- Won 3 Oscars. Another 11 wins & 24 nominations.
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Photos and Videos
Cast verified as complete
Katharine Hepburn | ... |
Ethel Thayer
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Henry Fonda | ... |
Norman Thayer Jr.
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Jane Fonda | ... |
Chelsea Thayer Wayne
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Doug McKeon | ... |
Billy Ray
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Dabney Coleman | ... |
Bill Ray
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William Lanteau | ... |
Charlie Martin
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Christopher Rydell | ... |
Sumner Todd
(as Chris Rydell)
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Rest of cast listed alphabetically: | |||
Troy Garity | ... |
Young Boy on Jetty (uncredited)
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Directed by
Mark Rydell |
Written by
Ernest Thompson | ... | (screenplay) |
Ernest Thompson | ... | (based on his play) |
Produced by
Bruce Gilbert | ... | producer |
Music by
Dave Grusin |
Cinematography by
Billy Williams | ... | director of photography |
Editing by
Robert L. Wolfe | ... | (edited by) |
Editorial Department
Mark Conte | ... | assistant editor |
Adam Wolfe | ... | apprentice editor |
Greg Wong | ... | assistant editor |
Casting By
Dianne Crittenden | ||
Barry Primus |
Production Design by
Stephen B. Grimes | ... | (as Stephen Grimes) |
Set Decoration by
Jane Bogart |
Costume Design by
Dorothy Jeakins | ... | (costumes by) |
Makeup Department
Ramon Gow | ... | hairstylist |
Jerry Masarone | ... | hairstylist |
Thomas Tuttle | ... | makeup (as Tom Tuttle) |
Production Management
Terry Carr | ... | production supervisor / unit production manager |
Richard Hashimoto | ... | unit production manager (as Richard Y. Hashimoto) |
Richard L. O'Connor | ... | executive in charge of production |
James Potter | ... | post-production supervisor |
Second Unit Director or Assistant Director
Gary Daigler | ... | first assistant director |
Stephen B. Grimes | ... | second unit director (as Stephen Grimes) |
Venita Ozols-Graham | ... | second assistant director (as Venita Ozols) |
Art Department
Robert L. Clark | ... | painter |
Emily Ferry | ... | property master |
Emad Helmy | ... | set designer |
Matthew Knox | ... | assistant propmaster |
Donald Krafft | ... | lead person (as Donald W. Krafft) |
Gary Martin | ... | construction coordinator |
Ida Random | ... | assistant art director |
Ken Reed | ... | prop maker |
William Trobaugh | ... | construction foreman |
Michael de Maizière | ... | poster artist : East Germany (uncredited) |
Bill Gold | ... | poster designer (uncredited) |
Mentor Huebner | ... | production illustrator (uncredited) |
Sound Department
Laurey Condon | ... | assistant sound editor |
Richard Portman | ... | rerecording mixer |
David M. Ronne | ... | production sound mixer (as David Ronne) |
Kay Rose | ... | supervising sound editor |
Victoria Rose Sampson | ... | sound editor |
Pat Suraci | ... | boomman |
Brian L. McCarty | ... | boom operator (uncredited) |
Special Effects by
Matt Sweeney | ... | special effects supervisor (as Matthew Sweeney) |
Stunts
Bobby Porter | ... | stunt double |
Walter Scott | ... | stunt coordinator / stunt double |
Camera and Electrical Department
Richmond L. Aguilar | ... | gaffer (as Aggie Aguilar) |
Paul Caven | ... | best boy |
James A. Contner | ... | camera operator |
Adger W. Cowans | ... | still photographer (as Adger W. Cowan) |
Leonard Lookabaugh | ... | key grip (as Len Lookabaugh) |
Rexford L. Metz | ... | director of aerial photography (as Rexford Metz) |
Gary Muller | ... | second assistant camera (as Gary A. Muller) |
Hank Muller | ... | first assistant camera |
Peter Norman | ... | director of photography: second unit (as Peter R. Norman) |
Scott Rathner | ... | assistant camera |
Jon Fauer | ... | camera operator: second unit (uncredited) |
Kyle T. MacDowell | ... | grip (uncredited) |
Casting Department
Victoria James | ... | extras casting |
Costume and Wardrobe Department
Arlene Encell | ... | costume supervisor |
Tony Faso | ... | costume supervisor |
Location Management
Richard Dixon | ... | location auditor (as Dick Dixon) |
James Rosenfield | ... | location manager |
Music Department
Else Blangsted | ... | supervising music editor |
Dennis S. Sands | ... | music recordist (as Dennis Sands) |
Andy D'Addario | ... | Music Scoring Recordist (uncredited) |
Dave Grusin | ... | conductor (uncredited) / music arranger (uncredited) / music mixer (uncredited) / music producer (uncredited) / musician: piano solos (uncredited) |
Louise Di Tullio | ... | musician: flute (uncredited) |
Script and Continuity Department
Marshall Schlom | ... | script supervisor |
Transportation Department
William C. Bratton | ... | transportation captain |
Joe Sawyers | ... | transportation coordinator (as Joe R. Sawyers) |
Additional Crew
Ann Bell | ... | assistant to the director |
Carroll Parrott Blue | ... | production assistant (as Carroll Blue) |
Arthur Cantor | ... | producer: Broadway play |
Pat Curtin | ... | boat supervisor |
Greer Garson | ... | producer: Broadway play |
James W. Gavin | ... | helicopter pilot |
Peggy Gilder | ... | production assistant |
Lew Grade | ... | presents (as Lord Grade) |
Martin Guigui | ... | production assistant |
Charlene Joyce-Willingham | ... | production assistant (as Charlene Joyce) |
Denise Kurtzman | ... | assistant to the producer |
Marie Melendez | ... | assistant to the director |
Geralyn Miller | ... | production coordinator |
Phill Norman | ... | title design |
Eileen Peterson | ... | assistant to the producer |
Anne Prager | ... | production assistant |
Ralph J. Rivera | ... | Financial Executive |
Gayle Simon | ... | production assistant |
Lydia Telo | ... | assistant auditor |
Edna Tromans | ... | unit publicist |
Ellen Adolph | ... | manager of production accounting (uncredited) |
Thanks
Roger Spottiswoode | ... | special thanks |
Robert L. Wolfe | ... | this film is respectfully dedicated to the memory of |
Production Companies
Distributors
- Universal Pictures (1981) (United States) (theatrical)
- Associated Film Distribution (AFD) (1981) (United States) (theatrical)
- Cinema International Corporation (CIC) (1982) (Finland) (theatrical)
- Cinema International Corporation (CIC) (1982) (Norway) (theatrical)
- Consorcio Ibérico Cinematográfico (CIC) (1982) (Spain) (theatrical)
- Filmes Castello Lopes (1982) (Portugal) (theatrical)
- Hoyts Distribution (1982) (Australia) (theatrical)
- Paris Filmes (1982) (Brazil) (theatrical)
- Seven Keys (1982) (Australia) (theatrical)
- Sunn Classic Productions (1982) (United Kingdom) (theatrical)
- Toho-Towa (1982) (Japan) (theatrical)
- United International Pictures (UIP) (1982) (Australia) (theatrical)
- United International Pictures (UIP) (1982) (Sweden) (theatrical)
- 20th Century Fox Video (1982) (United States) (VHS)
- Precision Video (1982) (United Kingdom) (VHS)
- Universal Films of India (1983) (India) (theatrical)
- CBS/Fox (1983) (West Germany) (VHS)
- CBS/Fox (1983) (United States) (VHS)
- Progress Film-Verleih (1984) (East Germany) (theatrical)
- CBS Electronics (1984) (Greece) (VHS)
- CBS/Fox Home Video (1984) (Australia) (video)
- CBS/Fox (1984) (United States) (VHS)
- National Broadcasting Company (NBC) (1984) (United States) (tv)
- Alliance Vidéo (1985) (France) (video) (V2000) (dubbed version)
- FilmNet (1985) (Netherlands) (tv) (limited)
- Canal+ (1986) (France) (tv) (dubbed version)
- Channel 5 Video Distribution (1986) (United Kingdom) (VHS)
- VideoVisa (1987) (Mexico) (VHS)
- ITC Home Video (1988) (United States) (VHS)
- J2 Communications (1988) (United States) (VHS)
- Mainostelevisio (MTV3) (1988) (Finland) (tv) (as MTV1)
- M6 (1989) (France) (tv) (dubbed version)
- Algemene Vereniging Radio Omroep (AVRO) (1990) (Netherlands) (tv) (as AVRO)
- Antenne 2 (A2) (1990) (France) (tv) (dubbed version)
- Family Home Entertainment (FHE) (1993) (United States) (VHS)
- Live Home Video (1993) (United States) (VHS)
- Yleisradio (YLE) (1993) (Finland) (tv)
- 4 Front Video (1994) (United Kingdom) (VHS)
- PolyGram Television (1995) (World-wide)
- Family Home Entertainment (FHE) (1996) (United States) (VHS)
- Live Entertainment (1996) (United States) (VHS)
- Philips Media (1996) (United States) (video) (Video CD)
- PolyGram Video (1996) (United Kingdom) (VHS)
- Pioneer Entertainment (1997) (United States) (video) (LaserDisc)
- Artisan Entertainment (1999) (United States) (DVD)
- Artisan Entertainment (1999) (United States) (VHS)
- Argentina Video Home (2001) (Argentina) (DVD)
- Argentina Video Home (2001) (Argentina) (VHS)
- Artisan Home Entertainment (2003) (United States) (DVD)
- Lionsgate (2003) (United States)
- Universal Pictures Finland (2005) (Finland) (DVD)
- Universal Pictures Video (2005) (Germany) (DVD)
- Universal Pictures Video (2005) (France) (DVD)
- ARTE (2007) (France) (tv)
- Maple Pictures (2007) (Canada) (DVD)
- Universal Pictures Video (2007) (Netherlands) (DVD)
- Continental Film (2008) (Croatia)
- Rai 1 (2016) (Italy) (tv)
- Universal Pictures Video (2016) (France) (DVD)
- Pandastorm Pictures (2017) (Germany) (Blu-ray)
- HBO Max (2020) (United States) (video) (VOD)
- Fathom Events (2021) (United States) (theatrical)
- Soul Media (2021) (Finland) (Blu-ray) (DVD)
- ARTE (2023) (France) (tv)
- ITVX (2023) (United Kingdom) (video) (VOD)
- Alliance Atlantis Vivafilm (Canada) (video) (dubbed)
- Argentina Video Home (Argentina) (VHS)
- CBS / Fox Video (Netherlands) (VHS)
- R-Video (1983) (Finland) (VHS)
Special Effects
Other Companies
- New Hampshire Film & TV Office (the producers wish to acknowledge their appreciation to)
- Panavision (camera equipment provided by)
- People of New Hampshire (the producers wish to acknowledge their appreciation to)
- Pickwick/Maslansky/Koenigsberg Inc. (publicity)
- Todd-AO Studios (sound by)
Storyline
Plot Summary |
The loons have returned to Golden Pond, and so have retired professor Norman Thayer and his wife Ethel, who have had a summer cottage there since early in their marriage. This summer, their daughter Chelsea--whom they haven't seen in years, feels that she must be there for Norman's birthday. She and her fiance' are on their way to Europe, but will return in a few weeks to pick up the fiance's son. When Chelsea returns, she is married, and her stepson has the relationship with her father that she had always wanted. Will father and daughter be able to communicate at last?
Written by Dale O'Connor |
Plot Keywords | |
Taglines | A TRIPLE ACADEMY AWARD-WINNER! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Sound Mix | |
Filming Locations |
Box Office
Budget | $7,500,000 (estimated) |
Opening Weekend United States | $89,213, 06 Dec 1981 |
Did You Know?
Trivia | The brown Fedora worn by Henry Fonda belonged to Spencer Tracy and was given to Fonda by Katharine Hepburn on the first day on the set. Overwhelmed with the gesture, Fonda painted a still life watercolor of the three hats he wore in the film and gave the original to Hepburn as a gift. He had 200 lithographs made of the painting and sent one to every person who worked on the film. Each copy was numbered and personally signed by Fonda, thanking each person by name. In her autobiography, Hepburn wrote that she gave the painting to screenwriter Ernest Thompson. After Fonda's death, she found the painting to be a sad reminder of him and Tracy. See more » |
Goofs | The numbers of the pump show the cost of fuel to be 67.9 cents per gallon with a total cost of $19.00. The price of gasoline in 1981 was around $1.30 per gallon. However, old pumps were not capable of charging more than 99.9 cents per gallon, so they were set to half the price, and the total was then doubled. That is why the teenager asks for $38.00. See more » |
Movie Connections | Edited into Reflections on Golden Pond (2003). See more » |
Soundtracks | Happy Birthday to You See more » |
Quotes |
Billy Ray:
So, I heard you turned 80 today. Norman: Is that what you heard? Billy Ray: Yeah. Man, that's really old. Norman: You should meet my father. Billy Ray: Your father's still alive? Norman: No, but you should meet him. See more » |