In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Marshal W.T. O'Niel is assigned to a mining colony on Io, one of Jupiter's moons. During his tenure miners are dying - usually violently. When the marshal investigates he discovers the one thing all the deaths have in common is a lethal amphetamine-type drug, which allows the miners to work continuously for days at a time until they become "burned out" and expire. O'Niel follows the trail of the dealers, which leads to the man overseeing the colony. Now O'Niel must watch his back at every turn, as those who seek to protect their income begin targeting him... Written by
The first film to use the IntroVision front projection process, which allowed an actor or other live-action element to be sandwiched by a projected background and foreground element, all in the same shot. See more »
In the opening scenes in the mining levels, human voices are heard through the radio links, but ambient industrial noise is heard "in the clear". In a vacuum there would be no such noise. If the noise were heard from the miners' perspective (as was the radio chatter) it would have been low frequency noise from mechanical contact with the ground and manual equipment only. See more »
Marshal William T. O'Neil:
Hey, Sheppard. Guess what I just found in a meat locker.
Station Manager Sheppard:
Y'know, I have a feeling that you'll tell me even if I don't guess.
Marshal William T. O'Neil:
250 pounds of hamburger named Yario that works for you. I also found your shipment of PDE. So, I threw the hamburger in the jail, and the PDE in the toilet. Or was it the other way around? I can't remember now.
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In the opening credits, the word "Principal" is misspelled. See more »
Yes, it's high noon in space. And what's wrong with that?
Sean Connery. A man's man, a woman's sex symbol. Good start! Now let's put him on a remote moon of Jupiter. So how many other films have Io as their center of action? Absolutely excellent in combining the effects that were available at the time with a darn good plot. Well overshadowed by the likes of Alien, this is late 70's/ early 80's sci-fi at it's best. No more is the future in space a Utopia, it is a grimy, nasty everyday world where people carry on their sordid business as they ever did. Except there is always a hero; a flawed hero, as is Connery. A personal crusade, a battle almost against the odds (but not unbelievably so, at all) and the true hallmark of a good sci-fi story: That is, the story would work just as well anywhere, any place, any time, as it does in space in the future. What more do you want (Just check out the shuttle landing)? Essential viewing!
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