A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee's drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then ... See full summary »
Laura del Sol,
Paco de Lucía
A worker becomes a "man of iron" forged by experience, a son comes to terms with his father, a couple fall in love, a reporter searches for courage, and a nation undergoes historic change. ... See full summary »
In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. ... See full summary »
Ana is alive and married with Antonio; they arrive in the manor in the countryside of Spain where she worked as a nanny many years ago, for the centennial birthday of the matriarch. In ... See full summary »
Fernando Fernán Gómez
In a small spanish town, a group of old ladies decide to celebrate Christmas Eve with a "Sit a poor man at your table" dinner: each wealthy household of the town will have a homeless person... See full summary »
Luis García Berlanga
José Luis López Vázquez,
A platoon of mismatched republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the saint patron date of the village. In addition to ruining the ... See full summary »
Luis García Berlanga
This is Luis García Berlanga's second take on the Leguineches, a down and out aristocratic family who settle in their palatial home in the middle of Madrid and try to feign relevance. As the leit-motiv in most of Berlanga's films (people pretending to be something they're not), it marginally works. No matter how indebted the Count of Leguineche is, he nonetheless goes on to use his connections to get loans and re-establish himself in newly-democratic Spain.
Sure, the gags are all about how they simply ignore reality (and covet royalty's attention).
A first-rate cast saves the film from absolute tedium, that including the marvelous Mary Santpere and Luis Escobar as the unflappable marquises, and José Luis López Vázquez. Luis Ciges as the ever-loyal servant and Agustín González as the venal family priest provide a comfortable yet predictable performance.
The story in itself is spiral-like and, like the Leguineches, really looks good but goes nowhere.
If you like character-driven cinema soft on plot and big on redundant gags that lampoon aristocracy, this one is for you.
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