| Photos (See all 11 | slideshow) |
| Tricia O'Neil | ... | Anne Kimbrough | |
| Steve Marachuk | ... | Tyler Sherman | |
| Lance Henriksen | ... | Police Chief Steve Kimbrough (as Lance Henricksen) | |
| Ricky Paull Goldin | ... | Chris Kimbrough (as Ricky G. Paull) | |
| Ted Richert | ... | Raoul, Hotel Manager | |
| Leslie Graves | ... | Allison Dumont | |
| Carole Davis | ... | Jai | |
| Connie Lynn Hadden | ... | Loretta | |
| Arnie Ross | ... | Mal the Cook | |
| Tracey Berg | ... | Beverly (as Tracy Berg) | |
| Albert Sanders | ... | Leo Bell, D.D.S. | |
| Anne Pollack | ... | Mrs. Wilson | |
| Hildy Magnasun | ... | Myrna Benotti | |
| Phil Colby | ... | Ralph Benotti | |
| Lee Krug | ... | Ron 'Ronny', the Lifeguard | |
| Sally Ricca | ... | Cindy | |
| Ward White | ... | Mr. Dumont | |
| Ancile Gloudon | ... | Gabby (as Ancil Gloudon) | |
| Paul Drummond | ... | Frank | |
| Dorothy Cunningham | ... | Nurse April | |
| Aston S. Young | ... | Aaron | |
| Paul Issa | ... | Waiter | |
| Gaetano Del Grande | ... | Randy | |
| Myra Weisler | ... | Randy's Wife | |
| Johnny Ralston | ... | Randy's Son | |
| Jim Pair | ... | Robert Haywood | |
| Captain Kidd Brewer Jr. | ... | Lou (as Capt. Kidd Brewer Jr.) | |
| Jan Eisner Mannon | ... | Lisa | |
| rest of cast listed alphabetically: | |||
| Carolyn De Fonseca | ... | Jai (voice) (uncredited) | |
| Ted Rusoff | ... | Opening Victim (voice) (uncredited) | |
Directed by | |||
| James Cameron | |||
| Ovidio G. Assonitis | (uncredited) | ||
Writing credits | ||
| Ovidio G. Assonitis | (screenplay) (as H.A Milton) | |
| James Cameron | screenplay (as H.A. Milton) | |
| Charles H. Eglee | screenplay (as H.A. Milton) | |
Produced by | |||
| Ovidio G. Assonitis | .... | executive producer | |
| Chako van Leeuwen | .... | producer (as Chako van Leuwen) | |
| Jeff Schechtman | .... | producer | |
Original Music by | |||
| Stelvio Cipriani | (as Steve Powder) | ||
Cinematography by | |||
| Roberto D'Ettorre Piazzoli | |||
Film Editing by | |||
| Roberto Silvi | (as Robert Silvi) | ||
Art Direction by | |||
| Vincenzo Medusa | |||
| Stefano Paltrinieri | |||
Costume Design by | |||
| Nicoletta Ercole | |||
Makeup Department | |||
| Mirella De Rossi | .... | hair stylist (as Mirella Sforza) | |
| Maurizio Trani | .... | makeup artist | |
| Brian Wade | .... | piranaha sculptor | |
| Brian Wade | .... | special makeup effects artist | |
Production Management | |||
| Giuliano Principato | .... | unit manager | |
| Umberto Sambuco | .... | production manager | |
| Peter Shepherd | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Ruggero Salvadori | .... | assistant director | |
| Alessandro Vivarelli | .... | assistant director | |
Art Department | |||
| Stephane Goulet | .... | property master | |
| Ronnie Lombard | .... | greens foreman | |
| Emilio Zamprioli | .... | props | |
Sound Department | |||
| Roberto Arcangeli | .... | special sound effects | |
| Vito Catania | .... | boom operator: second unit | |
| Piero Fondi | .... | sound | |
| Roberto Edwin Forrest | .... | boom operator | |
| Giancarlo Laurenzi | .... | sound: second unit | |
| Alessandro Peticca | .... | sound editor | |
| Danilo Sternini | .... | sound re-recordist | |
Special Effects by | |||
| Gilberto Carbonaro | .... | special effects | |
| Mario Cassar | .... | special effects technician: Rome | |
| Antonio Corridori | .... | special effects | |
| Giannetto De Rossi | .... | prosthetics designer | |
| Giannetto De Rossi | .... | prosthetics supervisor | |
| Giannetto De Rossi | .... | special effects designer | |
| Giannetto De Rossi | .... | special effects supervisor | |
| Gino De Rossi | .... | special effects | |
Camera and Electrical Department | |||
| Ennio Brizzolari | .... | chief grip | |
| Gianni Caramanico | .... | still photographer | |
| Roberto D'Ettorre Piazzoli | .... | director of photography: underwater unit | |
| Roberto Di Palma | .... | assistant camera | |
| Roberto Forges Davanzati | .... | camera operator: underwater unit | |
| Roberto Forges Davanzati | .... | photographer: second unit | |
| Erich Heindl | .... | camera operator: underwater unit | |
| Gino Pasqualini | .... | chief electrician | |
| Carlo Tafani | .... | camera operator | |
| Fabrizio Vicari | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Serena Severini | .... | assistant costume designer | |
Editorial Department | |||
| Ada Grimaldi | .... | assistant editor | |
Music Department | |||
| Stelvio Cipriani | .... | conductor (as Steve Powder) | |
| Luca di Silverio | .... | soundtrack album producer | |
Other crew | |||
| Renata Franceschi | .... | continuity | |
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| Open Water | The New World | Jaws | Dreamcatcher | Piranha |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This follow-up pretty much matches the first film for pacing and thrills, which isn't saying much. Seeing how the fishies are introduced in the opening scene (to devour a pair of underwater lovemakers!) but then disappear for 20 minutes to set up the bland characters. Despite what other IMDBers have said, I thought the cast looked fine. O'Neill is cute, the two cruel babes on the boat were NICE, and the busty, though never glimpsed, sea captain's daughter was good. She does the "dirty deed" with some dude in a waterfall, but the scene is so dark that you cant see squat. And there's actually a survivor so to speak of all these performers: veteran actor Henricksen, who went on to bigger and better, and is till working these days. As for the action, I liked the idea of the flying munchers. Though laughable, it gave them an extra dynamic to exploit on the victims. But even with that inventive idea, the effect of them taking flight is extremely cheap looking. Whenever they chew someone, its always done in close up, as if some stagehand was trying to stay out of the shot as he held the fish against the actors face/neck. I do have to give credit for the scene involving the nurse. If you don't get a jolt when that little sucker pops out of the dead body, I'd be surprised. As for superstar director Cameron, his first offering is what you'd expect out of a low budget horror film; cheaply made, dark and badly photographed nonsense. And that early "Titanic" influence is evident in a number of scenes that take place in the hulls of a sunken ship. But he manages to make you jump here and there, and I enjoyed the opening credits, that featured some good, creepy violin music and creatively done wavy, water-like effects as the names came on screen. As most have said, this may go into a lot of peoples "so bad, its funny" file, but it entertained me as much as the first film did, which was very little.