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Passione d'amore (1981)

 -  Drama | Romance  -  7 May 1981 (Italy)
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Ratings: 7.0/10 from 379 users  
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In the 1860's, Giorgio (Giraudeau), a young Italian soldier is sent to a remote post, far away from his lover, Clara (Antonelli). He is lodged in the house of the colonel (Girotti). He ... See full summary »



(novel), (screenplay), 1 more credit »
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Title: Passione d'amore (1981)

Passione d'amore (1981) on IMDb 7/10

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8 wins & 6 nominations. See more awards »




Cast overview:
Bernard Giraudeau ...
Capt. Giorgio Bacchetti
Valeria D'Obici ...
Laura Antonelli ...
Bernard Blier ...
Maj. Tarasso
Gerardo Amato ...
Lt. Baggi
Sandro Ghiani ...
Giorgio's attendant
Alberto Incrocci ...
Capt. Rivolti
Rosaria Schemmari ...
Fosca's maid
Francesco Piastra ...
Colonel's attendant
Saverio Vallone ...
Blond lieutenant
Franco Committeri ...
Clara's husband


In the 1860's, Giorgio (Giraudeau), a young Italian soldier is sent to a remote post, far away from his lover, Clara (Antonelli). He is lodged in the house of the colonel (Girotti). He becames friends with the colonel and the local doctor (Trintignant). Among the inhabitants of the house, there is a strange young woman - Fosca (d'Obici) who is both unattractive and mad. However, she has a passion that Giorgio will have to cope with. Written by Dragomir R. Radev <>

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Drama | Romance


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Release Date:

7 May 1981 (Italy)  »

Also Known As:

Passione d'amore  »

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Did You Know?


Inspired Stephen Sondheim to write the musical Passion. See more »


Featured in Zomergasten: Episode #3.1 (1990) See more »

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User Reviews

Voyage to the depths of the soul
24 January 2005 | by (Pijnacker, Netherlands) – See all my reviews

This is one of the few movies that was recommended to me as absolutely brilliant, that really is. If you give this movie a low note than you really missed the point. You could describe Fosca as manipulative, but what if it is really serious, that she gets ill when the love she is sure of isn't answered. But what would you do when you are sure that the other one loves you, and is 'only' rejected by the fact that you are ugly. Wouldn't you fight for it. At least I think it is better to fight for it that die in bitterness. And it reminds me of the fact how I, as a man, react at first sight completely on the physical ugliness of Fosca and don't look further at the person she is or might be. This movie confronts me with very solemn questions about respect, trust, feeling manipulated and so on. How do I now if someone manipulates me or is just trying everything to make contact? What I think to be the most outstanding feature in this movie is that Ettore Scola made it absolutely believable that Giorgio falls in love with Fosca.

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