A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who ... See full summary »
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuse to help him in this gritty ... See full summary »
New York City cop Daniel Ciello is involved in some questionable police practices. He is approached by internal affairs and in exchange for him potentially being let off the hook, he is instructed to begin to expose the inner workings of police corruption. Danny agrees as long as he does not have to turn in his partners but he soon learns that he cannot trust anyone and he must decide whose side he is on and who is on his. Written by
Josh Pasnak <firstname.lastname@example.org>
Sidney Lumet agreed to direct under two conditions: he wanted an unknown actor to play Leuci and he wanted the running time to be at least three hours long. Treat Williams was unknown at the time but the final cut was edited down to 2 hours and 47 minutes. See more »
Near the start of the film when Dan is pushing his brother Ronnie around, there's a large crack on the wall (probably from a previous shot). After he pushes Ronnie near the wall, another large crack appears but Ronnie is never shown hitting the wall. See more »
District Attorney Polito:
When I became a prosecuting attoney I acepted the fact that it was not a popularity contest. I think some of you guys have it all mixed up. You've fallen in love by this perpetrator, you feel responsible for him, you want him to love you. But you are prosecutors sworn to prosecute the guilty. Ciello is an law officer who has admitted to over fourty instances of perjury. My father, my grandfather was a lawyer and my father was a lawyer and I became a lawyer... because the law means everything to...
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Much has been made of this film's brilliance and how it was glaringly ignored at that year's Oscars. It richly deserved the awards it never received. Its realistic, gritty feel comes from the fact that the movie was lifted straight from the book, with only name changes. The viewer is drawn into the unraveling world of a narcotics' policeman as he recoils in disgust from what he does to maintain his squad's phenomenally high arrest rate, i.e., stealing, bribing, corrupting themselves to nail the corrupt. Cielo first targets people far from him but then the circle tightens until he fingers his own men. For a cop to rat on fellow cops is a deeply ingrained anomaly, an affront to the ties that bind the police in a brotherhood deeper than blood. The direction is great, the dialog heavily laced with coarse language that deepens the realism, and the acting is fantastic. Treat Williams never again received a role nor gave a performance that approached the stellar proportions of this one. Jerry Orbach is so immersed in his part that Dick Wolf cast him as a homicide detective for Law & Order based on seeing his acting in this movie. All of the characters are three-dimensional, human and evoke emotions. Some are admirable, others pitiful, some are despicable. Though long, Prince of the City is never boring, and it leaves its moral dilemmas largely unanswered, letting the viewer sort out who did the right thing. This film was made by Sidney Lumet as an apology to the NYPD for his hatchet job in Serpico. It succeeds in more ways than mere atonement; this movie is superior to its predecessor in many ways and was inexcusably blown off at that year's Academy Awards. Still powerful and has aged well, even if Treat Williams and Lumet haven't.
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