In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife... See full summary »
Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
When a terrorist's body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a ... See full summary »
In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife Lucy Boyle and their son Bob to live in an isolated house in the woods that belonged to Dr. Petersen. Bob befriends the girl Mae that only he can see and she warns him to leave the house. Soon his parents hire the mysterious babysitter Ann and creepy things happen in the house, When Bobby goes to the basement, his parents discover the secret of the house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Though the final line ("No one will ever know whether the children are monsters or the monsters are children") is attributed to Henry James, it was actually fabricated by Lucio Fulci. See more »
When Dr. Boyle and his family arrive in Boston, you can see the crews' reflection on the car before Mrs. Boyle gets off. See more »
Mae, time to go home and remember your manners. Now that Bob is staying with us, be sure to treat him like a Freudstein. For other guests are surely destined to drop in.
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In the end credits: "no one will ever know whether children are monsters or monsters are children." - Henry James See more »
Out of the horror films by Fulci which I own (The Beyond, City of the Living Dead and this one), this is definitely my favourite. As well as containing the most gore (I'm lucky to have an uncut version) it is also the most scary. There are plenty of moments which will make you jump and the overall images projected from the camera panning of the house in question adds to this, creating a tense and terrifying atmosphere. The murders are spot-on with plenty of blood and great effects which again add to the overall tension in the film. The storyline, though fairly thin, keeps things moving along at a quick pace to the abrupt ending which is typical of Fulci's other work. Overall, I make a point of watching this film regularly (with lights off!) as I think it is just a great horror flick. If you're a horror fan, see this! My score: 8/10.
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