A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
New York City cop Daniel Ciello is involved in some questionable police practices. He is approached by internal affairs and in exchange for him potentially being let off the hook, he is instructed to begin to expose the inner workings of police corruption. Danny agrees as long as he does not have to turn in his partners but he soon learns that he cannot trust anyone and he must decide whose side he is on and who is on his. Written by
Josh Pasnak <email@example.com>
The film was budgeted at $10 million but Lumet completed it for under $9 million. At a Guardian Lecture at London's NFT shortly before the film's UK release, he revealed that the studio were furious with him for doing so since it created a major book-keeping problem for them. See more »
Near the start of the film when Dan is pushing his brother Ronnie around, there's a large crack on the wall (probably from a previous shot). After he pushes Ronnie near the wall, another large crack appears but Ronnie is never shown hitting the wall. See more »
Gentlemen, I am gonna tear this town apart. And I'm gonna start with the French Connection ripoff. And the reason I'm gonna start with the French Connection ripoff is because it's a goddamn outrage, and I have already promised myself that it's going to be solved. So what you are gonna do gentlemen, is you're gonna make my word good. The target is cops, the weapon is indictments. And I don't give one infinitesimal fuck if they are indictments that will stick or not. Because to a cop any ...
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A few years after this was in the theaters, it was shown on TV over two nights. I remember reading that a significant amount of footage that had been cut for the theatrical version would be restored for the TV showing. That piqued my curiosity, so I watched -- and was completely blown away.
But what amazed me the most was that I couldn't spot one scene that could be taken out of the movie without seriously compromising it. Since I knew it had been cut and restored, I was pointedly looking for stand-alone scenes that only fleshed out the characters but weren't integral to the extremely complex storyline. There weren't any. Every single scene contained some important bit of information that cast light on and helped make sense of something elsewhere in the movie.
Ever since then, I've been patiently waiting for this director's cut to show up on VHS, LD, or DVD -- and refusing to watch the theatrical cut! It's been 15 years and I'm still waiting. But I would certainly think that eventually this will come out on DVD, and we can al hope and pray that it will do so in the full version.
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