The Prowler (1981) - News Poster



Halloween 2017: Hack, Slash, Stream: 13 Slashers to Watch on Shudder

  • DailyDead
Of all the many sub-genres in horror, the slasher is probably my favorite. There aren’t many good ones, but even the bad ones tend to deliver exactly what we want from the formula. They’re horror movie comfort food, and Shudder is offering an entire buffet this October.

Black Christmas (1973, dir. Bob Clark) In many ways the first modern slasher film, Bob Clark’s holiday horror movie is, to this day, a genre masterpiece. From its chilly Canadian atmosphere to the disturbing obscene phone calls being made to a sorority house, Black Christmas is brilliantly constructed and hugely influential. It’s not just one of my favorite slasher movies, but one of my favorite horror movies of any type, full stop.

Blood Rage (1987, dir. Bruce Rubin) There are slasher movies that are tense and scary and stylish. Blood Rage is not one of them. Shot in 1983 but not released
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Waxwork Records to Release Shock Waves Soundtrack on Vinyl

  • DailyDead
Waxwork Records will resurrect the spooky sounds of Shock Waves with their newly announced deluxe vinyl release of the 1977 cult zombie film.

Scheduled to come out this Friday, the Shock Waves vinyl soundtrack features Richard Einhorn's entire score for the film, as well as liner notes by the film's director, Ken Wiederhorn, and new artwork by Sadist Art Designs and "Ghoulish" Gary Pullin, respectively.

Variant versions of the vinyl will also be released with "sea foam green" and "ocean blue splatter" designs. Below, we have official details from Waxwork Records and a look at the cover artwork and variant LPs.

From Instagram: "Coming this Friday, the vinyl debut of Shock Waves! This deluxe LP features the complete film score by composer Richard Einhorn (The Prowler, Don't Go In The House) along with his liner notes. Also includes Director liner notes by Ken Wiederhorn (Return Of The Living Dead 2), colored vinyl,
See full article at DailyDead »

Friday The 13th: The Final Chapter – Midnights This Weekend at The Moolah

“Jason’s body has disappeared from the morgue!”

Friday The 13th: The Final Chapter screens Midnights this weekend (May 13th and 14th) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, Mo 63108) as part of Destroy the Brain’s monthly Late Night Grindhousefilm series.

Friday The 13th: The Final Chapter (1984), the fourth film in the venerable franchise, is considered by hard-core fans of the series to be the best, although it was hardly the “final Chapter” (there were at least 10 more). Directed by Joseph Zito (The Prowler) directed, which is indeed far above average by slasher standards and features a good cast of recognizable 80’s brat pack wannabes, including Crispin Glover (Back To The Future), Corey Feldman (The Goonies), Lawrence Monoson (Last American Virgin) and Judie Aronson (Weird Science). It also ranks as one of the goriest in the series, thanks to the return of makeup effects legend Tom Savini,
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Late Nite Grindhouse Presents Friday The 13th: The Final Chapter – 5/13 & 5/14

1984’s entry into the popular slasher franchise, Friday the 13th: The Final Chapter, is one of the better Friday the 13th installments. It supposedly has the most nudity out of all the installments, it is more action oriented and this iteration of Jason Voorhees is pretty damn ruthless. Not to mention, tons of broken glass and Crispin Glover’s dance moves.

Personally, I bounce back and forth between this entry and Friday the 13th Part VI: Jason Lives as my favorite film of the franchise. After 5 years of doing Late Nite Grindhouse, we finally worked it out to show a Friday the 13th movie on Friday the 13th!!

Expertly directed by Joseph Zito (The Prowler, Red Scorpion), Friday the 13th: The Final Chapter introduces a great group of kids that are relatable, likeable and humorous. Stuntman Ted White brings an unapologetic and vicious Jason Voorhees to the screen that, in my personal opinion,
See full article at Destroy the Brain »

'All Through the House' movie review

Reviewed by Jonathan Weichsel

All Through the House is written and directed by Todd Nunes. The film stars Ashley Nunes, Jessica Cameron, Melynda Kiring, Natalie Montera, Lito Velasco, Jason Ray Schumacher, and Johanna Rae

Being asked to write a spoiler-free review is always tough, because a large part of my job as a critic is to let you all know if the movie I am reviewing is something you'll all want to see, and a good critic generally does this by describing the film, and letting the reader make up his or her mind. When I'm limited in what I can say about a film, it limits my ability to accurately describe it. I don't think I am giving away too many spoilers though when I say that All Through the House is a Christmas themed slasher about a killer dressed as Santa who kills women and cuts off their boyfriend's penises.
See full article at MoreHorror »

Favorite Slasher Movie Moments – Insert Scream Here: The Prowler

First, have you subscribed to our YouTube channel yet? Doing so puts you ahead of the curve because I'll sometimes upload videos there before running them here - mostly our original content, like Insert Scream Here, for instance. A new episode is here and, throughout the summer, I'm looking at some of my favorite slasher movie moments. So far, I've talked about my favorite scenes from The Burning and Friday the 13th Part 3. With episode 17, I'm focusing on Joseph Zito's The Prowler from 1981.

The post Favorite Slasher Movie Moments – Insert Scream Here: The Prowler appeared first on Shock Till You Drop.
See full article at shocktillyoudrop »

Jason Christopher on the 5 Films that Inspired Nobody Gets Out Alive

This week up-and-coming indie filmmaker Jason Christopher's latest, Nobody Gets Out Alive, arrived on DVD everywhere courtesy of Image Entertainment. Since it's a film we've been covering here on Dread Central since the very beginning during Indie Horror Month 2011...

...when it went by a different title, we thought for the home release we'd switch things up a bit.

With Nobody Gets Out Alive, Christopher crafted a modern homage to some of the greatest slasher flicks we all grew up loving so to celebrate his directorial debut, we asked the writer/director to name five classic horror films that influenced him as a life-long horror fans as well as his work on Nobody Gets Out Alive.

Read on for all the classic horror goodness straight from Christopher himself!

Black Christmas (Original): Let's start this list off right and talk about my favorite horror movie of all time, Black Christmas.
See full article at Dread Central »

Exploitation Alley: The Burning!!!

This week we’re taking a break from my usual barrage of Satanic cult and/or biker movies and instead jumping into one of my favorite genres: the slasher film, and a movie that in my opinion is a great example of a well-executed, cleverly written and acted movie in that genre: 1981’s The Burning. While I wasn’t an instant fan of it the first time I watched it (about half a decade ago) , and dismissed it as just another Crystal Lake ripoff, over the years I’ve grown quite fond of The Burning and would even go as far as saying it’s a superior film to the original Friday The 13th . So watch out for those mischievous teenage campers or worse yet, Cropsy, and let’s head to Camp Stonewater for The Burning.

Mostly known for being the film debut for various actors such as Jason Alexander (George mothereffin Costanza!
See full article at Icons of Fright »

Greatest Slasher Films (1970 – 1990)

The definition of a slasher film varies depending on who you ask, but in general, it contains several specific traits that feed into the genre’s formula. Author Vera Dika rather strictly defines the sub-genre in her book Games of Terror by only including films made between 1978 and 1984. In other words, she saw it as a movement. When someone describes Brick, they don’t define it as a noir, but instead neo-noir . In other words, it’s a modern motion picture that prominently utilizes elements of film noir, but with updated themes, content, style, visual elements or media that were absent in those from the 1940s and 1950s. So does one consider Scream a slasher film or a neo-slasher, or simply put, a modern slasher?

Some consider Thirteen Women to be the earliest slasher – released all the way back in 1932. Personally I think that is rubbish. Thirteen Women is more like Desperate Housewives on sedatives.
See full article at SoundOnSight »

Red Scorpion Blu-ray Review

It's quite easy for people to wrap movies of their youth up in nostalgia. My generation (late 20's/early 30's) continues to have an almost manic appreciation for the bombastic and over the top action movies of the 80's, and will defend said movies accordingly. Whether they are bad or not, nostalgia clouds genuine judgment. I say all this to preface that, as a kid of the 80's, somehow I completely missed Red Scorpion. Having seen it for the first time as a 31-year old with no sense of childhood attachment, I can honestly say that I loved every minute of it.

Red Scorpion tells the story of Lt. Nikolai Rachenko (Dolph Lundgren) who is sent on a mission in Africa to take down a local spiritual leader that has received a mass following and is on the verge of starting an uprising. His journey leads him to befriend his target's closest confidant,
See full article at TheHDRoom »

Fight for Horror Supremacy Week 1

For the horror buff, Fall is the best time of the year. The air is crisp, the leaves are falling and a feeling of death hangs on the air. Here at Sound on Sight we have some of the biggest horror fans you can find. We are continually showcasing the best of genre cinema, so we’ve decided to put our horror knowledge and passion to the test in a horror watching contest. Each week in October, Ricky D, James Merolla and Justine Smith will post a list of the horror films they have watched. By the end of the month, the person who has seen the most films wins. Prize Tbd.

Ricky D – 14 Viewings



The Exorcist

Directed by William Friedkin

One of the few horror films that really gets under my skin. Essential viewing for any cinephile.

The Exorcist 3

Directed by William Peter Blatty

William Peter Blatty,
See full article at SoundOnSight »

Weekend Horror Trivia

Reader and contributor Gemma St. Clair returns this weekend with a new list of horror trivia:

1. The Phantom of the Opera: There are multiple versions of this film, including the original silent 1925 release (107 minutes long) and the 1929 re-release (98 minutes long). There was a third version with talking scenes, but it is now considered lost.

2. Cat’s Eye: Stephen King wrote the part for Drew Barrymore in Cat’s Eye because he was so impressed with her in Firestarter.

3. Freaks: This film was banned in the UK for nearly 30 years after its release.

4. Willard (2003): A picture of Willard’s Father in the film is actually Bruce Davidson who played Willard in the 1971 original.

5. House of the Dead: The Sega logo can be seen in the background of the rave.

6. Alone in the Dark (1982): The house that was used for Dr. Potter’s home actually belonged to a psychiatrist.
See full article at DailyDead »

Dread Central: Six Sites Remember the Class of 1981

When Lucio Fulci concluded The Beyond with the words "And you will face the sea of darkness, and all therein that may be explored", he might as well have been referring to the banner year of 1981.

Whatever your genre poison, 1981 delivered it in spades. Werewolves ruled the box office with films that not only redefined special effects artistry but remain stellar examples of modern lycanthropic horror – even today. Elsewhere, Satan's son reared his ugly head for a final conflict while David Cronenberg explored factions of warring psychics with Scanners. Sam Raimi's Candarian demons were unleashed in a Tennessee cabin while seemingly endless droves of slashers stalked theaters across the country. Wes Craven doled out one hell of a Deadly Blessing while The Boogens broke free from a Colorado silver mine, endearing themselves to a whole band of cult aficionados who've remained loyal to a film that, thirty years later,
See full article at Dread Central »

Rest in Peace: Farley Granger

The world lost another film legend today with the passing of Farley Granger at the age of 85. Granger, who died of natural causes at his Manhattan home, was best known for his roles in two Alfred Hitchcock films, but he also appeared in several Italian horror movies in the early 1970's.

Hitchcock cast the American actor first in Rope in 1948, following that up with Strangers on a Train in 1951. Granger played the part of tennis star Guy Haines at the mercy of a psychotic socialite (Robert Walker) who is convinced he had struck a murder deal with the athlete. In addition to the Italian genre films Something Is Crawling in the Dark; Amuck; So Sweet, So Dead; and The Coed Murders, he portrayed the sheriff in Joseph Zito's The Prowler.

Per Yahoo! along with his roles in dozens of films through the 1970s, Granger also entertained a significant acting career on and off Broadway,
See full article at Dread Central »

Hitchcock star Farley Granger Dead at 85

Best known for lead roles in two of Alfred Hitchcock’s most famous films, Strangers On A Train (1951) and Rope (1948), Mr. Granger had a long career that included starring roles in several Film Noirs including the classic They Live By Night (1948). Mr. Granger spent time in Europe where he starred in Lucio Visconti’s Senso (1954 – which screened at this year’s St. Louis International Film Festival). Granger appeared in the sleazy Giallos So Sweet So Dead (1972 – Aka: The Slasher Is A Sex Maniac) and Amuck (1972) and, back in the states, the 80′s slasher standard The Prowler (1980). Farley Granger was 85.

From The Hollywood Reporter:

Farley Granger, who played the likable tennis pro who was thrust into a murder exchange in Alfred Hitchcock’s Strangers on a Train in 1951, died Sunday of natural causes in New York. He was 85.

Two years earlier in 1948, Granger had won acclaim for another Hitchcock murder thriller,
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Netflix Instant Watch: Opening the Vaults of the Forgotten and Obscure

Netflix Instant Watch: Opening the Vaults of the Forgotten and Obscure

One word for you: Tintorera.

Back in the day, Icons of Fright ran a section called The Vault of the Forgotten and Obscure. Feature writer Jsyn would discuss some of his favorite lesser known titles, many of which readers had likely never seen, and perhaps never heard of. As well as introducing readers to these titles, the Vault made for a nice, nostalgic look at our beloved horror genre. Horror fans can now thank Netflix for opening up the vaults.

A few years back, Netflix introduced its Instant Watch feature. As it worked originally, it provided members the chance to watch a limited amount of hours of media from their catalogue straight on the users’ computers. The selection was small, and many of the films were niche titles, such as the excellent documentary King Of Kong. It was a neat feature,
See full article at Icons of Fright »

Blu-Ray Review: ‘The Prowler’ Doesn’t Quite Merit Cult-Classic Status

Chicago – When did all slasher pics from the early ’80s become “cult classics”? You will find very few people as well-versed in the sub-genre as this writer who will gladly contrast and compare “Friday the 13th” sequels or discuss the merits of “April Fool’s Day,” “Basket Case,” and “My Bloody Valentine.” And yet not every film from the era deserves a cult following merely because it has grisly deaths, some T&A, and a twist ending. For example, take “The Prowler,” now out on Blu-ray from the great Blue Underground.

Blu-Ray Rating: 2.0/5.0

Also known as “Rosemary’s Killer,” a better title since “The Prowler” makes almost no sense in context, the 1981 slasher pic from Joseph Zito was released near the height of the slasher movie craze as makeup gurus like the great Tom Savini played with new ways to gruesomely display the death of the latest starlet. Savini’s
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DVD Playhouse: July 2010

DVD Playhouse—July 2010


Allen Gardner

Two From Powell/Pressburger Criterion releases gorgeous new transfers of two of the greatest films to come out of post-war Britain, from that period’s greatest filmmaking team: Michael Powell and Emeric Pressburger. Black Narcissus was originally released in 1947 and caused a sensation with its explosive story about a nun (Deborah Kerr), cloistered in a remote convent in the Himalayas, who must battle elements both external (the punishing weather) and internal (temptations of the flesh over duty to the spirit). Also features stellar turns by England’s greatest actresses at the time: Flora Robson, Kathleen Byron and a young Jean Simmons. One of the most dazzling films ever made, bolstered by Oscar-winning cinematography from Jack Cardiff. Bonuses: New transfer, supervised by Cardiff, editor Thelma Schoonmaker Powell; Introduction by filmmaker Bernard Tavernier; Commentary by Powell and Martin Scorsese; Featurettes; Documentaries and interviews; Trailer. The Red Shoes,
See full article at The Hollywood Interview »

Dorian Gray and The Outback Hitting DVD / The Prowler Hitting Blu-ray!

A fine haul of home video horror release news coming in today featuring re-tellings, re-releases, and of course re-namings! Break out the credit card, folks! Things could be getting really expensive.

First off Xenon Pictures announced that they would be retitling their Aussie thriller Prey to the more generic and on-the-nose moniker The Outback. The flick tells the tale of what happens when three couples, one from the USA and two from Australia, learn the horrible truth about what happens when your holiday goes horribly wrong. In the desert, in the night, in the dark. Look for it on DVD July 13th.

From there the latest British import based upon the classic tale The Picture of Dorian Gray, titled simply Dorian Gray, will be sent to home video here in the States on August 24th. The flick centers on Dorian Gray, a wealthy but naïve and irresistible young man who,
See full article at Dread Central »
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