In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Marshal W.T. O'Niel is assigned to a mining colony on Io, one of Jupiter's moons. During his tenure miners are dying - usually violently. When the marshal investigates he discovers the one thing all the deaths have in common is a lethal amphetamine-type drug, which allows the miners to work continuously for days at a time until they become "burned out" and expire. O'Niel follows the trail of the dealers, which leads to the man overseeing the colony. Now O'Niel must watch his back at every turn, as those who seek to protect their income begin targeting him... Written by
One of the few films to be released theatrically with the "Megasound" sound system format. Megasound was a movie theater sound system created by Warner Bros in the early 1980s. It was used to enhance the premiere engagements of a handful of Warner features. Theaters equipped for Megasound had additional speakers mounted on the left, right and rear walls of the auditorium. Selected soundtrack events with lots of low-frequency content (thuds, crashes, explosions, etc) were directed to these speakers at very high volume, creating a visceral effect intended to thrill the audience. See more »
In the opening scenes in the mining levels, human voices are heard through the radio links, but ambient industrial noise is heard "in the clear". In a vacuum there would be no such noise. If the noise were heard from the miners' perspective (as was the radio chatter) it would have been low frequency noise from mechanical contact with the ground and manual equipment only. See more »
Dr. Marian Lazarus:
Almost everybody here doesn't have both oars in the water as far as I'm concerned. Why people "suddenly" start to lose their marbles in greater numbers is not so mystifying. I don't know why more of them didn't do it sooner.
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In the opening credits, the word "Principal" is misspelled. See more »
Very well crafted and entertaining film with a good Sean Connery
In the near-future, in a space mine set on the Jupiter satellite Io, the new Marshall O'Niel (Sean Connery) discovered a mortal drug trafic. This amphetamine-like drug drives the addicted miners mad and makes them committed suicide. O'Niel encovers the conspiracy, involving the director of the mine, but becomes the target of hitmen, with almost no body helping him. The film is a Science Fiction remake of "High Noon"("le train sifflera trois fois" in French). The train is here replaced by a shuttle from a space station and the Far West by the set on a deep space mining outpost (Not Deep Space Nine).
This a well paced film with a solid acting from Sean Connery. The pursuits, especialy the first in the corridors of the space habitat, are gripping. The film was made in 1981, when the CGI effects were not as prevalent as today. For exemple scenes where humans are dwarfed by huge metalic structures, were executed thanks to a then traditional play of mirrors. I have seen this film at the cinema when it played for the first time in 1981. I have recently watched it again on cable TV and I think it has not aged much. Because it is set on a makeshift sleazy outpost and not a shiny white place as too often in science fiction film, it remains realistic enough, twenty two years later. The themes,a bit overlooked, dangerous mind drugs, greedy multinational (or multi-planet, here) companies, the will and courage of one man against the cowardice of all the others, resonate still in our mind, nowadays. But make no mistake, it not a heavy political film but a good suspense and action film with a science fiction flavour.
Despite some scientific oddities like heads exploding and weightlessness in a zero pressure atmosphere, where as inside the habitat the gravity is normal (by Earth standards), the script remains coherent enough. The strong performance of Sean Connery is helped by those of a serious Peter Boyle and a pre-ER Frances Sternhagen. Rent this film on your local video store or watch it on TV, it is worth seeing it.
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