A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee's drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then ... See full summary »
Laura del Sol,
Paco de Lucía
A worker becomes a "man of iron" forged by experience, a son comes to terms with his father, a couple fall in love, a reporter searches for courage, and a nation undergoes historic change. ... See full summary »
The film is situated in the time when Mary Shelley wrote her novel "Frankenstein". It describes the relationship between Lord Byron, Percy and Mary Shelley during various voyages through ... See full summary »
When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he ... See full summary »
José Luis López Vázquez,
Reine is supposed to go to a summer camp called 'Childrens island' but decides to remain in Stockholm over the summer while his mother is working at a hospital. She thinks he is at the camp... See full summary »
This is Luis García Berlanga's second take on the Leguineches, a down and out aristocratic family who settle in their palatial home in the middle of Madrid and try to feign relevance. As the leit-motiv in most of Berlanga's films (people pretending to be something they're not), it marginally works. No matter how indebted the Count of Leguineche is, he nonetheless goes on to use his connections to get loans and re-establish himself in newly-democratic Spain.
Sure, the gags are all about how they simply ignore reality (and covet royalty's attention).
A first-rate cast saves the film from absolute tedium, that including the marvelous Mary Santpere and Luis Escobar as the unflappable marquises, and José Luis López Vázquez. Luis Ciges as the ever-loyal servant and Agustín González as the venal family priest provide a comfortable yet predictable performance.
The story in itself is spiral-like and, like the Leguineches, really looks good but goes nowhere.
If you like character-driven cinema soft on plot and big on redundant gags that lampoon aristocracy, this one is for you.
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