A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ...
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George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off. And just when things are moving along, the memory... See full summary »
Susan is a young, beautiful and successful flute player, but because of her physical handicap, a lame leg, she is having difficulties finding Mr. Right. While on tour in France, she decides... See full summary »
This film is made up of three segments that share no plot but have a general thematic relationship. In the first segment, Virginia and her three children are left by her shiftless husband ... See full summary »
A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze. Written by
Kristy McNichol is a daughter who never had a childhood. Marsha Mason is a mother who never grew up. And when they get together, they're the most mismatched roomates since "The Goodbye Girl". See more »
When Georgia arrives home from re-hab she waits outside her apartment door holding a full bouquet of pink roses and baby's breath wrapped in green tissue paper. The grouping of the pink roses and the baby's breath changes remarkably after she enters her apartment. See more »
Neil Simon adapted his play "The Gingerbread Lady" into this wonderful bittersweet comedy. Kristy McNichol is wonderful as teenage daughter Polly. Marsha Mason deftly portrays boozy Broadway actress Georgia Hines. Veterans James Coco and Joan Hackett lend excellent support as a gay failed actor and fading Park Avenue beauty. Mason is wonderful as Georgia, as written she is a witty, genuine human being. Only When I Laugh is one of Neil Simon's more poignant screen adaptations. Through the good and the bad the viewer is never left wanting. This is one of my all-time favorite Neil Simon vehicles. For a play adaptation it never feels stagy.
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