A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ... See full summary »
George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off. And just when things are moving along, the memory... See full summary »
Susan is a young, beautiful and successful flute player, but because of her physical handicap, a lame leg, she is having difficulties finding Mr. Right. While on tour in France, she decides... See full summary »
Deprived of a normal childhood by her ambitious mother, Katie, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood ... See full summary »
Jack Casey used to be a hot-shot stock market whiz kid. After a disastrous professional decision, his life in the fast lane is over. He loses his nerve and joins a speed delivery firm which... See full summary »
Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But ... See full summary »
George Roy Hill
Max von Sydow,
A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze. Written by
Kristy McNichol is a daughter who never had a childhood. Marsha Mason is a mother who never grew up. And when they get together, they're the most mismatched roomates since "The Goodbye Girl". See more »
When Georgia arrives home from re-hab she waits outside her apartment door holding a full bouquet of pink roses and baby's breath wrapped in green tissue paper. The grouping of the pink roses and the baby's breath changes remarkably after she enters her apartment. See more »
Who redid my room?
She hates it, I can tell.
It's a little Brady Bunch, but I can work with it.
The room is wonderful! Get rid of the kid!
See more »
Lesser Neil Simon dramedy with a fine performance from Marsha Mason. The problem is that her character is so selfish it's difficult to sympathize with her and since she's the focus of the piece that's vital. The result is that you feel detached from the proceedings. Purportedly Marsha's character Georgia was based on Judy Garland but as written she has none of Judy's enchantress qualities that made her often maddening behavior tolerable to her intimates for so many years. Georgia is thorny without the magnetism or charm that would compensate for her petty, difficult and sometimes cruel behavior.
Joan Hackett gives her customarily excellent performance for which she was Oscar nominated but the part isn't award worthy. Still since this was her final feature film role before her death it nice that she was so honored for her many years of quality work. James Coco was similarly acknowledged and his part is more fleshed out but he has likewise had better roles. Kristy McNichol, at the height of her fame when this was made, surely took the project on feeling it would be a good showcase for her but except for one confrontation scene her character doesn't make much impact and it seems the script doesn't know what it wants her to be.
Not a bad film but for being a Neil Simon project the script is missing an incisiveness that is the hallmark of his better work.
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