Arthur, a sheet music salesman, has an ear for the hit tunes, but nobody will trust it. And his imagination often bursts into full song, building musical numbers around the greatest ... See full summary »
Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from ... See full summary »
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
Larry Poole, in prison on a false charge, promise an inmate that when he gets out he will look up and help out a family. The family turns out to be a young girl, Patsy Smith, and her ... See full summary »
In Chicago during the 1930s depression, sheet music salesman Arthur Parker is trying to sell his products, but it's not easy to convince unwilling music store owners to buy them. Although he's already married to the somewhat drab Joan, when he meets school teacher Eileen in a music store, he falls in love with her. Written by
Sets designed by Ken Adam for this movie included a dilapidated farmhouse, a smokey Chicago speakeasy, and an art decor bank, and an exact replica of a set used in the RKO musical Follow the Fleet (1936). See more »
When Arthur meets the blind girl, he says that he is traveling from Chicago to Galena, IL. The police later ask about his travels along IL Route 1. IL Route 1 starts in Chicago and runs south, paralleling the Illinois-Indiana border, ending at the Kentucky border. Galena is west of Chicago, in the extreme northwest corner of the state. See more »
the more I am amazed. It is the film that Chicago could have been were it not for its irony. I never saw the BBC original, but fondly remember Potter's "The Singing Detective." I can understand that Hoskin's Cockney optimism would fit Pennies' lead character to a tee, but Martin gives us a hint of the fragility of the song pusher's world, like Willy Loman, out there on a shoeshine, and for Martin, a song.
The film is innovative and definitely not your father's musical, and the songs, done up not in 1981 over-orchestration but in that tinny sound of early vinyl, just blow me away. After I saw it, I went searching for Follow the Fleet just to see 'Face the Music' in reel time.
This film will not be everyone's cup of tea. It is one of those movies that I say works best when you begin with "Once upon a time."
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