A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends.... See full summary »
Francine Fishpaw is an upper middle class suburban housewife in Baltimore. Unfortunately for this "good Christian woman", the money to support her lifestyle comes from her husband's porno theater, the neighbors are protesting, her son is the notorious "Baltimore Stomper", her daughter is knocked up by a local hoodlum, and her husband is having an affair with his secretary. Written by
Stephen J. LeBlanc <firstname.lastname@example.org>
The real-life Edmondson Drive-in Theater featured in this film was located at 6000 Baltimore National Pike in Catonsville, Maryland, US. It has now been demolished. The venue, which had a car capacity of 950 cars, had originally opened in May 1954, and closed its gates in 1991, which was about a decade or ten years after Polyester (1981) had premiered. See more »
When Dexter's principal calls Francine, Francine starts acting as if he's hung up on her before he's even said goodbye. See more »
During the credits, the title song "Polyester" describes the action seen on screen, leading the audience through a helicopter shot of the suburbs into Francine's house (commenting on its French Provincial decor) and upstairs to meet her. See more »
This movie had me laughing my rear off when I first saw it. I have never been a major John Waters fan. His early stuff was more grotesque than funny in my somewhat less than humble opinion. This film is delightfully offensive and hilarious. It's sort of in the 'Animal House' league of humor. Which is a nice change of pace from Waters earlier flicks.
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