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A speculation on the fate of the famous hijacker who parachuted with his ransom and disappeared in the mountains, has Cooper following a meticulous plan to disappear into anonymity despite the best efforts of a dogged cop. Written by
Keith Loh <firstname.lastname@example.org>
Sound recordist Duncan McEwan had just taken up the sport of skydiving the previous year, and was used to create the sound effects for the skydiving scene. All of the Foley work involving the use of the parachute gear was done with his personal rig. He also made one skydive with a recorder to record the sound of parachute opening, though the recording was not used. It was used, however, on CHiPs (1977) episode "Bomb Run", and was added to the MGM sound effects library. See more »
During the chase, the left wheel is wrenched off the biplane after D.B. uses it to pierce the roof of a car. But in later scenes, the biplane appears with its right wheel missing. See more »
The end credits says Possum - Marsoupial See more »
Plays like a backpacker's version of Midnight Run (1988), with Duvall in the de Niro role and Williams in Grodin's. Except this one substitutes mindless action for character development and rust bucket jalopies for clever dialog. The result is more tiresome than funny, despite the attractive cast. In fact, Williams plays DB Cooper's part like it's all a big joke that only he thinks is funnyI agree with the reviewer who finds him way too cutesy. In fact, that could apply to the entire movie.
Worse-- any well-meaning viewer hoping for insight into the heist itself will be sorely disappointed. We see nothing of the crime except for the dramatic dive from the airliner. I suspect that's because threats to blow up the plane would have "serious-ed up" the movie. Then Williams' Cooper would no longer be humorous at all. The one worthy aspect links Cooper to army ranger training, seemingly apt preparation for such a daring wilderness crime.
The movie does have two scenic attractions. There's the great snow-capped panorama of Jackson Hole that keeps the eye entertained whatever the nonsense on the ground. Second is Kathryn Harrold's Hannah. In skintight jeans she presents another kind of natural grandeur that may give backpacking a whole new look. Despite the visuals, however, the topic deserves better than the third-rate Keystone Cops treatment it gets here.
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