After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
The year is 1936. A professor who studies archeology named Indiana Jones is venturing in the jungles in South America searching for a golden statue. Unfortunately, he sets off a deadly trap doing so, miraculously, he escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Renee Belloq and a band of Nazis in order to reach it. Written by
The name of the sadistic Nazi interrogator is never mentioned in the film, but it is Toht, pronounced like Tod, the German word for Death. The role was offered to Klaus Kinski, who writes in his book "Kinski Uncut" that Steven Spielberg offered him a part in this movie, but he turned it down. "[...] as much as I'd like to do a movie with Spielberg, the script is as moronically shitty as so many other flicks of this ilk." Kinski chose to appear in Venom (1981) because the salary was better. Michael Sheard also auditioned for the role. Ronald Lacey, who had given up acting to become an agent, was chosen because he reminded Steven Spielberg of Peter Lorre. Toht only speaks a total of fourteen lines in English. The rest of his dialogue is in German. See more »
Toht would need more than the imprint in his hand to replicate an approximate of the amulet. He would need to know the dimensions and properties of the crystal, including the cuttings on the surface, otherwise it would not refract and focus a beam of sunlight on exactly the right place (assuming he had the correct length of the staff). Since they were digging in the wrong spot anyway, having an incorrect approximate of the amulet would further give them an incorrect location. See more »
[picking up poison dart]
The Hovitos are near. The poison is still fresh, three days. They're following us.
If they knew we were here, they would've killed us already.
See more »
The mountain in the Paramount logo dissolves into the mountain in the Peruvian jungle. See more »
A wonderful movie, but I still prefer The Last Crusade.
Rating: **** out of ****
There is no doubt in my mind that Indiana Jones is the best movie series in the history of cinema. And the one start it all was Raiders of the Lost Ark, a fast-paced adventure packed with one death-defying cliff-hanger situation after another. To this day, Raiders remains one of the best action movies, holding up better than most of today's rapid-cut, MTV-style "thrill rides." Raiders relied on no CGI, no flashy editing, just pure, exhilarating film-making and storytelling, a combo of its kind that has only been surpassed by its second sequel, Indiana Jones and the Last Crusade.
Harrison Ford stars as Jones, an archaeologist who dresses in a brown coat and fedora, armed with a revolver and lion-taming whip. A delightful opening involving elaborate booby traps informs us he's used to these adventures (especially his even closer brushes with death in Temple of Doom, which was a prequel). When he returns to the states from his latest "excavation," he's informed by the military that the Nazis are after the ark of the covenant, an artifact that could possess the power to make the Nazis an invincible army. So Jones sets out to retrieve the ark first, in what will prove to be one of his greatest adventures.
There's probably little doubt that Raiders is the fan/critical favorite of the trilogy, but there are a few things that I actually have to gripe about, blasphemous as it may be. For one, even though the story is excellent, it's not without its holes. Most perplexing is in the film's opening scenes, when we wonder why Jones bothered to bring along potentially traitorous porters when it's such a short distance from the river to the cave temple. Also (spoilers), one needs only to see the film once to realize that if Indy had never tried to intercept the Ark, the Nazis would a) have never found it or b) still would have suffered the same horrible fate regardless.
The action sequences are superb, though an early bar shootout isn't quite as adrenaline-pumping as it could be and looks quite bland compared to the film's other action scenes. Thankfully, the following street chase is playful and exciting and keeps the joyous momentum flowing. Overall, I'd still argue that both Temple of Doom and The Last Crusade boast more inventive action but there's no questioning that the action scenes in Raiders are fantastic and likely superior to any film you may have seen the last few years.
As bitchy as I may sound, I'm not trying to harp on Raiders, at least not too much. The movie does feature the famous (and deservedly so) truck chase, one of the most unbelievably thrilling and exhilarating action setpieces I've ever seen (and given an extra boost by John Williams' beautifully rousing score). To this day, even with the recent chase scenes in The Matrix Reloaded and Terminator 3, this sequence has yet to be surpassed.
Other standout sequences include a sarcophagus almost entirely decorated with snakes, imposing statues, and well-preserved mummies, and Jones' mano-a-mano battle with a seemingly impervious Nazi mechanic. The finale takes the film dangerously close to the horror genre, climaxing things with a truly memorable (and quite frightening) light show for the ages. Every Indiana Jones film has a scene that scarred me as a kid and I think every one who's seen Raiders knows what I'm referring to (as well as its sequels)
I've said it before, Harrison Ford is wonderful as Jones, embodying a hero that's cool beyond words, yet still entirely human and believable. The supporting cast isn't as up to par: Paul Freeman makes for a decent but not particularly menacing villain as Belloq and Karen Allen is somewhat annoying as Indy's love interest, but there are an equal share in gems, particularly Denholm Elliot as Marcus Brody and John Rhys-Davies as Sallah (The Last Crusade wisely gave these actors/characters more screen time).
Raiders of the Lost Ark was revolutionary cinema, paving way for summer blockbusters that would attempt for the same winning mix of thrills and humor. Only its sequels matched and/or surpassed it, but some have actually come close (The Mummy). If you haven't seen Raiders yet, put it on the top of your list.
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