In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife... See full summary »
A trio of atmospheric horror tales about: A woman terrorized in her apartment by phone calls from an escaped prisoner from her past; a Russian count in the early 1800s who stumbles upon a ... See full summary »
A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant. Only the girl's brother and a... See full summary »
In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife Lucy Boyle and their son Bob to live in an isolated house in the woods that belonged to Dr. Petersen. Bob befriends the girl Mae that only he can see and she warns him to leave the house. Soon his parents hire the mysterious babysitter Ann and creepy things happen in the house, When Bobby goes to the basement, his parents discover the secret of the house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Though the final line ("No one will ever know whether the children are monsters or the monsters are children") is attributed to Henry James, it was actually fabricated by Lucio Fulci. See more »
In the scene were Laura Gittleson - the real estate agent is killed by Dr Freudstein, we see her body lying on the floor with her eyes closed and her mouth open. A few moments later we see Freudstein drag her into the basement and her eyes are now open, but her mouth is closed. Then later, when we see her hanging in the basement near the end of the film, her eyes and mouth are both open. See more »
In some ways, you get a sense Fulci was trying hard to make this more "respectable" than some of his other movies. The camerawork is careful, creating atmosphere as well as a sense of polish. The makeup and gore effects (except for the ridiculous bat scene) are also well-crafted, and the Dr. Freudstein character is fairly creepy to see. Also, there are fewer splatter scenes, and they come more out of the story than any gratuitous attempts to add gore. However, the story (which has shades of THE SHINING) is pretty slow-moving, so after a while you wish Fulci *would* throw in some gratuitous splatter! And like many of Fulci's other movies, a lot of things are simply not explained. (I will admit I got a good laugh at the sudden burst of "explanation" by one character at the end, which comes out of nowhere!) Quite frankly, viewers who have heard about Fulci but not seen any of his other movies will be wondering at the end of the movie why he's received so much fuss. So only for Fulci fans, or people with more than a passing interest in Italian horror movies.
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