A scuba diving instructor, her biochemist boyfriend, and her police chief ex-husband try to link a series of bizarre deaths to a mutant strain of piranha fish whose lair is a sunken freighter ship off a Caribbean island resort.
Doctor Baines has been conducting genetic experiments on piranhas and has made them virtually unstoppable. Unfortunately, his assistants, Maggie and Paul, accidentally release the hybrids ... See full summary »
Scott P. Levy
It was WWII's most fearsome ship. A ship so powerful, it sank the pride of the British fleet with a single salvo. Hearing the news, Winston Churchill saw no choice. He sent nearly the ... See full summary »
After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area's new razor-toothed residents.
A woman and an engineered man are sent in a gigantic sentient starship to search space for a place to start a new life cycle. Raj decides to take a look around the ship. He comes across a gigantic robotic cleaner. Combat ensues.
Music video for Bil Paxton's band Martini Ranch where an outlaw biker arrives at a rough small western town to visit his gal in the local brothel. What he doesn't know is that an all-female posse of bounty hunters is coming for him.
A sunken US supply ship off a Caribbean island resort is the focus for a series of mysterious piranha attacks. Investigating the death of one of her son's companions after a scuba-diving trip, Anne Kimbrough breaks into the morgue with holidaymaker Tyler Sherman, only to discover that the fish have wings and can fly. But the hotel manager refuses to call off the annual fish fry on the beach, with inevitable consequences... Written by
Michael Brooke <firstname.lastname@example.org>
Credit for directing this film was given to James Cameron. Most of the work was actually performed by Ovidio G. Assonitis, the film's producer and prolific film-maker. Assonitis was dissatisfied with Cameron's progress after the first week and took over. According to "Dreaming Aloud," a biography of James Cameron by Christopher Heard, Cameron did do the shooting for this movie, but was not allowed to see his footage and was not involved in editing. He broke into the editing room and cut his own version, but was caught and Assonitis re-cut it again. See more »
In the wreck of the Earl Fitzgerald, the plastic dummy of the scuba diver floats up and bangs on the lens of the camera. See more »
This follow-up pretty much matches the first film for pacing and thrills, which isn't saying much. Seeing how the fishies are introduced in the opening scene (to devour a pair of underwater lovemakers!) but then disappear for 20 minutes to set up the bland characters. Despite what other IMDBers have said, I thought the cast looked fine. O'Neill is cute, the two cruel babes on the boat were NICE, and the busty, though never glimpsed, sea captain's daughter was good. She does the "dirty deed" with some dude in a waterfall, but the scene is so dark that you cant see squat. And there's actually a survivor so to speak of all these performers: veteran actor Henricksen, who went on to bigger and better, and is till working these days. As for the action, I liked the idea of the flying munchers. Though laughable, it gave them an extra dynamic to exploit on the victims. But even with that inventive idea, the effect of them taking flight is extremely cheap looking. Whenever they chew someone, its always done in close up, as if some stagehand was trying to stay out of the shot as he held the fish against the actors face/neck. I do have to give credit for the scene involving the nurse. If you don't get a jolt when that little sucker pops out of the dead body, I'd be surprised. As for superstar director Cameron, his first offering is what you'd expect out of a low budget horror film; cheaply made, dark and badly photographed nonsense. And that early "Titanic" influence is evident in a number of scenes that take place in the hulls of a sunken ship. But he manages to make you jump here and there, and I enjoyed the opening credits, that featured some good, creepy violin music and creatively done wavy, water-like effects as the names came on screen. As most have said, this may go into a lot of peoples "so bad, its funny" file, but it entertained me as much as the first film did, which was very little.
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