Marya finds herself penniless after her art dealer husband, Stephan, is convicted of theft. Marya accepts the hospitality of a strange couple, H.J. and Lois Heidler, who lets her live in their house.



(novel), (screenplay) | 1 more credit »
Nominated for 1 BAFTA Film Award. Another 2 wins & 1 nomination. See more awards »


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Cast overview, first billed only:
Pierre Clémenti ...
Théo the Pornographer
Mme. Hautchamp
Daniel Mesguich ...
Armelia McQueen ...
Night Club Singer
Wiley Wood ...
Virginie Thévenet ...
Daniel Chatto ...
Miss Nicholson
Paulita Sedgwick ...
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Edouard Hautchamp


It's 1927 Paris. Following the conviction of her art dealer husband, Stephan Zelli, for theft for which he was handed a one-year prison sentence, Marya Zelli, originally from West India, moves in with her acquaintances, expatriate Brits H.J. and Lois Heidler. Marya knows that H.J. in particular has more in mind than just providing her lodging out of the goodness of his heart. From behind bars, Stephan encourages Marya to move in with them not knowing H.J.'s intentions. Marya agrees in part because she, being a foreigner, cannot get work and would thus become destitute otherwise. She learns she is the latest in a long line of lodgers. She also learns that H.J. and Lois' marriage is not all that it appears on the surface. The Heidler's hold on Marya becomes stronger when they convince her that Stephan not only has no money but has no future in France after his release. Their collective lives become more complicated when Stephan is released from jail and tries to figure out what he's ... Written by Huggo

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Drama | Romance


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Release Date:

25 October 1981 (USA)  »

Also Known As:

Erotiko kouarteto  »

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Aspect Ratio:

1.78 : 1
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Did You Know?


The book written by Jean Rhys was originally titled "Postures" when it was published in London in 1928 by Chatto and Windus. When the U.S. publishers Simon and Schuster published it in the United States, the name was changed to "Quartet". See more »


Stephan Zelli: [after Marya avoided his kiss] I don't blame you.
Marya 'Mado' Zelli: Will you just be kind to me for a little?
Stephan Zelli: A year in jail doesn't make a man appetizing.
See more »


Referenced in The Last Horror Film (1982) See more »


The 509
Arranged by Luther Henderson
Written by Richard Robbins (uncredited)
Performed by Armelia McQueen (uncredited)
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User Reviews

a moderate Merchant Ivory Production
17 July 2016 | by (Cairo, Egypt) – See all my reviews

Literature cinema maestro James Ivory's 1981 Cannes admission, a film adaptation of Jean Rhys' novel QUARTET, as the name implies, it is a gamble with four participants, aka. two married couples.

In Paris, roaring 20s, the opening credits shift from one hotel to another, augurs the rootless fate of Marya Zelli (Adjani), a young and stunning beauty married to Stephan (Higgins), a handsome but self-interested Polish art dealer, who would soon be put behind the bars for his illegal deals, and leave Marya in penury out of the blue.

Then there is another couple, a wealthy middle-aged English art dealer H.J. Heidler (Bates) and his painter wife Lois (Smith), comes to Marya's rescue, although they only meet her once before, they insist that Marya should live with him under a ménage-à-trois fashion. Soon, we will know that Marya is not the first damsel-in-distress they timely lend a helping hand, a disreputable compromise has been mutually reached between Lois and H.J., as long as H.J. doesn't leave her, she will turn a blind eye on his affaire de coeur with young girls, even under the same roof, "we have a spare room in our apartment".

Marya is easily corrupted by the decadent lifestyle of the Heidlers and their expatriate clique, and after the tentative refusal of H.J.'s advances, she caves in after a bit but inwardly, she still hopes to leave with Stephan after he finishes his one-year sentence, financially dependent on H.J. and Lois, she is unable to make a clean slate even if she wants to. Meanwhile, Lois is also anguished about the inconvenient arrangement, wonders when H.J.'s infatuated phase will end, or this time, it could be herself that be superseded.

Men certainly don't look good in the story, when Stephan is released from the penitentiary, it seems that Marya has a tough call to make, but when everything is laid bare, she doesn't even have that option, on a less pungent note, Ivory invokes the misandry from Rhys' works, women are powerless, without exception, mistreated by men in their lives.

The narrative tweaks and jumps in an upbeat tempo, even when pathos should be evoked, the shot doesn't care to stick around, Ivory's formulaic direction banally basks in its silk-stocking milieu, the plush delicacy of its trimmings, with offbeat notification of a more risqué scenery. Luckily, the two female leads are as presentable as ever, Dame Maggie Smith (who would star in another film with the same name in 2012, a Dustin Hoffman elderly-skewing comedy QUARTET) rarely reveals her vulnerability in front the camera, showcases a master-class endeavour of breakdown which is needed to be GIFed. Adjani, impeccably gorgeous in her prime, and fluent in her bilingual dexterity, launches herself wholeheartedly in the torrent of trepidation, seduction, vacillation and desperation.

Alan Bates is miserly given a stage to justify H.J.'s eloquent equivocation in his immoral business, and Anthony Higgins, whose Stephan takes a back seat among the quartet due to his incarceration, however, flourishes in bringing out a more frank and unapologetic facade of his character although both Stephan and H.J. are equally bad eggs to their women, at least he manifests with a certain flair that's captivating and resolute. Finally, a footnote sends to Sheila Gish, who plays Lois' friend Anna and whose thunder has been stolen by that extraordinary-looking hippopotamus in the zoo. As one of the commodities from Merchant Ivory Productions, QUARTET doesn't represent the best collective results from the Merchant (producer)-Ivory (director)- Jhabvala (screenwriter) trinity, yet, a lavish take of Paris in the early 20th century is something not that common in their repertory, and a BluRay treatment should be taken into consideration in no sooner.

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