Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.
The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their daughter Chelsea -- whom they haven't seen for years -- feels she must be there for Norman's birthday. She and her fiance are on their way to Europe the next day but will be back in a couple of weeks to pick up the fiance's son. When she returns Chelsea is married and her stepson has the relationship with her father that she always wanted. Will father and daughter be able to communicate at last? Written by
Dale O'Connor <firstname.lastname@example.org>
Pieces of mail change between shots; in particular, there is no printed advertising flyer or newspaper in the first shots, and there is never a padded envelope containing Norman's meds included in the sheaf of envelopes that the postman delivers; after pulling out the letter from Chelsea and handing it to Ethel, he says himself that there is nothing else besides "bills and junk mail". See more »
This film is just so nice to watch. The plot is fairly simple, as is the direction. The script just serves as the frame for Hepburn and Fonda.
To say their performances are out of this world is probably the wrong way to say it. They are just so gentle and sweet. This film convinced me of their sheer quality.
They had made only a handful of films between them over the last decade or so. To come out of retirement and do something like that is unbelievable. I can only assume that their performances are so similar to what they are in real life that it wasn't really acting.
If you are at all a fan of Fonda or Hepburn, you must see this film. You must see it. It will put you in a better mood.
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