Kahn Zunder | .... | apprentice film editor | |
Music Department | |||
| London Symphony Orchestra | .... | music performed by (as The London Symphony Orchestra) | |
| Herbert W. Spencer | .... | orchestrator | |
| Eric Tomlinson | .... | music recordist | |
| Kenneth Wannberg | .... | supervising music editor | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Lionel Newman | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Harry Ueshiro | .... | transportation captain: Peru/Hawaii | |
| John Ott | .... | camera car driver (uncredited) | |
| Terry Pritchard | .... | driver: cast (uncredited) | |
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| Indiana Jones and the Temple of Doom | Indiana Jones and the Last Crusade | Indiana Jones and the Kingdom of the Crystal Skull | Captain America: The First Avenger | Federal Agents vs. Underworld, Inc. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb USA section |
I remember seeing this movie when I was young, and it may well have been in the cinema with my Father, I can't quite remember (if he does, then please post the answer), anyway I do remember seeing it and being thoroughly entertained and that feeling of excitement and total fun staying with me to this very day as that is the feeling that the movie conjures up whenever I think of it.
I think a part of that is down to the fact it's a complete retake on the old serial movies combined with obvious comic book style, and that is just perfect for kids and appeals to them no end, or rather it did then! So it was with excitement that I opened my presents on my birthday and found the boxset for the Indiana Jones Trilogy, and with even more excitement when I finally watched the first in the trilogy, Raiders of the lost Ark.
It was just as I remembered, fun, excitement, wise cracks, a tiny splattering of romance but with a manliness that kids would allow, and lots of stunts and action. It's a superb movie and captures that style of serials, adventure stories and comic books perfectly, how I know that for sure is only through repeats since I wasn't alive during those times.
The set pieces are fantastic, and although some of the wilder end sequences are slightly dated now, it hasn't lost the excitement factor. It's a perfectly crafted movie as well, moving from location to location without any distraction or superfluous scenes, it just feels like it's all there for a reason and that it belongs there.
Harrison Ford is excellent in the role, and I'm inclined to think he was more Indy than he was Solo, but that's a personal opinion. He has many more facial movements and voice inclinations in this early movie than he does nowadays, now he belongs to the moody, quiet school of acting, then he was dynamic, adventurous, strong and as wisecracking as the best of them.
There are some excellent movie making moments in this with George Lucas and Steven Spielberg showing talent galore just oozing out of every pore (where did all that go for Star Wars I to III Mr Lucas?), and they end up making an excellently entertaining movie.
Some could argue that there could be a bit more depth or seriousness to the story, but come on, it's a ripping adventure yarn, you don't need depth. Saving the Ark from the Nazi's, surely that's enough! An excellent movie and great fun too, without a doubt one of my favourite of all time.