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Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Lawrence Kasdan | (screenplay) | |
| George Lucas | (story) and | |
| Philip Kaufman | (story) | |
Produced by | |||
| Howard G. Kazanjian | .... | executive producer (as Howard Kazanjian) | |
| George Lucas | .... | executive producer | |
| Frank Marshall | .... | producer | |
| Robert Watts | .... | associate producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
| George Lucas | (uncredited) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Mary Selway | |||
Production Design by | |||
| Norman Reynolds | |||
Art Direction by | |||
| Leslie Dilley | |||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| Deborah Nadoolman | |||
Makeup Department | |||
| Mike Lockey | .... | hairdresser | |
| Patricia McDermott | .... | chief hairdresser | |
| Richard Mills | .... | makeup artist (as Dickie Mills) | |
| Tom Smith | .... | key makeup artist | |
| Chris Walas | .... | special makeup effects: ILM (as Christopher Walas) | |
| Jim Gillespie | .... | key makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Roy Button | .... | second assistant director | |
| Patrick Cadell | .... | second assistant director | |
| Louis G. Friedman | .... | second assistant director: Peru/Hawaii | |
| Carlos Gil | .... | first assistant director: second unit (as Carlos Gill) | |
| Michael Hook | .... | second assistant director: second unit | |
| Vincent Joliet | .... | first assistant director: France | |
| Naceur Ktari | .... | first assistant director: Tunisia | |
| Michael D. Moore | .... | second unit director (as Michael Moore) | |
| David Tomblin | .... | first assistant director | |
| Frank Marshall | .... | second unit director (uncredited) | |
| Julian Wall | .... | second second assistant director (uncredited) | |
Sound Department | |||
| Richard L. Anderson | .... | supervising sound effects editor | |
| Ben Burtt | .... | sound designer | |
| Roy Charman | .... | production sound | |
| John Dunn | .... | foley editor | |
| Stephen Hunter Flick | .... | sound effects editor (as Steve H. Flick) | |
| Peter Grives | .... | apprentice sound editor | |
| Howie Hammerman | .... | sound recording technician | |
| Gregg Landaker | .... | sound re-recordist | |
| Mark A. Mangini | .... | sound effects editor (as Mark Mangini) | |
| Steve Maslow | .... | sound re-recordist | |
| Kevin O'Connell | .... | sound dubbing technician | |
| Andrew Patterson | .... | dialogue editor (as Andy Patterson) | |
| George Rice | .... | production sound maintenance | |
| John Salter | .... | sound boom operator | |
| Curt Schulkey | .... | supervising dialogue editor | |
| Gary Summers | .... | sound effects recordist | |
| Bill Varney | .... | sound re-recordist | |
| Eric Whitfield | .... | assistant dialogue editor | |
| Alan Howarth | .... | special sound effects (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Chris Condon | .... | special effects electrician | |
| Roy Coombes | .... | special effects carpenter | |
| Peter Dawson | .... | senior effects technician | |
| Yves De Bono | .... | special effects welder | |
| Rodney Fuller | .... | effects technician | |
| Ken Gittens | .... | effects assistant | |
| Terry Glass | .... | effects engineering | |
| Ray Hanson | .... | effects assistant | |
| Trevor Neighbour | .... | effects technician | |
| Terry Schubert | .... | effects technician | |
| Bill Warrington | .... | special effects equipment supervisor | |
| Kit West | .... | mechanical effects supervisor | |
| Michael Dawson | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Peter Amundson | .... | assistant effects editor: ILM | |
| Charles Bailey | .... | model maker: ILM (as Charlie Bailey) | |
| Craig Barron | .... | matte photography assistant: ILM | |
| William Beck | .... | stage technician: ILM | |
| David Berry | .... | optical printer operator: ILM | |
| Patricia Blau | .... | production coordinator: ILM | |
| Mike Bolles | .... | design engineer: ILM | |
| Marty Brenneis | .... | electronics engineer: ILM | |
| Kris Brown | .... | computer engineering: ILM | |
| Conrad Buff IV | .... | visual effects editorial supervisor: ILM (as Conrad Buff) | |
| Laura Buff | .... | production accountant: ILM (as Laura Kaysen) | |
| Scott Caple | .... | animator: ILM | |
| Melissa Cargill | .... | electronics technician: ILM | |
| Wade Childress | .... | special projects: ILM | |
| Terry Chostner | .... | still photographer: ILM | |
| Joe Class | .... | assistant visual effects editor: ILM | |
| Sam Comstock | .... | animation supervisor: ILM (as Samuel Comstock) | |
| Dick Dova | .... | stage technician: ILM | |
| Don Dow | .... | camera operator: ILM | |
| Loring Doyle | .... | animator: ILM | |
| Richard Edlund | .... | visual effects supervisor | |
| Judy Elkins | .... | animator: ILM | |
| John Ellis | .... | optical printer operator: ILM | |
| Chrissie England | .... | administration assistant: ILM | |
| Bob Finley III | .... | stage technician: ILM (as Bobby Finley III) | |
| Pat Fitzsimmons | .... | stage technician: ILM (as Patrick Fitzsimmons) | |
| Warren Franklin | .... | optical line-up: ILM | |
| Dietrich Friesen | .... | animation supervisor: ILM (as Deitrich Friesen) | |
| Michael Fulmer | .... | model maker: ILM (as Mike Fulmer) | |
| Steve Gawley | .... | model maker: ILM | |
| Tim Geideman | .... | laboratory technician: ILM | |
| Miki Herman | .... | production associate: ILM | |
| Edward Hirsh | .... | stage technician: ILM | |
| Paul Huston | .... | model maker: ILM | |
| Jerry Jeffress | .... | electronic systems designer: ILM | |
| Joe Johnston | .... | art director: visual effects, ILM | |
| Ed Jones | .... | laboratory technician: ILM | |
| David Kakita | .... | production accountant: ILM | |
| Sylvia Keulen | .... | animator: ILM | |
| Kim Knowlton | .... | animator: ILM | |
| Neil Krepela | .... | matte photography: ILM | |
| Shirley Lee | .... | production accountant: ILM | |
| Gary Leo | .... | electronics engineer: ILM | |
| Mike MacKenzie | .... | electronics engineer: ILM | |
| Alan Maley | .... | matte painting supervisor: ILM | |
| Scott Marshall | .... | animator: ILM | |
| Cristi McCarthy | .... | electronics technician: ILM | |
| Roberto McGrath | .... | still lab technician: ILM | |
| John McLeod | .... | stage technician: ILM (as John McCleod) | |
| Ted Moehnke | .... | supervising stage technician: ILM (as T.E. Moehnke) | |
| Thaine Morris | .... | pyrotechnics: ILM | |
| Duncan Myers | .... | laboratory technician: ILM | |
| Bill Neil | .... | camera operator: ILM | |
| Bruce Nicholson | .... | optical photography supervisor: ILM | |
| Kerry Nordquist | .... | still lab technician: ILM | |
| Ease Owyeung | .... | model maker: ILM | |
| Clint Palmer | .... | assistant cameraman: ILM | |
| Udo Pampel | .... | machinist: ILM | |
| Michael Pangrazio | .... | matte artist: ILM | |
| Lorne Peterson | .... | modelshop foreman: ILM | |
| Gary Platek | .... | cloud effects: ILM | |
| Jason Pomerantz | .... | production supervisor (IMAX Version 2012) | |
| Bruce Richardson | .... | model maker: ILM | |
| Nilo Rodis-Jamero | .... | assistant art director: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Wesley Seeds | .... | model maker: ILM | |
| Kenneth Smith | .... | optical printer operator: ILM | |
| Thomas G. Smith | .... | production supervisor: ILM (as Thomas Smith) | |
| Howard Stein | .... | assistant effects editor: ILM | |
| Peter Stolz | .... | stage technician: ILM | |
| Marc Thorpe | .... | model maker: ILM | |
| John T. Van Vliet | .... | animator: ILM (as John Van Vliet) | |
| Mark Vargo | .... | optical line-up: ILM | |
| Jim Veilleux | .... | effects cameraman: ILM | |
| Laurie Vermont | .... | production coordinator: ILM | |
| Garry Waller | .... | animator: ILM | |
| Gene Whiteman | .... | equipment engineering supervisor: ILM | |
| Bess Wiley | .... | electronics technician: ILM (as Bessie Wiley) | |
| Samuel Zolltheis | .... | model maker: ILM (as Sam Zolltheis) | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
| Beth D'Amato | .... | digital paint and roto lead (restored version) (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | stunts | |
| Peter Brace | .... | stunts | |
| Gerry Crampton | .... | stunts | |
| Peter Diamond | .... | stunt arranger | |
| Romo Gorrara | .... | stunts (as Romo Garrara) | |
| Martin Grace | .... | stunts | |
| Reg Harding | .... | stunts | |
| Billy Horrigan | .... | stunts | |
| Wendy Leech | .... | stunts (as Wendy Leach) | |
| Terry Leonard | .... | stunts | |
| Sergio Mioni | .... | stunts (as Sergio Mione) | |
| Glenn Randall Jr. | .... | stunt coordinator (as Glenn Randall) | |
| Rocky Taylor | .... | stunts | |
| Chuck Waters | .... | stunts | |
| Bill Weston | .... | stunts | |
| Paul Weston | .... | stunts | |
| Vic Armstrong | .... | stunt double: Mr. Ford/Indiana Jones double #1 (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Martin Grace | .... | stunt double: Indiana Jones #3 (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Wendy Leech | .... | stunt double: Karen Allen (uncredited) | |
| Terry Leonard | .... | stunt double: Indiana Jones #2 (uncredited) | |
Camera and Electrical Department | |||
| Paul Beeson | .... | additional photography | |
| Alan Brady | .... | gaffer: Peru/Hawaii | |
| Wally Byatt | .... | operating cameraman: second unit | |
| Albert Clark | .... | still photographer | |
| Jerry Dunkley | .... | operating cameraman: second unit (as Gerry Dunkley) | |
| Martin Evans | .... | gaffer | |
| Jim Kane | .... | dolly grip: second unit | |
| Red Lawrence | .... | head rigger | |
| Colin Manning | .... | dolly grip | |
| Eamonn O'Keeffe | .... | second assistant cameraman: second unit | |
| Danny Shelmerdine | .... | second assistant cameraman | |
| Chris Tanner | .... | assistant cameraman: second unit | |
| Robin Vidgeon | .... | assistant cameraman | |
| Chic Waterson | .... | operating cameraman | |
| David Worley | .... | operating cameraman: second unit | |
| Wick Finch | .... | electrician (uncredited) | |
| Ron Herschman | .... | electrician (uncredited) | |
| Bruce Hill | .... | ultra high speed photography (uncredited) | |
| Paul Kenward | .... | clapper loader (uncredited) | |
| Ray Meehan | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Ian Hickinbotham | .... | wardrobe assistant | |
| Sue Wain | .... | wardrobe assistant | |
| Rita Wakely | .... | wardrobe supervisor | |
Editorial Department | |||
| Duwayne Dunham | .... | assistant film editor: ILM | |
| Bruce Green | .... | assistant film editor | |
| Bob McMillian | .... | color timer (as Robert McMillian) | |
| Brian Ralph | .... | negative cutter | |
| Phil Sanderson | .... | assistant film editor | |
| Colin Wilson | .... | assistant film editor | |
| Julie Kahn Zunder | .... | apprentice film editor | |
Music Department | |||
| London Symphony Orchestra | .... | music performed by (as The London Symphony Orchestra) | |
| Herbert W. Spencer | .... | orchestrator | |
| Eric Tomlinson | .... | music recordist | |
| Kenneth Wannberg | .... | supervising music editor | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Lionel Newman | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Harry Ueshiro | .... | transportation captain: Peru/Hawaii | |
| John Ott | .... | camera car driver (uncredited) | |
| Terry Pritchard | .... | driver: cast (uncredited) | |
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| Indiana Jones and the Temple of Doom | Indiana Jones and the Last Crusade | Indiana Jones and the Kingdom of the Crystal Skull | Captain America: The First Avenger | Federal Agents vs. Underworld, Inc. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb USA section |
It is a hot sunny day in South America. We see a bunch of men, shot mostly from the back. They are walking deep into the forest. We see a tall dark figure. He is wearing an old leather jacket, he has the 5 o'clock shadow looking like it's closer to midnight, he wears a fedora and he carries a bull-whip ( yes a bull-whip ). Finally, two of the men enter a cave and we hear about some guy named Forstall, who was good, very, very good, but he never came out of the place alive. But they enter anyway. They are confronted with tarantulas, spears that are triggered by blocking out the light, a pit that they must swing over and then more tiny poisonous darts that come out of the wall. All this to protect an ancient gold statue. They recover it. One guy dies and the other barely makes it out of the room before it all falls on him. Then he has to get out of the cave and a giant boulder chases him. Finally he makes it out of the cave only to be surrounded by Hovitos and his arch enemy named Belloq. He takes the gold statue that this guy worked so hard for and then the guy runs and makes it to the plane where he is in the passenger seat and there is big snake in the plane. He hates snakes. This mans name? Indiana Jones!
Whhhoooooo!! I'm left breathless just describing that opening. But is there a better beginning of a movie ever? Absolutely not. Does the beginning have anything to do with the rest of the film. No. It is all decoration for what the movie is going to put you through in the 90 minutes to come.
Indiana Jones is the best character to ever hit the screens. And he better be. He is created by George, Steven and played by Harrison Ford. That may seem normal now that we have lived with him for 20 years, but can you imagine what that must have been like back in 1981. That would be like Tom Hanks or Will Smith joining forces with James Cameron and Steven Spielberg for a completely original idea in today's terms.
Raiders took a simple idea and maybe an idea that the guys had from watching Saturday afternoon movies and made it larger than life. This film never stops for you to take your breath. It is filled with rich characters from Indy himself to Marion to Belloq and even to Marcus Brody. Each has their own personality that shines through in certain scenes. Some of my faves were when we first meet Marion having a shot contest in her bar in Nepal. Then there is her scene with Belloq and they get drunk together and she tries to leave using only a butter knife. And of course who can forget Indy's battle with the swordsman and his unrivaled determination to get the ark. " Indy, there is not time. If you still want the truck it is being loaded on a truck for Cairo. " ( a battered and bloody Indy ) " Truck? What truck?" ( and then later ) "Get some transport back to England, boat, plane, anything. Meet me at Omar's. I'm going after that truck. "
Sola ) " How? " ( Indy ) I don't know I'm making this up as I go."
Raiders has more energy than three action films. And that is what makes it the classic that it is. If you like movies, then Raiders is a movie that will not let you down. It is pure entertainment and that is indisputable. It finds the youngster in all of us and bombards us with this silly, whip-cracking, average, incredibly determined archaeologist and only asks us to have fun. And that we do. And to me, the only reason that Chariots of Fire won best picture that year is because it is a serious film. Raiders was heads and shoulders above Chariots and it should have cleaned up at the Oscars in 81. But more politics with the academy.
Raiders of the Lost Ark is the epitome of entertainment. What more can be said about it. If you haven't seen this movie in a while or if you haven't seen it at all ( gasp ) then do yourself a favour and rent it tonight. It is awesome.
TRUST ME