| Photos (See all 26 | slideshow) | Videos (see all 2) |
| Katharine Hepburn | ... | Ethel Thayer | |
| Henry Fonda | ... | Norman Thayer Jr. | |
| Jane Fonda | ... | Chelsea Thayer Wayne | |
| Doug McKeon | ... | Billy Ray | |
| Dabney Coleman | ... | Bill Ray | |
| William Lanteau | ... | Charlie Martin | |
| Christopher Rydell | ... | Sumner Todd (as Chris Rydell) | |
| rest of cast listed alphabetically: | |||
| Troy Garity | ... | Young Boy on Jetty (uncredited) | |
Directed by | |||
| Mark Rydell | |||
Writing credits | ||
| Ernest Thompson | (screenplay) | |
| Ernest Thompson | (based on his play) | |
Produced by | |||
| Bruce Gilbert | .... | producer | |
Original Music by | |||
| Dave Grusin | (music by) | ||
Cinematography by | |||
| Billy Williams | (director of photography) | ||
Film Editing by | |||
| Robert L. Wolfe | (edited by) | ||
Casting by | |||
| Dianne Crittenden | |||
| Barry Primus | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Set Decoration by | |||
| Jane Bogart | |||
Costume Design by | |||
| Dorothy Jeakins | (costumes by) | ||
Makeup Department | |||
| Ramon Gow | .... | hairstyles by | |
| Jerry Masarone | .... | hairstylist | |
| Thomas Tuttle | .... | makeup (as Tom Tuttle) | |
Production Management | |||
| Terry Carr | .... | production supervisor | |
| Terry Carr | .... | unit production manager | |
| Richard Hashimoto | .... | unit production manager (as Richard Y. Hashimoto) | |
| Richard L. O'Connor | .... | executive in charge of production | |
| James Potter | .... | post production supervisor | |
Second Unit Director or Assistant Director | |||
| Gary Daigler | .... | first assistant director | |
| Stephen B. Grimes | .... | second unit director (as Stephen Grimes) | |
| Venita Ozols | .... | second assistant director | |
Art Department | |||
| Robert L. Clark | .... | painter | |
| Emily Ferry | .... | property master | |
| Emad Helmy | .... | set designer | |
| Matthew Knox | .... | assistant propmaster | |
| Donald Krafft | .... | lead person (as Donald W. Krafft) | |
| Gary Martin | .... | construction coordinator | |
| Ida Random | .... | assistant art director | |
| Ken Reed | .... | prop maker | |
| William Trobaugh | .... | construction foreman | |
Sound Department | |||
| Laurey Condon | .... | assistant sound editor | |
| Richard Portman | .... | rerecording mixer | |
| David M. Ronne | .... | production sound mixer (as David Ronne) | |
| Kay Rose | .... | supervising sound editor | |
| Victoria Rose Sampson | .... | sound editor | |
| Pat Suraci | .... | boomman | |
| Brian L. McCarty | .... | boom operator (uncredited) | |
Special Effects by | |||
| Matt Sweeney | .... | special effects supervisor (as Matthew Sweeney) | |
Stunts | |||
| Bobby Porter | .... | stunt double | |
| Walter Scott | .... | stunt coordinator | |
| Walter Scott | .... | stunt double | |
Camera and Electrical Department | |||
| Richmond L. Aguilar | .... | gaffer (as Aggie Aguilar) | |
| Paul Caven | .... | best boy | |
| James A. Contner | .... | camera operator | |
| Adger W. Cowans | .... | still photographer (as Adger W. Cowan) | |
| Leonard Lookabaugh | .... | key grip (as Len Lookabaugh) | |
| Rexford L. Metz | .... | director of aerial photography (as Rexford Metz) | |
| Gary Muller | .... | second assistant camera (as Gary A. Muller) | |
| Hank Muller | .... | first assistant camera | |
| Peter Norman | .... | director of photography: second unit (as Peter R. Norman) | |
| Scott Rathner | .... | assistant camera | |
| Jon Fauer | .... | camera operator: second unit (uncredited) | |
| Kyle T. MacDowell | .... | grip (uncredited) | |
Casting Department | |||
| Victoria James | .... | extras casting | |
Costume and Wardrobe Department | |||
| Arlene Encell | .... | costume supervisor | |
| Tony Faso | .... | costume supervisor | |
Editorial Department | |||
| Mark Conte | .... | assistant editor | |
| Adam Wolfe | .... | apprentice editor | |
| Greg Wong | .... | assistant editor | |
Music Department | |||
| Else Blangsted | .... | supervising music editor | |
| Dennis S. Sands | .... | music recorded by (as Dennis Sands) | |
Transportation Department | |||
| William C. Bratton | .... | transportation captain | |
| Joe Sawyers | .... | transportation coordinator (as Joe R. Sawyers) | |
Other crew | |||
| Ann Bell | .... | assistant to the director | |
| Carroll Parrott Blue | .... | production assistant (as Carroll Blue) | |
| Arthur Cantor | .... | producer: Broadway play | |
| Pat Curtin | .... | boat supervisor | |
| Richard Dixon | .... | location auditor (as Dick Dixon) | |
| Greer Garson | .... | producer: Broadway play | |
| James W. Gavin | .... | helicopter pilot | |
| Peggy Gilder | .... | production assistant | |
| Lew Grade | .... | presents (as Lord Grade) | |
| Charlene Joyce-Willingham | .... | production assistant (as Charlene Joyce) | |
| Denise Kurtzman | .... | assistant to the producer | |
| Marie Melendez | .... | assistant to the director | |
| Geralyn Miller | .... | production coordinator | |
| Phill Norman | .... | title designer | |
| Eileen Peterson | .... | assistant to the producer | |
| Anne Prager | .... | production assistant | |
| James Rosenfield | .... | location manager | |
| Marshall Schlom | .... | script supervisor | |
| Gayle Simon | .... | production assistant | |
| Lydia Telo | .... | assistant auditor | |
| Edna Tromans | .... | unit publicist | |
| Ellen Adolph | .... | manager of production accounting (uncredited) | |
Thanks | |||
| Roger Spottiswoode | .... | special thanks | |
| Robert L. Wolfe | .... | this film is respectfully dedicated to the memory of | |
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| Full cast and crew | Company credits | External reviews |
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Many of us may wonder what it is like when you finally have to face the realities of getting old . The kids are now adults the summer cottage just does not hold the same value as before . Years ago you created the memories you reflect upon today and there is a sense of emptiness . Age takes it's toll more severely on some than on others . That staunch Yankee attitude of " Grin and Bear it " comes to light while others can not accept that their capabilities have diminished and that their roar is bigger than their bite. Hepburn being the cornerstone that supports the family togetherness , while Fonda and Fonda work out issues long overdue . They connect so well in this movie because it was a taste of reality for their own relationship off-screen not just as characters of a film .This made this story go straight to your heart ,there are memories to be made on Golden Pond even while your golden years pass by. The leaves will turn color and the song of the Loon will disappear , only to return again next year with or without you. Times will change , not necessarily for the best but , Life goes on , on golden pond .