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Ragtime (1981) Poster

(1981)

Trivia

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Because of the presence of the ailing James Cagney (in what would prove to be his final screen appearance), the movie was officially exempted from the long-running Actors' Strike of the early 1980s - the only production afforded this honor.
A ten-minute sequence on the Lower East Side featuring real-life social activist Emma Goldman was cut from the final print. In the sequence Goldman takes Evelyn Nesbitt back to her apartment, explains her misgivings over the use of restrictive undergarments by women, removes them from Nesbitt and tries to recruit her for her socialist cause. During the scene they are observed by a voyeuristic Younger Brother, who has followed them into the building and has been secretly observing the undressed Nesbitt.
When Jack Nicholson, who was to play Rhinelander Waldo, had to drop out of the film less than a month before filming began, the producers were left without a name star in the cast. It was then that director Milos Forman recruited James Cagney, whom he had met at a private dinner in Connecticut the year before. He offered Cagney any part he wanted including (facetiously) the role of Evelyn Nesbitt.
Though James Cagney was 81 years old when he filmed this movie, the real Commissioner Rhinelander Waldo was only 32 at the time in which the movie was set.
James Cagney was wheelchair-bound at the time of shooting. Most scenes show him sitting; a stand-in was used for his remaining scenes showing him on his feet (and were shot from the back to obscure the stand-in's face).
James Cagney's powers of memorization were failing him and cue cards had to be used for the 81-year-old actor.
Milos Forman hired Donald O'Connor at the request of James Cagney. O'Connor had been having personal and professional problems, and Cagney wanted to help him.
James Cagney objected to saying the word "nigger" in reference to Walker, so the less pejorative term "buck" was substituted.
James Cagney had been advised by his doctors and caregivers that making a film at this point in his life was very important for his health. The actor never flew, so he and his wife took an ocean liner to London, where his scenes were filmed. It is a tribute to his professionalism that despite his numerous infirmities, he generously stayed on set during his fellow actors' closeups to give them line readings.
Jeffrey DeMunn (who plays Harry Houdini) performed his own stunts that includes a scene where he's hung upside down from a height trying to get out of a straight jacket.
Robert Altman was replaced by Milos Forman as director of this project.
O.J. Simpson was considered for the role of Coalhouse Walker.
According to Milos Forman, James Cagney initially agreed to play the police chief on two conditions: he would not sign a contract of any kind, and he reserved the right to change his mind and quit the film until three days before shooting began on his scenes.
Milos Forman originally wanted E.L. Doctorow to collaborate on the screenplay, but the novelist thought that a feature film could not do justice to his epic novel and believed that it should be done as a ten-part TV miniseries. Doctorow did not participate in the development of the screenplay.
Director Joseph L. Mankiewicz facilitated the filmmakers' use of Mount Kisco, New York's Mutual Fire Company's station in the filming of the firehouse sequences. Mankiewicz was a local resident.
Mandy Patinkin's daughter is played by Jenny Nichols while Mary Steenburgen's son is enacted by Max Nichols. Both young performers are the real-life children of director Mike Nichols.
This film reunited James Cagney (coming out of a 20-year retirement following One, Two, Three (1961)) with Pat O'Brien, his frequent co-star from the 1930s and 1940s. It was the last theatrical film for both of them.
Mary Steenburgen was pregnant during filming, but her turn-of-the-century clothes concealed it.
Howard E. Rollins Jr. was a schoolteacher prior to his taking the role of Coalhouse Walker. He lost out on the Golden Globe Award for Best Newcomer that year to Pia Zadora.
The silhouettist played by Mandy Patinkin and his wife (played by Fran Drescher) are listed in the credits with the character names 'Tateh' and 'Mameh'. These are not meant to be interpreted as their actual names, but are rather the Yiddish words for 'father' and 'mother', respectively.
Nastassja Kinski wanted to play the role of Evelyn Nesbit but she couldn't get Nesbit's accent.
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Cameo 

Jack Nicholson:  in a very fast close-up as a mustachioed pirate making off with Elizabeth McGovern in the silent movie sequence being shot by "director" Mandy Patinkin at a beach resort.

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