Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an... See full summary »
The fire department in a small town is having a big party when the ex-boss of the department celebrates his 86th birthday. The whole town is invited but things don't go as planned. Someone ... See full summary »
A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have... See full summary »
Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone... See full summary »
The story runs in the 1910's New York. Coalhouse Walker Jr. is a black piano player. He has won fame and fortune playing with a jazz band. Some white men do not like this situation, and one day they assault him and spoil his brand new car. Walker tries by all means to get justice, without an answer... Written by
Michel Rudoy <firstname.lastname@example.org>
The silhouettist played by Mandy Patinkin and his wife (played by Fran Drescher) are listed in the credits with the character names 'Tateh' and 'Mameh'. These are not meant to be interpreted as their actual names, but are rather the Yiddish words for 'father' and 'mother', respectively. See more »
In the scene where Sarah is in the back of the crowd at the train station, trying to listen to Vice President Fairbanks, a small 50-star American flag can be seen to the right of her. The 50-star flag was not official until 4 July 1960. See more »
[refering to the anarchists in the library]
Well, Mr. Elliot, why don't you go in and have a word with them?
I beg your pardon?
Just explain the value of the library, see what they want, that sort of thing.
That hardly seems like the appropriate response, Mr. Waldo, and if you're making a joke at my expense, I assure you there's nothing amusing about my responsibilities as the curator of Mr. Morgan's library.
Mr. Elliot, as long as those guys are in there, you're not curator of anything!
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I finished reading Doctorow's novel just before it was announced that production had started on the movie. I remember thinking, "How the hell do you make a movie of a book where the central characters are named 'Mother,' 'Father,' and 'Mother's Younger Brother?'"
Milos Forman showed how: In a word, beautifully.
And "Ragtime" is beautiful, stunning in its recreation of early 1900s New York, utilizing a script which somehow ties together the central events and their effects on its main characters as well as one of the finest, most haunting soundtracks (Randy Newman, who went so far as to compose several original 'ragtime' numbers) in the past twenty years, topped off with a first-rate cast.
James Cagney was the big news, of course, and deservedly so: Emerging from twenty years of retirement, he showed that he'd not only not lost anything but had added to his expertise. Add Mary Steenburgen, Mandy Patinkin, James Olsen, Howard Rollins, Keith McMillan and even Elizabeth McGovern (each of them perfectly cast), to name but a few, and you see where Forman wasn't missing a bet.
"Ragtime" suffers, ultimately, due to lapses in editing -- the most grievous lapse the cutting of a short scene which explains Commissioner Waldo's motivation behind the action he ultimately takes with Coalhouse Walker. Some cuts are always necessarily (especially in a movie as sprawling as this), yet that cut -- and several others -- flaw this beauty of a film.
But not fatally. Not at all. More than twenty years later, "Ragtime" is still gorgeous.
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