A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
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New York City cop Daniel Ciello is involved in some questionable police practices. He is approached by internal affairs and in exchange for him potentially being let off the hook, he is instructed to begin to expose the inner workings of police corruption. Danny agrees as long as he does not have to turn in his partners but he soon learns that he cannot trust anyone and he must decide whose side he is on and who is on his. Written by
Josh Pasnak <email@example.com>
The character of Daniel Ciello is based on real-life NYPD Narcotics Detective Robert Leuci. Leuci's testimony helped indict 52 corrupt detectives. After he quit the job, Leuci turned novelist and wrote the gritty police dramas "Snitch", "Odessa Beach" and "Captain Butterfly". See more »
When Barnes is picking up the Ciello family at their home, Barnes puts his hat - a brown fedora - on Ciello's young child's head. In the next shot, when Barnes takes his hat back from the child, it is not the fedora he had just put on the child but instead is a dark hunting hat with a long baseball cap like bill and no brim. See more »
I don't know why you people don't understand the system. You want a conviction, but you've got these stupid search and seizure laws. And wiretaps. Case one never got made without an illegal wiretap. And you're never gonna get a conviction if a cop don't commit perjury. What is it that you want? You want the big dealer out of business? The only way I know to push him out of business is to steal his cash. Otherwise somewhere down the line, he's gonna buy out. He'll buy himself a bondsman. A DA. A...
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Treat Williams plays a corrupt New York narcotics detective who tries to redeem himself by volunteering to go undercover on the force to weed out other corrupt policeman only to find himself facing an increasingly difficult series of moral dilemmas involving his former partners. This intelligent film is possibly the best cop film ever made. Treat Williams delivers the best performance of his career although the excellent supporting cast, Jerry Orbach, in particular, comes very close to stealing the movie right out from under him. Williams is so good here that you can't believe he is the same guy who later appeared in "Dead Heat." (What happened?) Director Sidney Lumet, who also co-wrote the insightful, penetrating script with Jay Presson Allen, was never better. He does such a great job that you can't believe he's the same guy who directed "Family Business." (What happened?) The film is long, but you never lose interest. A must see.
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