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Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago. Written by
Dale O'Connor <email@example.com>
This is one of my favorite pieces of Shakespeare on film or video. Both Anthony Hopkins and Bob Hoskins give thrilling performances. The quiet subtlety of Hopkins interpretation sets the viewer up for a shock when Othello's enormous brutality is revealed. Bob Hoskins is alternately horrifying and loveable. His frequent giggling amuses, and then terrifies. Penelope Hilton's work as Desdemona is equally impressive to that of Hopkins and Hoskins. However, I think in casting her role older than usual, some of the character's innocence is lost. Technically, the lighting and camera work are beautifully handled. Jonathan Miller's direction is sensitive and incisive, and lovingly crafted.
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