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National Heritage (1981)
"Patrimonio nacional" (original title)

 -  Comedy  -  26 March 1981 (Spain)
7.1
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Ratings: 7.1/10 from 315 users  
Reviews: 1 user

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(as Luis Gª Berlanga)
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Title: National Heritage (1981)

National Heritage (1981) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
Luis Ciges ...
Segundo
Luis Escobar ...
Agustín González ...
Padre Calvo
José Luis López Vázquez ...
Luis José
Alfredo Mayo ...
Nacho
José Lifante ...
Goyo (as José Ruiz Lifante)
Mary Santpere ...
Condesa
Amparo Soler Leal ...
Chus
Syliane Stella ...
Solange
José Luis de Vilallonga ...
Álvaro
José Luis Alonso
Patricio Arnáiz ...
(as Patricio Arnaiz)
Pedro Beltrán ...
(as Pedro Beltran)
Julio Castronuovo
Jaime Chávarri ...
(as Jaime Chavarri)
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Storyline

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Taglines:

La monarquía ha vuelto. Los Leguineche, también.

Genres:

Comedy

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Details

Country:

Language:

Release Date:

26 March 1981 (Spain)  »

Also Known As:

National Heritage  »

Box Office

Gross:

ESP 200,484,728 (Spain)
 »

Company Credits

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Technical Specs

Runtime:

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Connections

Referenced in The Last Horror Film (1982) See more »

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User Reviews

 
An attack on aristocracy
29 May 2006 | by (Miami, FL) – See all my reviews

This is Luis García Berlanga's second take on the Leguineches, a down and out aristocratic family who settle in their palatial home in the middle of Madrid and try to feign relevance. As the leit-motiv in most of Berlanga's films (people pretending to be something they're not), it marginally works. No matter how indebted the Count of Leguineche is, he nonetheless goes on to use his connections to get loans and re-establish himself in newly-democratic Spain.

Sure, the gags are all about how they simply ignore reality (and covet royalty's attention).

A first-rate cast saves the film from absolute tedium, that including the marvelous Mary Santpere and Luis Escobar as the unflappable marquises, and José Luis López Vázquez. Luis Ciges as the ever-loyal servant and Agustín González as the venal family priest provide a comfortable yet predictable performance.

The story in itself is spiral-like and, like the Leguineches, really looks good but goes nowhere.

If you like character-driven cinema soft on plot and big on redundant gags that lampoon aristocracy, this one is for you.


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