The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
The story runs in the 1910's New York. Coalhouse Walker Jr. is a black piano player. He has won fame and fortune playing with a jazz band. Some white men do not like this situation, and one day they assault him and spoil his brand new car. Walker tries by all means to get justice, without an answer... Written by
Michel Rudoy <email@example.com>
The silhouettist played by Mandy Patinkin and his wife (played by Fran Drescher) are listed in the credits with the character names 'Tateh' and 'Mameh'. These are not meant to be interpreted as their actual names, but are rather the Yiddish words for 'father' and 'mother', respectively. See more »
Charles W. Fairbanks was not the Vice President of the United States when he was running with Theodore Roosevelt in 1904. He was a Senator from Indiana and was chosen as Roosevelt's running mate that year. Roosevelt was Vice President when he succeeded to the presidency upon William McKinley's assassination and he had no Vice President for his first term of office. See more »
[refering to the anarchists in the library]
Well, Mr. Elliot, why don't you go in and have a word with them?
I beg your pardon?
Just explain the value of the library, see what they want, that sort of thing.
That hardly seems like the appropriate response, Mr. Waldo, and if you're making a joke at my expense, I assure you there's nothing amusing about my responsibilities as the curator of Mr. Morgan's library.
Mr. Elliot, as long as those guys are in there, you're not curator of anything!
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1906, to be specific, is when Stanford White was shot -- which of course marks the beginning date bookmark of the movie.
The "declaration of war" -- WW I -- as announced in a Newspaper headline at the end of the film, bookmarks the end of the movie -- and of the era.
Not trivial points, since a good part of the interest of this movie lies it it's serving as a relatively rare window into this period. Which unlike the 1930s or the 1920s which the plot summary and first comment confuse it with, is not a period which is much portrayed in film.
I'd say it's a pretty good, although not great, "costume" film. The first half is much stronger than the second half, both in historical interest and in character development.
Worth seeing though. Perhaps try seeing it right after "Age of Innocence", which is set primarily in the New York of the 1870s (although entirely among the upper upper class, instead of the somewhat broader class look, and city/near country look of Ragtime).
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