Based on the Starkweather-Fugate killing spree of the 1958, in which a fifteen-year-old girl and her twenty-five-year-old boyfriend slaughtered her entire family and several others in the Dakota badlands.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
George, after getting out of prison, begins looking for a job, but his time in prison has reduced his stature in the criminal underworld. The only job he can find is to be a driver for ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside cafe owner. This begins a chain of events that culminates in murder. Based on a novel by James M. Cain. Written by
Craig Clarke <firstname.lastname@example.org>
(at around 1h 35 mins) When Cora walks to the door of the café after coming back from her mother's, her zipper and zipper pull show. What we see is an "invisible" zipper which were not invented until the early 1960's. See more »
You're scum, Frank!
I knew that when I met you... You'll never change.
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A travesty of a fiasco of a disaster. A simply awful 80's remake of one of the toughest, sexiest and above all best acted noir thrillers. Yes, I know Garfield and Turner would be hard to beat but Nicholson and Lange aren't even in the race. You can see old lumbering Jack thinking his lines before he speaks them, while Ms Lange's acting goes right off the scale, rarely to return.
The film has no pacing to speak of and no dramatic arc at any point in the narrative. It also makes unaccountable narrative jumps which if I hadn't seen the original would have made little or no sense at all. Then there's the downbeat epilogue the point of which I'm still trying to fathom, right alongside Angelica Huston's appearance (I won't elevate it to cameo status) as, get this, a circus lion-tamer who promptly beds the errant Jack before depositing her pet puma on Lange (no, I don't know why either).
As for the infamous sex-scene on the kitchen table, it comes out of nowhere with no hint of sexual chemistry between the couple beforehand and I found the fact that Nicholson pretty much half-rapes Lange to make his point, as offensive as it was gratuitous. As for Lange's dimwitted husband, Nick, he leaves no impression at all so that you don't care when he meets his end at the lovers' hands.
I've rarely seen such a poorly edited, acted and scripted so-called major Hollywood movie. Without trying to be too much the Minister for The Bleeding Obvious, by-pass this mess in favour of the black and white original every time. Nice cinematography though...
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