Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
George has just been released from prison, and manages to get a job driving a call girl from customer to customer. Initially they don't get on; he doesn't fit in with the high class customers Simone services. Will they ever get on?
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside cafe owner. This begins a chain of events that culminates in murder. Based on a novel by James M. Cain. Written by
Craig Clarke <email@example.com>
This movie is arguably the first of the 1980s erotic adult thrillers. The picture was soon followed about six months later by Body Heat (1981), like this film, another remake of a film noir, then Fatal Attraction (1987) and Basic Instinct (1992). See more »
In the ending scene, as Frank is caressing Cora's hand, Franks left foot is in between the rock and the hat, and Cora's hand is about a foot away from both. In the next shot, her hand, the rock, and the hat are right next to each other and Franks foot is gone. See more »
I have not seen the "original" from 1946 but anyway - I am not into black-and-white movies, with the exception of those with Chaplin and Lloyd perhaps. Thus, I decided to watch the one in question, besides, Jack Nicholson (as Frank Chambers) and Jessica Lange (as Cora Smith/Papadakis) are much more known and admired by me than John Garfield and Lana Turner... Their performances were really good (although not among their best), they had sizzling mutual chemistry, but it seems that the topic/script has become timeworn, seen at present as a rather trivial crime thriller, as the main theme - lovers trying to get rid of (rich) husband - has been exploited a lot. The plot does not run smoothly and the inclusion of e.g. Anjelica Huston as Madge Gorland did not provide any additional value; on the other hand, bigger inclusion of past history of the protagonists could have been interesting. The ending was also too abrupt and when the end credits appeared, one could feel confusion about the meaning of the title.
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