Edwige Fenech stars in this Italian sex-comedy as the new teacher in all-boys Catholic school. All of the boys desire for the chance to "learn" more about their new teacher, but only 1 student gets the opportunity.
After returning to Catania after a long period of time, Giuseppe reunites with his old lover, Caterina. Her 15 year-old daughter, Graziella begins to seduce her mother's lover and he soon ... See full summary »
Edwige Fenech and Lino Banfi stars in this Italian sex-comedy from Sergio Martino. Mariana (Fenech) and Domenico (Banfi) are on the run from her jealous boyfriend who just happens to be an over-jealous professional football player.
Giacomo a une idole: James Bond. Quand il rêve, il rêve de lui, de ses aventures mirobolantes, surtout en Tunisie, et d'une femme très belle, Belle. En réalité il est au chômage, accablé ... See full summary »
Antonio vive a Laveno, sulle sponde del lago Maggiore e nella vita ha una sola passione: il cinema. La sua grande aspirazione è diventare un attore come i suoi idoli. Quando si decide al ... See full summary »
At work, Mario Millio is the only male nurse not on strike. At home, his wife is more interested in calling the hot-line of a local TV-doctor. When Mario wins 15 million Lire in the lottery... See full summary »
I've seen all of Edwige Fenech's "schoolteacher" sex comedies (hanging head in shame), but this my first of her "policewoman" sex comedies. She and her diminutive partner (Alvaro Vitali) happen to be the spitting image of, respectively, the mistress and bodyguard of a New York mafioso (Alberto Lionello). So with the help of a Texan FBI agent played by Renzo Montagnini (I do hope the Italians know that Texas and New York City are very different places)they conspire to replace their respective dopplegangers and infiltrate the criminal organization, where they quickly find themselves in the middle of an inept gang war between the mafioso and his severely stuttering Turkish rival.
Fenech had been in a lot movies by this time, and although she had gotten much better as an actress (she deftly manges two distinct characters here) she also regrettably stopped taking off her clothes nearly as much, so it's kind of a double-edged sword. Vitali generally ranged from kinda funny to pretty irritating, and here he's somewhere in between. The idea of him being a vicious mafioso is funny in itself though. Even dubbed, the swarthy Montagnini does not make the most believable "Texan". The two rival gangsters are pretty good, however. And, of course, being Italian, the movie has the usual quota of offensive stereotypes, but they somehow here manage to actually combine the gay and black stereotypes as both Fenech and Vitali are pursued by Africa-American admirers of the same sex.
Director Michele Massimo Tarantini generally wasn't fit to carry the jockstrap of Sergio Martino, Fenech's regular collaborator. This might be one of his better films though. Strangely, soon after this Tarantini ended up in Brazil directing women-in-prison and cannibal films with Brazilian sex star/race car driver Susan Carvahlo. This isn't great, but you could do worse I suppose.
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